Posted in: Disc Reviews by Archive Authors on March 18th, 2008
Two couples, each with their own intimacy issues, set out to spice up their love life by attending a sex therapy seminar. After navigating through their problems for about forty minutes, they each settle on group sex to solve their problems, because that's always the best solution to everything, right?
The first couple is James and Heather (Culkin and Alexis Dziena). James is madly in love with Heather, but she can't have an orgasm when they have sex. That, my friend, is a problem. The second couple is Ellis and Renee (Kuno Becker and Dushku), who seek thrills to liven up their bored sex life. That, is a problem too... but not as bad as the first.
Posted in: Disc Reviews by Archive Authors on March 17th, 2008
“Greed is Good.”
No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street.
Posted in: Disc Reviews by Archive Authors on March 16th, 2008
I now realize that the funniest funny is found in awkwardness. This is why Curb Your Enthusiasm is so popular. The main characters do things that make you cringe, often to the point where you even cover your eyes because it’s just too painful to watch. You say aloud to yourself, “Oh my god, no he didn’t just get a boner while hugging that old woman,” or “why are you talking to the TiVo guy when your wife might die?!” But with all due respect to the people that hate Larry’s character (Larry David) because he’s so rude and does stupid stuff, he often gets the short stick and apologizes when he shouldn’t have to.
If the unscripted show didn’t already shoot from the hip, the sixth season of Curb adds new potential for cringe-worthy activities. This 10-episode season introduces the Blacks (including Vivica A. Fox), an African-American family displaced by Hurricane Katrina Edna who altruistic Cheryl (Cheryl Hines) wanted to take in while the family’s house was being rebuilt. I was surprised by the few issues that actually sprung up with the new additions.
Posted in: Disc Reviews by Gino Sassani on March 14th, 2008
If Matt Stone and Trey Parker have learned anything in their long run with
Posted in: Disc Reviews by Gino Sassani on March 14th, 2008
Let’s make the point right from the start, that
Posted in: Disc Reviews by David Annandale on March 14th, 2008
Here are four films from renowned maverick Jean-Luc Godard. Insofar as these films have plots in the conventional sense of the word, Passion is about a filmmaker struggling to rediscover his love for his profession, First Name: Carmen plays with the tale of that same name to tell another story of filmmaking and bank robbery, Detective is an idiosyncratic tribute to films noirs, and Oh, Woe Is Me is about a man who may or may not be possessed by a god wanting to seduce his wife.
Samuel Johnson once remarked that anyone reading Samuel Richardson’s Clarissa for its plot would be moved to suicide, and that is certainly the case for anyone trying to watch Godard for story. That is not what he’s interested in. These films, all from his late period (ranging from 1982 to 1993), are postmodern, allegorico-politico-philosophical musings on the human condition. Narratives fragment; soundtracks are multi-layered, with dialogue that is dense, sometimes obscured, and often opaque; and there is plenty of provocation. These are films that are probably not terribly inviting for newcomers to Godard. If you already have the likes of Weekend under your belt, you’ll be fine. If this is your first time, your might well reject the filmmaker as a pretentious twit.
Posted in: Disc Reviews by Michael Durr on March 14th, 2008
I'm not sure what we will consider the fall of man. Perhaps it will be dangerous emissions into the air; perhaps it will be what happens when we don't recycle enough. It could just be when I don't win a freaking Nobel Peace Prize for my work in the field of gaming and dvd collecting. But perhaps the true fall of man will actually be rested upon the shoulders of one man and that man is Jerry Springer. For years, his brash trailer trash tv show has done more to destroy mankind than the rubber chicken (trust me, you just don't know). Within the last few years, Jerry has had to take his shtick elsewhere. In college campuses, in shopping malls, on PPV. Yes Pay Per View. This first volume of Jerry explores the first three Pay Per View specials and wow. That is simply all I can say.
If you never seen Jerry Springer, let me sum it up in a couple of sentences. There are people that belong (or are in) a trailer park who sleep with their spouse's best friend, mother, daughter, dog, cow, it really doesn't matter. Then they get on Jerry, talk about it, and have fights that are broken up by security over it. This theme will continue for most of the show until Jerry has his little moment at the end where he will speak about what we have learned today (Yeah, don't live in a trailer park and don't date strippers, we got it!). In other episodes, he'll have some hot women get on and do things that our momma never told us about nor will our girlfriend ever think about doing to us or with us. So it continues.
Posted in: Disc Reviews by Michael Durr on March 13th, 2008
Most people like a good heavy dose of action. Guns a blazing, explosions bursting and people's dead bodies flying in each and every direction. But most people also want something a little more. Perhaps a little suspense or a little who dun it. Or perhaps they are looking for their favorite actor to make a dramatic on-screen performance that will leave them breathless at the door. This lonely review writer loves action but a good dose of story and a well done gotcha at the end means more than the next building that gets blown up. Chaos would prove to have everything I wanted from an action drama and make me believe that there is at least one semi-original story left in Hollywood today.
After an incident on the Pearl Street Bridge, Detective Quentin Conners (played by Jason Statham) is suspended and his partner is sent home. When a bank heist takes center stage, a criminal mastermind known only as Lorenz (played by Wesley Snipes)forces the police's hand in reinstating Conners so that they can work out a negotiation. The police however assign Conners a new partner, Shane Dekker (played by Ryan Phillippe). Shane is a young detective that is expected to keep the brash Quentin Conners in line with policy. However, the bank heist goes awry and Lorenz gets away with the crime. This leads into a deep investigation where things are not as they seem and as the story unravels we find out what is meant by the term "Chaos Theory".
Posted in: Disc Reviews by Archive Authors on March 13th, 2008
I am a sucker for a good biopic. Walk the Line, Ray, Man on the Moon, Cinderella Man… all these films and many more like them feature prominently in my DVD collection. With this release, I am now excited to be able to add this fine film to my collection. Brad Pitt’s James is not the one of fables and adventure books, but one grounded in reality. While charismatic criminals are frequently glorified in these types of films, it is often times hard to remember that in real life these are often times people with severe social problems. The result is a film that is more open and honest than the vast majority of the biopics that have come along in the past decade.
While Brad Pitt is perfectly adequate as Jesse James, this is really Casey Affleck’s movie. I am not naive enough to think that a major Hollywood star is not required to sell a big-budget summer movie, and Brad Pitt is about as big of a box office draw as there is. Once the audience is in the seat, however, there better be a good film to back it up. That’s where Affleck comes in. This is a simply groundbreaking performance that is very worthy of the Academy Award nomination it garnered. Affleck plays the troubled criminal with an amazing honesty that never insults or disrespects the character. It’s simply inspired stuff.
Posted in: Disc Reviews by Archive Authors on March 9th, 2008
Without knowing if he is or not, I’m willing to bet that director James Gray is a fan of The Godfather. His previous films, The Yards and We Own the Night show flashes and flourishes of The Godfather so familiar, it’s uncanny. Also, while The Yards featured Sonny Corleone, We Own the Night features Tom Hagen.
Funny, huh?
