Posted in: Disc Reviews by Archive Authors on July 6th, 2006
Not having much appreciation for (or just being an aficionado of) the film noir genre, I could probably do one better and say that even if noir was induced on me subliminally, there may be a good chance that I wouldn't even recognize it. So I don't know how cool things like The Blackboard Jungle or some other films are and I can't really rule them out of hand. So when I got House of Strangers to review, I had to give it a try.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2006
There is no shortage of vampire stories out there. There’s certainly no shortage of kick butt chicks dressed as sparsely as possible running around in depressed future populated worlds. Underworld, without a doubt, does the combination better than anyone. Ultraviolet makes a grand attempt that really ends up being more of a ride than anything else. Now, I can usually follow the most convoluted storylines, but this one gave me some trouble. It seems that while trying to create a super soldier (where is Mulder and Scully when you need them) the government made a big oops and created something akin to a vampire.
Posted in: Disc Reviews by Archive Authors on July 4th, 2006
Fox has done a really great thing with their Fox Film Noir line. There are tons of great film noirs from the 40's and 50's, and Fox has done an excellent job of grabbing those classic films and presenting them in great new affordable editions for modern viewers to experience for the first time. I Wake Up Screaming is one of 18 films currently in the series, and I am sure that number will only continue to grow over time.
Betty Grable shows up here in a starring role that is a departure from her u...
Posted in: Disc Reviews by Archive Authors on July 1st, 2006
God bless producer Irwin Allen for aiming high in just about everything he did. He would make large scale productions, some focused on disasters (like his next film after this, The Towering Inferno), but he also produced Lost in Space for TV and made other contributions like Voyage to the Bottom of the Sea and an incarnation of The Lost World. He may not have had a DeMille-like grip on his project because the studios had so much control still in the early '70s, but he sure dreamt big, which is always a good thing.
Posted in: Disc Reviews by Archive Authors on June 28th, 2006
There was a time when no major groundbreaking events were captured on film. The thing is, it's sometimes hard to know when something of historical significance is going to occur. Major events such as World War II and the fall of the Berlin wall were planned in advance (so to speak), so it was easy to set-up a camera and capture the event. Spontaneous events, however, were mostly passed over. As technology has progressed, however, it has become easier to capture important and notable moments on the fly. September 11, ...
Posted in: Disc Reviews by Gino Sassani on June 27th, 2006
Coach is one of those shows that never seemed to make a lot of noise. I can’t remember any year it was on that it burned up the ratings or scored many awards. Still, it was the little show that could. It ran for nine seasons, always holding on to a loyal core audience. I’m sure most of the success belongs to the underrated talents of Craig T. Nelson. I’ll admit that this guy just never showed up on my talent radar until his unexpected turn at drama during The District. It was then I learned to appreciate his self-effacing subtle abilities.
Posted in: Disc Reviews by Archive Authors on June 24th, 2006
War movies, in my opinion, are one of the rarities in film, where the most recent pics are usually the best ones. I need only cite films such as Full Metal Jacket, We Were Soldiers, and Saving Private Ryan to argue my cause effectively. But that doesn't mean all of the older ones were bad. Most were because they took more of a silly ra-ra viewpoint in relation to the reality of war. They didn't show the nasty details because, in many ways, they were recruiting tools. But Decision Before Dawn> was one earlier work, which took chances with its dramatization.
Posted in: Disc Reviews by Archive Authors on June 20th, 2006
I've seen people quote this film from time to time, and I never understood the attraction because I saw it once and forgot about it. After a bit of intrigue, I finally got my hands on a copy of the US version of this 2 disc set (though the UK version, with the orange cover and silhoulette image of Ewan McGregor on the cover looks much cooler) and gave it a spin, lo and behold, I discovered a pretty good movie.
Posted in: Disc Reviews by Archive Authors on June 20th, 2006
The Phil Silvers Show was groundbreaking for several reasons, but to look at the list of those who appeared on the show during its four season run is to look at a "Who's Who" of television ancestry and history. Allen Melvin played Sam the Butcher on The Brady Bunch, Harvey Lembeck previously appeared in Stalag 17 and his son Michael became an accomplished television director. Joe Ross played one half of the cop team in Car 54, Where Are You? next to a guest star of the show, a guy named Fred Gwynne, who also appeared in a show called The Munsters.
Posted in: Disc Reviews by Archive Authors on June 11th, 2006
OK, I hope I'm not diving into a review that may fall into the "film scholar" category, and thus rule me out of being taken seriously. When there's a lull in buying new releases, sometimes my wallet gets cabin fever, and so I went out and picked up the Hitchcock set from Criterion, entitled Wrong Men and Notorious Women: Five Hitchcock Thrillers 1935-1946, and includes the previous Criterion releases from Hitchcock, namely Rebecca, Notorious, Spellbound and The Lady Vanishes.
