Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
It’s been some years since I had seen an episode of Nash Bridges. I had almost forgotten everything about the show except for two things. I remembered how great Johnson and Marin were together and, of course, that ugly-colored Cuda. I watched these episodes and found that my perspective hadn’t changed. Who cares what the story is about? Who remembers any of the cases? I remember the characters and the car, and 10 years later it feels exactly the same way. In many ways Nash Bridges was the last of its kind. The cycle of buddy cop and car chases was pretty much over. What started with James Rockford
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987, and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time. It’s unfortunate, really, because this 1960 series had a lot going for it
Posted in: No Huddle Reviews by Michael Durr on November 8th, 2009
As explained by many authors in this site, remakes are becoming far too common. In fact, they are so many of these that we aren’t sure of the source material. An obscure movie comes out and apparently in 1953, there was a similar movie made. This movie also probably made the equivalent of $100 American Dollars at the box office. Well, perhaps not that bad. I received one of these movies to review recently and it was titled Angel and the Badman. Let’s see how this one fares.
Posted in: Disc Reviews by Gino Sassani on November 6th, 2009
This new version of The Taking Of Pelham 123 falls under the category of unnecessary remakes, reimaginings, reboots, or retellings. That’s not to say that it’s a bad movie. In fact, it’s a pretty good movie. I guess my big problem is that this latest trend to redo so many things that have come before suggests a lack of originality in today’s artists. I don’t believe there is a lack of creativity in this generation. I do, however, think there is a laziness that pervades almost every aspect of our society, and this endless chain of copies is a symptom of that disease. Don’t get me wrong here. I’m not one of these critics who believes that films and television shows can’t or should not occasionally be redone.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
“For the Egyptians, life was eternal. They searched the globe for ingredients to preserve their bodies and their immortality. With knowledge gained from centuries of practice, their priests have created the finnest mummies the world has ever known.”
Ever since Howard Carter first entered the tomb of the legendary King Tut, most of the world has had an incredible fascination with the mummies of ancient Egypt. Hollywood has done its best over the ages to create fear by making monsters of these preserved corpses. Universal and Boris Karloff started the ball rolling,
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
Sam Fuller lived quite a life before he ever even thought about working in the film industry. He was a crime beat reporter at 17 years old. He served in the infantry in World War II, turning down a cushy press corps assignment. Both of these experiences would shape the man, writer, and filmmaker he was to become. His newspaper experience gave him access to a lifetime of stories, an understanding of the newspaper business, and a honed writing skill. That ability would serve him most. Fuller was a writer more than a filmmaker, and it was with his typewriter that he most excelled.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
It sure seems like Pixar has a lock on the computer animated film industry these days. Their films appear to always hit just the right amount of adult and children content to win with both audiences. We may not all be laughing at the same jokes, but we do laugh. When we’re not laughing, we appear to be captivated by endearing characters that immediately feel like we’ve known them our whole lives. We are instantly concerned about the things that happen to them. All of this happens without a single live entertainer on the screen to guide us into these emotions. That’s because Pixar also happens to be the most state of the art studio out there churning out these kinds of films.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
Simon Baker is riding high these days. Last year his new series, The Mentalist, was the highest ranked new drama of the year. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.
Posted in: Disc Reviews by David Annandale on November 4th, 2009
Liam O'Leary (Brendan Gleeson) has done very well in the booming Irish economy. A successful developer, he is in the process of trying to get a massive project approved, one that the future of his firm is riding on. So things are actually rather tough for him right now at work. At home, meanwhile, he and his wife (Kim Cattrall) have reached a rather chilly stage of their marriage, and his son (Briain Gleeson, and yes, Brendan's actual son) is feeling quite alienated, not to mention disgusted with the capitalist excesses that surround him. Stressful as all of this is, things are about to get much worse, as he starts seeing his double (Gleeson again). Is he hallucinating? Is it a supernatural visitation? The answer is both more earth-bound and wild, and before he knows it, his entire existence is turned upside down.
Posted in: No Huddle Reviews by Michael Durr on November 4th, 2009
Some would say that what I do is a “wannabe” writer. I write reviews of dvds & games and also write a weekly column. However, I’m sure there are many novelists and newspaper writers who consider me nothing more than an Internet geek with a keyboard. But the truth is we are something more. Many of us are just as good as the novelists out there and better than the liberal media. Criminal Ways was originally called the “Wannabes” because it was about a group of men who wanted to be a children’s entertainment group. But like myself, there is so much more to the story than meets the eye.
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