Posted in: Disc Reviews by David Annandale on March 19th, 2004
Not that there was anything wrong with the picture and sound of the previous Superbit release. But now Panic Room returns in a package that truly contains every imaginable extra, and then some.
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Posted in: Disc Reviews by David Annandale on March 15th, 2004
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Posted in: Disc Reviews by David Annandale on March 2nd, 2004
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Posted in: Disc Reviews by David Annandale on February 27th, 2004
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Posted in: Disc Reviews by David Annandale on February 26th, 2004
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Posted in: Disc Reviews by David Annandale on February 23rd, 2004
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Posted in: Disc Reviews by David Annandale on February 22nd, 2004
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Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
The third and hopefully final entry in the American Pie series, American Wedding keeps with the sweet charms and gross out comedy of the first two movies, but can’t live up to the humor of the original or its sequel. Average Joe Jim, (Jason Biggs) and former band geek Michelle, (Alyson Hannigan) are now engaged to be wed and must decide whether raucous Stifler (Seann William Scott) should be invited to the wedding. Shenanigans ensue involving a night out at a gay club, a bachelor party, pleasing the in-laws, and pubi... hair on a wedding cake.
Sure, Stifler eats dog poop and does for curse words what bullet time did for special effects, but missing characters and lack of novelty cannot lift this one into the rare category of sequels being as good or better than the previous installments. While it offers plenty of funny moments, most courtesy of Stifler, the movie just seems tired and worn out. The filmmakers should excuse themselves from the table after this. No more pie for them.
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
I can only imagine what it might have been like to be a child during the heyday of Disney’s live films division. Going to see The Parent Trap or Mary Poppins as a young girl must really have been exciting. Experiencing Pete’s Dragon or Chitty Chitty Bang Bang in the theater must have been a thrill for young lads.
Unfortunately, Disney has not lived up to those high standards in its later days. Part of the wonder of those films was that they were not children’s films, as much as s...andard feature films that were easily accessible to children. While there is nothing wrong with films such as Angels in the Outfield, The Mighty Ducks or George of the Jungle, they just don’t have the same classic quality that the older Disney films had. The genre grew into a direction that made these modern films a little more sterile, and a little lower quality than your average Hollywood production.
Posted in: Disc Reviews by Archive Authors on February 15th, 2004
A number of great films have come out of Ireland over the past decade (or so). A few titles that come to mind are In the name of the Father (1993), My Left Foot (1989), In America (2002), The Boxer (1997), and definitely The Commitments (1991). The one factor that differentiates The Commitments from the rest of these great films is that it centers around music rather then turmoil (whether it be personal, family, or country turmoil). The Commitments is a great tale t...at uses a perfect blend of comedy, drama, and music to tell its oddly uplifting story. The casting/acting is perfect, the music is wonderful, and the storyline is very entertaining. For those of you who are a fan of international cinema, this film is a real treat.
The Commitments follows the story of Jimmy Rabbitte, an unemployed music junkie who decides to start a band with a mission… to bring soul to Dublin. Jimmy assembles a rag-tag group of musicians, and the journey to create a “soulful” band in the streets of Dublin begins. Amongst the numerous personality conflict and musical differences, The Commitments bring hope to the down and out community, and start to make beautiful music. Unfortunately, there roller-coaster ride of success implodes before it really gets started.
