Criterion Collection

Criterion has surprised me once again with this beautiful film. It amazes me ow they continue to find these “diamonds in the rough”. Films that couldn't possibly exist, yet here they are, widely available on the mas market. The Burmese Harp is a Japanese war film that is decidedly anti-war, and features some truly beautiful music.

At the end of World War II, a group of Japanese soldiers find themselves in Burma, held by British forces as prisoners of war. One soldier from the party has spent his free t...

49th Parallel is a film that I had heard mentioned in passing on occasion, but never really had any practical knowledge of until now. Having now seen the film for myself, I find it to be one of those rare productions that only Criterion seems to be able to find. This is something that I would have never dreamed existed. While the idea of war films told from the Axis point of view are almost commonplace today, such a thing was practically unheard of in 1941, with the United States on the brink of entering World...

Portions of this review were lifted from the previous Criterion Collection edition review.  Now on to the review...

After making such internationally renowned samurai period films such as Rashomon and The Seven Samurai, Akira Kurosawa did make another film, Yojimbo, with a decidedly different tone, bordering on dark comedy. The opening shot is of Sanjuro (Toshiro Mifune, Throne of Blood), a samurai without a master, who look  at a mountain, and suddenly scratches his head, as if his hair is on too tight.

Let me get this out of the way right up front; I really enjoyed Memoirs of a Geisha. Now, I am certainly smart enough to understand that the film was not entirely realistic, and there were some plot developments that pushed suspension of disbelief pretty far, but I wound it charming and entertaining. It was so charming, in fact, that it was often times easy to forget that you were essentially watching a movie about whores. You can romance it all you want, but at the end of the day a Geisha is really nothing mo...

Border Radio is an independent film written and directed by Allison Anders, Kurt Voss and Dean Lent. The film serves as more of a curiosity than a great film on its own merits. Released in 1987, the film fell in amongst the wave of indie filmmakers making an impact at the time, including Quentin Tarantino and Robert Rodriguez. In fact, Anders directed one of the segments in the film Four Rooms, which also featured stories by these two filmmakers, in addition to Alexandre Rockwell. While Tarantino and Ro...

Japanese horror films are all the rage these days, with the originals hitting DVD in the States, and the remakes showing up in the theaters. Therefore, it stands to reason that even Criterion would get in on the trend, offering up a film from famed director Nobuo Nakagawa, widely regarded as the father of the Japanese horror film.

Jigoku is both strange and fascinating. The film tells the story of two friends that are involved in a hot-and-run accident. While one of the young men is cool, calm and collected, the other is wracked with guilt over their actions.

Written By Jeff Mardo

This is a Parker Posey film, which in itself is enough of a reason for me to check this film out. However, I was surprised to find that Josh Hamilton is here as well. While you may not know the name of Josh Hamilton right away, the two of them worked together in a brilliantly satirical film called The House of Yes; one of my personal favorites. In fact, there are several things that tie these two films together in my mind. While both are very funny and disturbing films, the charm in them both is the tension hi...

There was a time when no major groundbreaking events were captured on film. The thing is, it's sometimes hard to know when something of historical significance is going to occur. Major events such as World War II and the fall of the Berlin wall were planned in advance (so to speak), so it was easy to set-up a camera and capture the event. Spontaneous events, however, were mostly passed over. As technology has progressed, however, it has become easier to capture important and notable moments on the fly. September 11, ...

OK, I hope I'm not diving into a review that may fall into the "film scholar" category, and thus rule me out of being taken seriously. When there's a lull in buying new releases, sometimes my wallet gets cabin fever, and so I went out and picked up the Hitchcock set from Criterion, entitled Wrong Men and Notorious Women: Five Hitchcock Thrillers 1935-1946, and includes the previous Criterion releases from Hitchcock, namely Rebecca, Notorious, Spellbound and The Lady Vanishes.

Honestly, I wasn't expecting too much from The Virgin Spring. I know that it's Bergman, but it's based on an ancient Swedish medieval ballad. If your source material is hundreds of years old and only two pages long, surely there can't be much to see from the film, can there?

I could not have been more wrong. Though this may be just under an hour-and-a-half in length, the film is filled with subtext, imagery and several powerful messages. Spring tells the story of a fair maiden who is brutally ...