Posted in: Disc Reviews by Archive Authors on March 27th, 2008
Imagine my surprise when I found out that the show Wildfire, aired exclusively on the ABC Family network on Monday nights, is coming up on its fourth season. So it makes me wonder, since ABC Family is a little long on episodes, if a show airs on a network that people barely watch (aside from the occasional Gilmore Girls repeat), does the show really exist?
Wildfire is not, as I first thought, a reality show surrounding professional wrestler Tommy Rich, nor is it a dramatic show about fighting brush blazes in California or Montana. It is the name of a racehorse. The horse finds a kindred spirit in Kris (Genevieve Cortese, Kids in America), who is on a work release program and is given parole to work at Raintree Ranch, owned by Jean Ritter (Nana Visitor, Star Trek Deep Space Nine). Jean's son Matt (Micah Alberti, American Pie Presents Band Camp) is becoming an accomplished trainer, perhaps better than the farm's head trainer Pablo (Greg Serano, In the Valley of Elah), but despite his feelings for Kris, he's become the trainer for a horse owned by Danielle Davis (Nicole Tubiola, Imaginary Heroes), in a family that Jean seems to run into conflicts with. The patriarch Ken (James Read, Legally Blonde) has tactics that seem a little bit seedy, and his son Junior (Ryan Sypek) wants to break free from his hold.
Posted in: Disc Reviews by Archive Authors on March 27th, 2008
The Nines truly is a film that defies description, albeit in not an entirely new and convincing manner. For instance, I could tell you that I just got done eating a chicken sandwich after consuming several mojitos and a beer, and at least with that statement, you could tell what it is that I’ve done, you know? But to be fair, The Nines decides to take on some daring filmmaking and storytelling, and does it in a way that you can’t help but want to watch it again, even a little.
Written by John August, who had been notorious for penning such films like both Charlie’s Angels films and several Tim Burton outings, August directed it in his initial effort. The film is actually three parts, all slightly tied into one another, though in no linear fashion to speak of, and the main cast inhabits roles in all three parts. Part one finds Gary (Ryan Reynolds, Smokin’ Aces), a successful television actor, engaged in a drug-soaked frenzy that leads him to crash his car and go under house arrest; Margaret (Melissa McCarthy, Gilmore Girls) is his handler designed to keep him on the straight and narrow during this time. Gary finds Sarah (Hope Davis, About Schmidt), a neighbor next door as his connection to the outside world in more ways than he can anticipate. In part two, Reynolds is Gavin, an aspiring television show creator, Davis plays Susan, a network television producer, and McCarthy plays herself as the focus of the show. And in part three, Reynolds is Gabriel, a video game producer, McCarthy plays his wife Mary, while Elle Fanning (Déjà vu) plays their daughter. What, no Davis? That’s what you think! She plays Sierra, a woman who helps Gabriel try to find help for his family on a deserted mountain road.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2008
“Are you retarded or something?” is the line that stands out the most for me from
Posted in: Disc Reviews by Michael Durr on March 25th, 2008
Do you ever look at some covers in disbelief and wonder why this ever got made? Okay, some directors are trying to break into the business or perhaps an actor is taking on an indie release that one can show their acting range with. But if a movie looks, smells and feels like a B movie; then most likely you are in for a rough ride. At the end, you might come out okay. A lot of times however, you might not. I witnessed such an example in Killer Pad. A movie directed by Robert Englund. Yes, the "Freddy" guy. The box sports some clueless guys and a hot devil lady. Oh and a spooky house behind it all. I'm scared, mainly cause I have to watch it.
Three friends; Doug, Craig & Brody (played by Daniel Franzese, Eric Jungmann, & Shane McRae) decide to leave their small midwest lives and head for the Hollywood Hills. After some searching, they meet up with a landlord named Winnie (played by Bobby Lee)who gets them to a sign a deed to 666 Perdition Lane (gee I wonder if it could be evil). Once they get there, they realize it is the house of their dreams and decide to host a party at their "killer pad." Little do they know that the house is haunted and foul things are a foot. The rest of the adventure is spent finding out the answer to various supernatural occurrences and trying to still host the most awesome party ever.
Posted in: Disc Reviews by Archive Authors on March 24th, 2008
A decade or so ago, Andrew Niccol’s Gattaca came to a theatre near you. It received a fair amount of critical acclaim, including a few award nods for production design and music, but wasn’t much of a commercial success. Beats me why not, because the film is right up there with the best in the science fiction genre, at least in my book.
Now on a Special Edition DVD from Sony Pictures, Gattaca has another shot at the mass popularity it deserves. But does the special disc treatment add anything to improve its chances?
Posted in: Disc Reviews by David Annandale on March 21st, 2008
A tough-as-nails cowboy (James Denton) unwillingly hooks up with a naive greenhorn (Chris Kattan) when they have a run-in with a bent sheriff. They may think they have some problems now, but things are much worse than they think, as the town and the surrounding countryside are in the initial stages of a zombie plague.
Simon Pegg and company might well be starting to rue the day they came up with Shaun of the Dead. Though not the first zombie comedy (that would probably be Return of the Living Dead if we exclude some non-cannibal zombies appearing in some 30s horror-comedies), their magnificent film and its success are the proximate cause of the current flood of would be “zombedies” (as this flick labels itself). A western zombie comedy might seem like a promising mix, until one realizes how few western comedies have actually worked, and this one isn’t breaking the trend. Its opening scene (a clumsy zombie attacking his family) veers uncertainly from the tired slapstick to the truly distasteful, and the rest of the film has all the comedic zing of dragged out SNL skit (Chris Kattan, I am casting my baleful eye at YOU). Turgid stuff.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2008
I’m not going to spend any time in this piece telling you about the characters, actors, or plots of the new Stargate direct to DVD film The Ark Of Truth. Honestly, if you are not up to speed you will be totally lost here and have zero chance of even remotely enjoying the ride. For the show’s fans, I think you’ll know exactly what I mean when I say that The Ark Of Truth is basically a perfect extended episode of the series. There is a prelude that provides the “story so far” in flashbacks from the series, but let’s face it, Stargate ran for 10 years and it wasn’t really known for its uncomplicated story threads to begin with. Likely instead of catching you up, the prelude will leave you with even more questions. This is not the place to jump on board the Stargate journey. And no, having seen the original film will do you no good at all. If you find yourself suddenly interested in the franchise, go back and start at the beginning. Trust me, the time will be well spent.
Posted in: Disc Reviews by Archive Authors on March 19th, 2008
It seems like foodies are everywhere these days. Maybe Emeril is to blame, maybe it's Paula Dean, maybe it's the Food Network as a whole.I have even been sucked in my Anthony Bourdain myself (whose show is ironically also named No Reservations). Wherever there is a trend, there is guaranteed to be a romantic comedy to follow. Enter Aaron Eckhart and Catherine Zeta-Jones. Eckhart has been doing some fantastic work lately, from his work in Thank You for Smoking to lesser known films such as Conversations With Other Women, he is quickly becoming one of the best actors on the scene today.
I have no problems with romantic comedies whatsoever. The problem is that the vast majority of them are just the same film over and over again. A girl who is a cute mess is pursued by a surprisingly understanding man who loves her just the way she is, and the whole thing is wrapped up with some dialog that thinks it is much more clever than it actually is. In this case, the girl is a chef, and the man is her new sous chef. Sure, the not-so-clever is here just as you would expect, but in this film, the serious dialog is no good either. The film is filled with poor imitations of life in a kitchen, not to mention some amazingly bad acting. It is obvious that everybody here phoned it in, which leads me to ask the question of why anybody signed on to do this film at all. In doing some background research, I discovered that Catherine Zeta-Jones worked for exactly one day as a waitress in preparation for her role... as a chef. Believe me, it shows, in the way that an actor who spent one day playing guitar would be completely unconvincing as a musician.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2008
Bee Movie is almost completely a Jerry Seinfeld creation. The idea apparently came out of a conversation the comedian had over dinner with Steven Spielberg. From the simple concept of a film about bees called Bee Movie, Seinfeld teamed with his long-term collaborator Spike Feresten. Together they created a rather amusing world where bees can talk and live in a human-like society dedicated to the production of honey. I’ll admit that while I often enjoyed the Seinfeld television series, I was one of those that never really got it. On the surface a lot of it was funny, so I watched it, but I can’t really call myself a true fan of the series or the comedy of Jerry Seinfeld. Pretty much however you might have felt about the show will carry over to Bee Movie. The entire film reflects pure Seinfeld in the characters and his somewhat trademark observations on life. It is that element that might have lessened the overall enjoyment for me. Seinfeld’s bee world is so much like his television or stand-up world that I found it hard to immerse myself into the story. No question there were some clever ideas at work here, but it sure seemed like somewhere along the way someone settled for mediocrity.
Posted in: Disc Reviews by Gino Sassani on March 18th, 2008
I don’t know what I really expected when I started watching Greek. I never saw the broadcast, and the series was extremely underplayed in the crowded wilderness of promos and press. Honestly, I’m not sure I would have invested any time in the show if I had heard of it. So, when Greek showed up at my door to watch and review, I had to scratch my head a little bit before deciding to put the first disc into my DVD player. The release case almost makes the show sound like a Greek life reality show, and I’m sure as we speak some new reality creator is just now thinking what a great idea that would be. But Greek is not a reality show at all. It’s a teen soap opera set in the party environment of a college campus and both a fraternity and sorority house. The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies.