Posted in: Disc Reviews by David Annandale on January 8th, 2008
Nathan Maguire (David Leon) is having a very bad day. The boneheaded bully at school has it in for him. Jessica (Samantha Mumba), the girl he loves, doesn’t show up for their meeting where he was finally going to declare his feelings, and then he sees her in the car of one of the local studs. Plus he gets soaked in the rain. And just to cap things off, he is accidentally hanged, and his distraught mother performs a voodoo ritual to bring him back from the dead, only the manual was missing a page and he returns as an infectious zombie. Oops.
Thank you, Shaun of the Dead, for turning the zombie comedy into a veritable cottage industry. Boy Eats Girl certainly doesn’t have the brilliance of the former film or the likes of Fido. The characters are pretty generic (the Nice Girl, the Losers, the Jocks, the Slut, etc.) as well. But the film is efficiently paced (a mere 80 minutes), and the performances are engaging. We may have gone down these teen comedy paths before, but the conviction of the cast and script makes it all seem fresher than it should be. There are some very funny moments (as Nathan starts exhibiting superhuman strength and an alarming lack of pulse, for instance), and the gore, which is remarkably restrained for most of the film, explodes with would-be Dead/Alive enthusiasm at the climax.
Posted in: Disc Reviews by Archive Authors on January 8th, 2008
The only place that I think anyone would really know Andy Samberg is as the brains behind some of the hilarious Saturday Night Live digital shorts over the last couple of years. The most notable being a Christmas gift that you can give your beloved. A gift you can make yourself, using three easy steps. Step one, cut a whole in the box…
So he’s taken the five to ten minute short and tried to harness that humor into a ninety minute feature film, which everyone seems to be doing, right? Well in Hot Rod, the feature film debut of Samberg, he plays Rod Kimble, a stuntman without a lot of charisma or ability, relying on a moped as his means of wowing the stunt crowd. With the help of his friends Rico (Danny McBride, The Foot Fist Way), and Dave (Bill Hader, Superbad) and his stepbrother Kevin (Jorma Taccone), Rod tries to impress his stepfather Frank (Ian McShane, Deadwood), who Rod challenges to fights in order to win some respect. His mom Marie (Sissy Spacek, Coal Miner’s Daughter) tries to help him through it also, and Rod’s prospective love interest is his longtime neighbor Denise (Isla Fisher, Wedding Crashers) is a problem for him, since Denise is dating Jonathan (Will Arnett, Blades of Glory).
Posted in: Disc Reviews by Archive Authors on January 8th, 2008
The big thing that gave Captivity the anticipation leading up to its release was a less than studio endorsed billboard showing its star Elisha Cuthbert (24) being tortured before getting killed. The main thing about the film was that Cuthbert had sunk so far downhill after renouncing her dad Jack Bauer. But holy crap, Roland Joffe directed this film! For those who don’t know, Joffe is a two time Oscar nominated director for The Killing Fields and The Mission. But since then, his success arc seemed to fall off the table completely since the mid ‘80s, with contributions like Super Mario Brothers and The Scarlet Letter, even directing an episode of an MTV sitcom. So I guess it’s only natural that he come into the torture horror genre much too late in the game with Captivity.
Written by Larry Cohen (Cellular) and Joseph Tura, Cuthbert plays Jennifer Tree, a successful model who finds herself captured by an unknown assailant, with no foreseeable hope for freedom. While in captivity (get it?), she meets Gary (Daniel Gillies, Spider-Man 2), and together they both try and find a way out of their hell. I wish I could give you more without diving into a spoiler or two, but that’s as far as I can get.
Posted in: Disc Reviews by Archive Authors on January 8th, 2008
As the Harry Potter franchise heads into the home stretch of films, some of the film’s young cast members are attempting to break out into other roles, or at least employ a little bit more emotional depth in the roles that they’ve made into small cottage businesses. And of course, the biggest one in the bunch is Harry himself, Daniel Radcliffe. He’s appeared in a London played named “Equus”, in which he appeared nude in and got a lot of notoriety for, but received some praise based on his performance. He also appeared in the Ricky Gervais show Extras where he played himself in a role where he really really wants to break out from his childhood perception. But in December Boys, he plays a bit of a loner of sorts, though people seem to label the film for the sensationalist things Radcliffe does in the film. Look, Harry Potter smokes and gets it on with a girl, wow! But looking beyond perception, it’s a decent film.
December Boys was a film that was adapted from a Michael Noonan novel and directed by Rod Hardy, who has directed mainly television shows, most recently, Battlestar Galactica. But in the film, Radcliffe plays a guy known as Maps, along with his friends Misty (Lee Cormie, Darkness Falls), Sparks (Christian Byers) and Spit (James Fraser). The boys are slightly older orphans who have not been adopted by any prospective Australian families and are getting to the age where adoption is unlikely. They share the same relative birthday in December, and at the orphanage they live at, the nuns give them a chance to go to the beach and enjoy a holiday during Christmas, where two sets of families decide to welcome them. The younger family apparently has aspirations for adopting one of the children and Misty finds this out, and the boys are thrown in a competition of sorts. Maps finds Lucy (Theresa Palmer, The Grudge 2), who is staying there for a time, and shows Maps his first real look at the birds and the bees.
Posted in: Disc Reviews by Gino Sassani on January 7th, 2008
HBO’s
Posted in: Disc Reviews by Archive Authors on January 5th, 2008
When warner Brothers decided to start their Raw Feed line of direct-to-DVD horror films, Daniel Myrick was brought in to Produce. The choice of Myrick was a no-brainer, as he (along with his partner Eduardo Sanchez), was the creative force behind the "Blair Witch" phenomenon. While the team Directed the first film, they served as Producers on the second. Admittedly, "Blair Witch 2" was not as well received as its predecessor, but it was exactly the type of film that would be successful as a direct-to-DVD release.
Myrick Produced the first two Raw Feed releases ("Rest Stop" and "Sublime", which both received high marks on this web site), and he has moved back into the directing chair with the third film in the series, "Believers". Truth be told, this is really Myrick's traditional Directorial debut, as the faux documentary style of "Blair Witch" was not a typical feature. I had high expectations for this film, but unfortunately, it looks like Myrick is better wearing the hat of a Producer than that of a Director.
Posted in: Disc Reviews by Gino Sassani on January 4th, 2008
Mel Gibson has had a bit of a rollercoaster life these last couple of years. He has apparently given up on the mainstream films that have made him such a hot property over the years. His DUI arrest and subsequent anti-Semitic rant have caused many to look less favorably upon the man himself. It doesn’t help that his last two films have been less accessible and in obscure ancient languages. These films have not come without their own controversies. Still, no matter how you view Gibson or his work today, it can’t be denied that he has created one of the more compelling films of our day in Braveheart.
Posted in: Disc Reviews by David Annandale on January 4th, 2008
Every two years, the Wo Shing Society, an ancient Triad, elects its chairman. The two candidates this year are Lok, an amiable, level-headed, managerial type, and Big D, a flashy hothead cut from the same cloth as Tybalt. Big D throws bribes and around in an effort to win, but to no avail. Refusing to accept defeat, he resorts to violence, threatening to tear the Society apart. The question is whether Lok is made of the necessary stuff to make good his victory.
This is the first of two films recounting a crime epic, and though this effort stands very handily on its own, it is to be fervently hoped that Part 2 makes it to DVD very shortly. From a deceptively placid beginning, the story builds to a climax worthy of Shakespeare and his blackest and most violent. There are also surprising moments of humour (there’s a scene involving a two simultaneous phone calls that is one for the ages). The sheer number of characters can be a bit confusing, but this is tight, smart, economical storytelling at its finest.
Posted in: Disc Reviews by Gino Sassani on January 4th, 2008
So here we are again with a second collection of episodes from The Young Indiana Jones Chronicles television series. This is the middle of a three volume set and concentrates the stories around World War I and II. It can hardly be a surprise that Young Indy kept himself quite busy during these war years in Europe. He was a pilot, secret agent, and even ballet dancer all for the cause. The set has as an appropriate subtitle: The War Years. Except for the bountiful features, the information from the first set is still valid and repeated here for the sake of convenience.
Posted in: Disc Reviews by Archive Authors on December 31st, 2007
In the recent days and weeks since the Lindsay Lohan film I Know Who Killed Me arrived on video, she’s discussed the details behind a car accident in which she may or may not have been under the influence of alcohol. It only seems fitting, since this film is a carwreck of substantial proportions, and we probably have to ask whether or not Michael and Dina’s daughter was on something when she agreed to make the movie.
Written by Jeff Hammond in his first feature film screenplay (big shocker there) and directed by Chris Sivertson (The Lost), Lohan appears as Aubrey Fleming, who is abducted and tortured by a mysterious criminal mind. The next thing Lohan knows, she wakes up in a hospital, without any memory of what’s happened to her except for some telling physical signs, and has no memory of this person named Aubrey. In her mind, she’s Dakota, an exotic dancer and proverbial grown up girl. In Aubrey’s absence, Dakota frequently bumps heads with her parents Daniel (Neal McDonough, Minority Report) and Susan (Julia Ormond, Legends of the Fall) and with boys at school.
