Posted in: Disc Reviews by Michael Durr on February 12th, 2008
The original Bachelor's Party was produced roughly 25 years ago in the 80's. Drugs, Sex, Tom Hanks and a donkey with a taste for belly dancing and cocaine all highlighted this cult favorite film that actually did very well for it's time and genre. However, 2008 decided to release a sequel to this movie. Naturally, they could not get Tom Hanks to even do a cameo since he's busy doing important films that involve him walking around an airport or naming inanimate objects "Wilson". However, throw in some hot comics and even hotter females with some solid writing and you might just have a really fun and racucous time.
Posted in: Disc Reviews by Michael Durr on February 11th, 2008
The web has a way of delivering some of the most interesting material. Flash animation in particular can produce some very funny shorts. Furthermore, these shorts are unedited and can be downloaded by millions of people on a whim. These viral episodes can be played over and over again, with little care to the quality or the content. But what happens when they take that idea and decide to make into a feature length film? In this case, proof that people will download anything.
Posted in: Disc Reviews by David Annandale on January 29th, 2008
Fox re-releases this beloved weepie in a new edition with a number of new extras. Beyond those additions, this version is identical to the one reviewed here previously. Therefore, my deathless prose once again: “On a luxury ocean liner, playboy Cary Grant meets singer Deborah Kerr. Each is involved with someone else, but they fall deeply in love with each other. Upon arriving in New York, they decide to part and, if all goes well, reunite in six months at the top of the Empire State Building, by which time their lives should be in order. If you’ve seen Sleepless in Seattle, you know what happens next. Though this is one the most celebrated weepies ever, I found it curiously uninvolving.
Posted in: Disc Reviews by David Annandale on January 27th, 2008
Despite being very thoroughly dead, Jigsaw is up to his old games again. This time, SWAT commander Rigg must race against time to rescue to kidnapped fellow officers. Jigsaw's messages send him all over town, to one gruesome event after another. Meanwhile, the FBI is also on the case, interrogating the killer's ex-wife, which means the audience finds out quite a bit more about Jigsaw's backstory.
Posted in: Disc Reviews by Archive Authors on January 16th, 2008
What we've got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.
This two-disc release may be a top-notch DVD, but I certainly hope you don't get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film's a walking, talking turd.
Posted in: Disc Reviews by David Annandale on January 12th, 2008
The trailer trash Myers family (inexplicably living in a pretty big house) is a powder keg waiting to go off, what with the rampaging abuse and a young Michael (the admittedly creepy Daeg Faerch) butchering small animals and looking like he’s mad as hell and soon not going to take it anymore. Snap he does, going on a killing spree, before he is captured and locked up for years, while eccetric shrink Dr. Loomis (a shameless Malcolm McDowell) making a career out of trying to learn what makes him tick. Growing to Godzilla proportions, Michael makes his escape, and proceeds to pick up his spree where he left off in his home town of Haddonfield.
Posted in: Disc Reviews by Archive Authors on January 12th, 2008
When Close Encounters of the Third Kind came out in 1977, a young Steven Spielberg was coming off of the unexpectedly phenomenal success of Jaws. This was the director's chance to solidify his career as a well-respected filmmaker, and build a lifelong career. While most directors would have either gone the route of making Jaws II or picking up a no-brainer script from a proven scriptwriter, Spielberg wagered his success on the odd tale of a possibly mentally deranged individual's belief in extra-terrestrial life. What he came away with was a film that won an Academy Award for Best Cinematography, was nominated for four Golden Globes (including Best Picture and Best Director), and has become synonymous with the legacy of the famed director.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2007
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Posted in: Disc Reviews by Archive Authors on December 10th, 2007
So in a summer where a film directed by Judd Apatow and starring Seth Rogen made a truckload of money, another film released a couple months later where Apatow produced and Rogen co-wrote made almost the same truckload of money, yet both films were funny for different reasons.
Posted in: Disc Reviews by Archive Authors on December 10th, 2007
Will Ferrell, arguably the last funny member of Saturday Night Live has picked some strange movies to be in since leaving the sketch comedy show. Appearing first as a co-star in Old School and then later in the kid-friendly (but cute) Elf, Ferrell took his time in getting to what fans wanted, a good PG-13 or better comedy for him to stretch his comedic talent.