Posted in: Disc Reviews by David Annandale on June 21st, 2003
Made for TV (and showing it, what with that jarring fade-to-black exactly 20 minutes in),this film tells the story of a group of men trapped together in a coal mine when they suddenly strike water and their claustrophobic environments floods. We cut back and forth between their struggle to survive, the struggle to reach them, and the experience of their wives and families. At times, what, precisely, is happening in the mine is a bit hard to follow, though the realism is quite strong.
Audio
Posted in: Disc Reviews by David Annandale on June 21st, 2003
Eleven-year-old Harriet wants to be a writer. Told by her nanny (Rosie O’Donnell) to write down everything she sees, Harriet takes this command to heart and becomes the neighborhood spy. The people she writes about would not be gratified by what she has to say about them, and inevitably, her notebook falls into the wrong hands, leading to some painful lessons for Harriet.The pace is brisk, the editing even faster.
Audio
Posted in: Disc Reviews by Archive Authors on June 20th, 2003
Synopsis
The Legend of the gunfighter who wears the red scorpion jacket has come to South Beach in Miami. When the parking valet at a local strip club gets pulled into the legend he hinds himself the target of a mob hit and running for his life. Throw a sociopathic blonde into the mix and he might as well finish himself off before someone does it for him.
Posted in: Disc Reviews by Archive Authors on June 20th, 2003
In 1962 Ed Sabol purchased the rights to film the NFL and history was made. NFL films came to pioneer so many styles of filming that are still in use today like slow motion and the tight spiral football shot. The footage contained in these discs have never been seen before, it is old archived footage that was never used and it is amazing. The three discs are as follows…
Disc 1 – The Creation (1962-1965): This film looks at the beginning of what would become NFL Films. Watch as Ed Sabol and his ...on Steve pioneer the use of slow motion, multiple cameras and wireless microphones all while seeing amazing players like Jim Brown in never before seen footage.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2003
Steven Seagal is certainly showing his age in Half Past Dead. To ardent fans of his tough-guy act, this might be a bad thing. To those of us just looking for a good film, I think it’s actually a good thing. With Seagal’s ass-kicking held more in check there appears more room for a story to grow. This one is above average. Seagal’s age also means a stronger supporting cast and this one has a nice one. Mia Peoples is stunning as one of the main villains. Ja Rule and Kurupt add the necessary urban reality and some comedy relief when called for. Morris Chestnut is a believable baddie and Hill Street Blues alum Bruce Weitz provides a very refreshing convicted killer found God. Don Michael Paul does a splendid job as director. The story moves constantly and the fight scenes are neatly filmed. You’ll find enough bullets and martial arts to fill a Matrix sequel, but for a change they aren’t extended dance scenes but rather tightly staged moments of action.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 20th, 2003
Writer Norman Mailer and director Lawrence Schiller can’t get enough of the nation’s most intriguing criminals. Best known for the critically acclaimed Executioner’s Song, the duo are at it again with this CBS mini-series spruced up to an R rating for DVD.
To anyone who has seen the 60 Minutes piece or kept up with the story in their local paper, the story is familiar enough. Robert Hanssen spied for the Soviet Union for 22 years while a top level FBI agent. William Hurt delivers a rather deadpan performance as Hanssen, a man rife with contradictions. An obsessively devout Catholic who secretly shares pictures and videos of his naked wife with his best friend, Hanssen has little moral trouble with providing information that costs other men their lives. Better performances are turned in by Ron Silver and Mar Louise Parker who plays Hanssen’s wife. Wayne Knight sheds his “knucklehead” persona for a solid performance as an FBI colleague of Hanssen’s. You’ll find this cut of the film contains some nudity not shown on the CBS broadcast version.
Posted in: Disc Reviews by David Annandale on June 19th, 2003
Dracula II drops all the characters from Dracula 2000, fudges the ending of that film, but retains the central idea of Dracula in fact being Judas Iscariot, cursed with eternal life. This time around, his sunlight-burned body is recovered by a group of grad students and their crippled professor with the hope of finding a miracle cure from the regenerative qualities of vampire blood. Meanwhile, a vampire-hunting priest named Uffizi (Jason Scott Lee, no more improbable as Italian than he was as Irish in Tale of the Mummy) is on the trail of Dracula (with minor help from Roy Scheider, putting in a few seconds of screen time). Within the limited budget, the story has admirable ambitions, and it skips along at a good pace. Character motivation is a bit hazy at times, however. As well, you’re much better off renting this and Dracula III at the same time,because the story here is very incomplete, leaving viewers hanging in much the same way (all proportions retained) as The Two Towers and The Matrix Reloaded.
Audio
Posted in: Disc Reviews by David Annandale on June 18th, 2003
Fred Ward is a tough, no-nonsense cop. One night (when for some reason he has no partner),he is the victim of an attack, and wakes up with a different face and a new identity. He has been recruited by a shadowy government organization (currently made up of three other people). He is trained by Korean master Chiun (Cabaret MC Joel Grey under lots of makeup) to become a fighting machine. Meanwhile, future starship captain Kate Mulgrew is an army major investigating an industrialist who seems to be fleecing the US military for billions of dollars. All paths will soon merge.
Remo Williams is certainly a cheerful enough exercise, and its puppy-dog-like desire to be just the beginning of an endless series has a certain endearing quality to it. But not that many of the jokes are funny, and the action scenes are flat (which is a disappointment, given that the director – Guy Hamilton – helmed Goldfinger). As well, the training takes up far too much of the film time, relegating the thriller angle to a mere subplot. The film is thus two hours of passable entertainment, but only just.
Posted in: Disc Reviews by David Annandale on June 17th, 2003
This is closer to a being a tone poem than a narrative, so there is hardly any plot as such. We move through Berlin in the company of angels. They can hear our thoughts, but they cannot interfere or feel the physical world. Two of the angels -- Damiel (Bruno Ganz) and Cassiel (Otto Sander) are increasingly disenchanted with their existence, and Damiel, falling in love with a trapeze artist, wants to become mortal. This simple story is built on very gradually, and most of the film consists in our hearing the innermost thoughts of various characters, and all these thoughts are presented in poetic (often elliptical) words. The cinematography is quite extraordinarily beautiful.
Audio
Posted in: Game Reviews by Archive Authors on June 15th, 2003
Take me out to the ballgame! Buy me peanuts, and popcorn, and…ah, maybe not. But, you should probably check out Inside Pitch 2003 out now for the Xbox console.
Players can do a bevy of gameplay options with Inside Pitch 2003 such as Season, Single Game, Network Play, and Championship Challenges. On top of all that, players with the LIVE service hooked up to their consoles can enjoy some downloadable content from the MS servers and invite a friend for some action out on the diamo...d.
