Posted in: Disc Reviews by Archive Authors on April 26th, 2007
Synopsis
Well, time may not have been too kind to George Lazenby since he assumed the tailored suits of James Bond for On Her Majesty’s Secret Service, but considering how well Daniel Craig did in Casino Royale, and the basic storyline is the same for both films, why do people still want to bash Lazenby now? Is it because he wasn’t a carbon copy of his predecessor, Sean Connery? Who knows?
As for the film itself, Lazenby was as unknown as one could get for the job, as this was only h...
Posted in: Disc Reviews by David Annandale on April 24th, 2007
Synopsis
Robert Francis is a wet-behind-the-ears naval officer whose first posting is aboard the Caine, a ramshackle minesweeper. He is dismayed by the rough-looking crew and captain, and when that captain is replaced by Bogart, a by-the-book commander, Francis is initially relieved. But Bogart’s fixations on minutiae are tyrannical and obsessive, his refusal to admit error dangerous, and his behaviour increasingly erratic and paranoid. Francis and fellow officers Fred MacMurray and Van Johnson reali...
Posted in: Disc Reviews by David Annandale on April 18th, 2007
Synopsis
Anna Karenina (Vivien Leigh) is married to a rigid and boring politician (Ralph Richardson). Despite herself, she falls in love with the dashing young Kieron Moore. Richardson retaliates by cutting her off from her son. And though having an affair is tolerated by upper class Russian society, the couple wind up challenging convention too far, and Anna finds herself completely ostracized.
In Gone with the Wind, Leigh took a character in Scarlett O’Hara who, on the face of it, ...
Posted in: Disc Reviews by David Annandale on April 16th, 2007
Synopsis
A young Jane Eyre thinks she is escaping Hell when she is sent from the home of her unloving aunt to a boarding school, but she has simply traded one Hell for another. Despite the attempts of sadistic Henry Daniell, she survives her years at the school with her spirit intact, and, now a grown woman (Joan Fontaine), she goes to work as a governess at the gothic home of Edward Rochester (Orson Welles). She perceives something good behind his forbidding extrior, and finds herself falling in lov...
Posted in: Disc Reviews by Michael Durr on April 14th, 2007
Synopsis
Baseball films always hold a place near and dear to me. I would go see them with my dad when I was a kid and enjoy the plight of a team or an individual with a desire to win and overcome the odds. Sometimes it would be funny (Bull Durham), sometimes it would be sad (Eight Men Out), sometimes it would be uplifting (Field of Dreams). However, all of the above movies would have never been as successful without one movie in particular. That movie is The Natural . The Natura...
Posted in: Disc Reviews by Archive Authors on April 13th, 2007
Synopsis
Ian Fleming’s The Man With the Golden Gun was the only posthumous release for the established actor, and the book was such a success that producers Albert Broccoli and Harry Saltzman decided to try and recruit Roger Moore for the role immediately after You Only Live Twice to capitalize on the success of Fleming’s book. However, it wasn’t meant to be, and the film’s production was delayed several years while the George Lazenby era came and went, not to mention the Sean Connery era leav...
Posted in: Disc Reviews by Archive Authors on April 12th, 2007
After watching a bloated Tom Sizemore run around tunnels being chased by a man in a rubber suit while making bad jokes, it’s hard to believe that he used to be in good movies like Heat, Saving Private Ryan, and Black Hawk Down. And that’s probably the biggest impression I got from Bottom Feeder, just another example of the latest “anyone can make a direct-to-video horror movie” trend. My, how far Sizemore has fallen.
The plot is minimal, which is par for the course in most horror films...
Posted in: Disc Reviews by David Annandale on April 12th, 2007
Synopsis
Lloyd Nolan stars in this quartet of films about Michael Shayne. Less hard-boiled than he was in other media, here he’s an inveterate wisecracker and the films are sometimes more comedies than thrillers. Our boy takes his first bow in <>i>Michael Shayne, Private Detective (1941), where he’s hired to keep an heiress (Marjorie Weaver) out of trouble. But when one of the dubious people she’s been hanging out with turns up killed, apparently by Shayne’s gun, the detective must stay one step ...
Posted in: Disc Reviews by Gino Sassani on April 6th, 2007
Dances With Wolves has always been a bit of a conundrum for me. The story is simply a beautiful one. The cinematography is often nothing short of breathtaking. What causes my trouble is when we get down to its star. Kevin Costner is horrible in this film. I’m not a Costner hater. Untouchables and JFK are two of his best films, and in each he delivered exactly what was required. I’m beginning to think, however, that the G-Man persona is all he is capable of delivering with any consistency. What exactly is my problem...
Posted in: Disc Reviews by Archive Authors on April 4th, 2007
To the credit of James Bond film producers Michael G. Wilson and Barbara Broccoli, they realized that recycling a storyline with Russian antagonists or other satellites of communism, was stale even several years after the Berlin Wall fell. But in its place, the big Bond villain was a Serbian national of sorts named Renard, who was shot in the head, and the bullet, still lodged in his brain, made him magically impervious to pain.
