Disc Reviews

There are often stories about burn patients who lose part of their face or leave their other body parts horribly disfigured. It is sad and unfortunate. But what if you had horrible chemical and fire burns and had to take refuge in warehouses and underground? You had the strength of ten men, but could create a mask that you could use to duplicate your enemies or be the man you used to be? However, that face only lasted 99 minutes. This is the story of Darkman. A trilogy of movies that developed a cult following for its subject matter and campy presentation. Part action, part sci-fi, part thriller. But a great time as long as you left your brain at the door.

The first film directed by Sam Raimi (Spiderman, Evil Dead) features Liam Neeson as Dr. Peyton Westlake, a brilliant scientist on the verge of finding the solution to liquid skin cells or synthetic skin. This in time would help burn patients or disfigurements replace unwanted and dead skin tissue. The problem is he can only make it last for 99 minutes. One day his lab gets ransacked by a group of thugs led by Robert G. Durant (played by Larry Drake) who are in search of a memorandum. Peyton is horribly burned in the fire and presumed dead when his body can't be found in the explosion. He later resurfaces as a John Doe burn victim who is given a radical new treatment that cuts off his nerve impulses. He breaks out of the hospital and retreats to a condemned warehouse. He then goes back to the wreckage of his lab and tries to salvage his work. Using what is left of his work and vigilante money that is collected from thieves and bad guys that he fights he attempts to recreate faces of his enemies so that he may take revenge on the Durant crime syndicate. He also attempts to get back in touch with his girlfriend (played by Frances McDormand) by putting on his face and spending time with her. However, he realizes he can only put on the charade for so long and continually he descends back to the darkness as Darkman. He prevails over Durant, but the pain and suffering he endures from day to day stays with him.

Erin Brockovich tells a story based on a true series of event. Erin (Julie Roberts in her Oscar winning role) has a tough life. She’s a single mother of three kids, her two ex-husbands left her not supporting her or her children, she can’t seem to find any work due to her lack of education, and she has $16 in her bank account. Life seems to be continuing on a downward spiral for Erin. Things start looking up when she is practically handed a job by her defense lawyer Ed Marsy (Albert Finney). It’s here that Erin stumbles upon a case involving PG&E, a $28 billion company that had been disposing a chemical into the local water supply of a nearby town called Hinkley, California.

Erin and Ed soon find themselves in a lot more than they ever probably bargained for when this case turns more ugly as each minute passes.

Wild Hogs is a pretty simple film for the most part. You have four guys who, for their own reasons, are finding their daily lives have gotten away from them. Their mid-life crises lead them to venture together on a cross country motorbike journey filled with enough peril to make them forget their ordinary lives and live the adventure of their dreams. The film has the standard sight gags that pretty much carry the first half of the film. Macy's character has a rather amusing computer glitch in a Wi-Fi cafe. A lot of these jokes, often dealing with a gay cop who thinks the four are a pretty hot and tempting, get carried too far and get stale rather quickly. I could certainly do without the naked butt shots myself. The film actually starts to get interesting once the Hogs begin to interact with a real bike gang led by Ray Liotta. The ending reaches quite a bit to deliver the standard feel-good climax that usually requires a pretty hefty shot of insulin to bring the sweetness down to a tolerable level.

Logan (Malcolm Stumpf) is a lonely 13-year-old whose experience of junior high, already hellish, is made exponentially worse by his emerging homosexual identity. Smitten with Rodeo, an older rebel who is one of the only other students to spend time with him, Logan adopts the female identity of “Leah” which he uses to seduce Rodeo over the phone, hoping to make his daydream a reality. Meanwhile, he identifies strongly with the mountain lions that have begun straying onto the campus and being shot.

The film is exec-produced by Gus Van Sant, and writer/editor/producer/director Cam Archer wears the influence of his mentor on his sleeve. There is too much precious cinematographical poetry and too many preposterously literal metaphors here, getting in the way of moments that, at other times, offer the possibility of an acutely sensitive look into the torment of early adolescence. As a result, the film is merely acutely sensitive – in way that invites an atomic wedgie.

There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?” Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?

Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).

Sometime after 1990 when Blue Planet was released, I remember really wanting to see it. Unfortunately I was young and with time my interest in the worlds around our own dwindled. Recently with the advancements in technology my interest in space has sparked up again, making for just the right time for Blue Planet to land in my hands. After nearly 20 years I’ll be able to set my eyes on this for the first time, and in hi-definition. Then of course there’s the additional documentary The Dream Is Alive of which I’ve never previously heard of. The footage on this one is over 20 years old, so my expectations aren’t extremely high.

Blue Planet is an interesting documentary and I can imagine it was quite a bit more ground breaking upon its 1990 release. The film is a cumulative collection of all things Earth, from space, from the ground, and form the ocean floor. There is some amazing footage; more specifically is the footage from the U.S Space Station in orbit. From here we learn about the creation of Earth, the constant changes Earth undergoes and mankind’s role in it. Although in the end I was left wanting more, I was still pleasantly surprised with the images I got to see.

Superheroes come in all shapes and sizes these days, so it doesn’t really surprise me to find out that one is a big blue tick. I don’t think The Tick has any special Lyme Disease Ray, and I have yet to see him bite anyone, but he sure has a knack for stopping the bad guys. This Ben Edlund creation is one of those American Dream success stories. The independent comic was created to promote a local comic book store in Boston. Edlund, only 17 years old at the time, tapped into a wonderful spoof of the comic superhero molds. He populated his book with very colorful characters easily recognizable as the original ones he was spoofing. Within 10 years The Tick would become a children’s cartoon staple. There is an appealing degree of wit and intelligence in this cartoon that honestly looks kind of stupid on the surface. The Tick isn’t the sharpest tool in the toolbox and is rather naïve for a super crime fighting master. He’s surrounded by an equally kooky group of characters, assisted mostly by his sidekick, Arthur. The villains are just as outlandish and out there as The Tick and his comrades are.

    The DVD set’s clever title is The Tick vs. Season Two. The collection could not honestly be called The Complete Second Season because one of the episodes is mysteriously missing. I’ve been informed that the episode, Alone Together, was removed for rights issues. The same thing happened in the first year. Sometimes spoofs can be a little too close to another property, and perhaps that explains the missing toons. Fans will also be a little bummed that favorite Micky Dolenze, yes he’s that wacky The Monkees drummer, no longer voices Arthur. Rob Paulson takes over the job, and the difference does take some getting used to. The episodes are also not quite as strong as the first season. The single standout has to be the Christmas extravaganza, The Tick Loves Santa. The Tick’s love for Santa almost keeps him from nabbing the bad guy when an electrical accident converts him into “Multi-Santa”, a clone-like group of larceny-minded Kringles.

In the United States, we tend to take for granted; influences. In the case of movies, we take certain film styles for granted. We just figure that they always existed. Doesn't really matter where they came from, we just know we like that style of movie; over and over and over again. Enter Hard Boiled, a 1992 film directed by John Woo. This featured Chow Yun-Fat as Tequila, a hard nosed cop who is on a quest to derail an arms smuggling ring that has both cops and innocent civilians dead in its wake. The movie also featured Tony Leung as Alan, an undercover cop who is in deep cover as a Triad hitman who tries desperately to keep his sanity and protect his true identity. But what set Hard Boiled apart from other films and that was duplicated time and time again was over the top action and no-nonsense gunplay. In the first five minutes alone with the teahouse scene, you see more dead bodies fly across the screen than most action movies deliver in a couple of hours. But it wasn't just dead bodies, you can rent George Romero Dead movies if you want to see lifeless bodies. It was the style, you had the imagery of three guns emptying from the bottom of a birdcage, Tequila jumping in the air and killing two gangsters with a gun in each hand; and sliding down a staircase with such grace. This would continue in other scenes where similar heroics would come into play. For over two hours, your breath would escape you and somehow return by the final bell.

Hard Boiled was a film that made no apologies and has only amassed popularity as time goes on. The term cult classic would be more of an insult to the film as it has gone beyond that premise. In addition to two fine leading roles, the film included many popular supporting roles; primarily on the villains' side. Anthony Wong played the devious Johnny Wong, a character that had no morals and whose only real mission was to control the arms smuggling ring of China and get all the money in the process. Phillip Kwok (also known as Cheung Jue-Luh) played the role of Mad Dog (or One-Eye), the action counterpart to Wong's character as he enforced what Johnny didn't want to dirty his hands on. These characters developed a chemistry that produced memorable dialog with and without words. This was especially true when it came to the characters of Tequila and Alan once they get on-screen together. It was a flow of actions and reactions that had you enthralled for every last phrase that was used. The film's only negative would be the scenes where they decide to spend an inordinate amount of time surrounding getting the infants to safety. Once you dive into the extras on Disc Two, you start understanding that the babies actually were to be the main plot point or original concept of the film. So as a result they contributed to a major scene. The movie is still a masterpiece even with that small discordance with its amazing action and a hard running story that lead to be an influence of many future Asian and American action movies.

Dan Chupong plays a young warrior, armed with rockets and martial arts skills, who roams the Thai countryside in the 19th Century, searching for the man who killed his parents. His only clues are that he trades in buffalo and is a unique tattoo on his chest. He finds the man he believes is his target, but this trader, who possesses magical powers, is also in the sights of an evil local aristocrat who is trying to get rid of the local buffalo population in order to drive up sales for his tractor franchise. Said ne’er-do-well sets up our hero to do his dirty work.

The first fifteen minutes or so are a bit confusing as the plot gets all its ducks lined up, but once everything is in motion, the storyline clears up. The action, a mix of traditional stunt work and wire work, is not on the same level as Ong-Bak, but it is still exciting, and there’s plenty of it. If the lead-in to act 3 drags a bit, with an excessive use of flashbacks filling in events the audience has already figure out, the payoff makes it all worthwhile.

(Non-format specific portions of this review are culled from my review of said film, so enjoy or read elsewhere.)

In watching Being John Malkovich again recently, for the first time in awhile, the thing I was struck by is how unique it is (duh!). It doesn’t try too hard at being different, to the point that it’s going to suck, everything is matter of fact, and it’s hilarious. Its characters are flawed, but we feel for some of them a great deal. It’s funny, it’s touching, it’s dramatic, it works on many levels.