Series

At a time when the women’s liberation movement was picking up steam, Hollywood was changing the kinds of stories they told, and some of films most beloved personalities were aging and leaving the spotlight, the stars aligned perfectly for Stanley Donen to make the incredibly charming “Charade”. Both a send-up of James Bond films and a genuinely engaging mystery, “Charade” was the perfect film at the perfect time.

The story revolves around a young woman (played by the graceful and immensely likeable Audre... Hepburn) who finds that her husband has been murdered, and that the people who are responsible now want something from her… only she doesn’t know what it is. One man (played by the dashing Cary Grant) emerges to help her, but even he may not be who he appears. The whole mismatched crew rambles along together, in an attempt to discover what, and where, this elusive mystery item is... before it’s too late.

Revenge is the theme of what many people consider H.G. Clouzot’s finest film, the 1955 thriller “Diabolique”. This is the story of two women who want to kill the same man. One is his kind and gentle wife, and the other is his attractive but hard-hearted mistress. The two work together to end his life, devising a plan that comes to fruition surprisingly early in the film. What initially appears to be a film about the plotting of a murder turns into a film about something else… something more sinister and unexpected. A... the two realize that the man they mean to kill may not be dead after all, their dread and terror escalates, as does the tension on the screen.

Clouzot’s real life spouse, Vera Clouzot, plays the part of the mild mannered wife, and she does so superbly. I really cannot say enough about her performance in this film. She is reason enough to watch the film, but the engaging plot and thrilling finale make it even better. Criterion brings us a true classic of early French cinema, with “Diabolique”.

It has taken years to finally get a block-buster Hulk film produced, and the outcome has received mixed reviews. Grossing $132 million in the domestic box-office is usually nothing to sneeze at, but considering it cost $150 million to make the Hulk, it must still be looked at as disappointing. Many would argue that the animation was unrealistic, other would argue that it was amazing… each to their own. I, myself, found the film quite disappointing. I found the animation far too overdone, and the story to be lack...uster. I did really appreciate Ang Lee’s direction, but that is about as far as my praise will go for this film.

For those of you who have been stuck under a rock for the past 20 years, here is the basic storyline…

William Shatner refused to reprise his role of Kirk in Star Trek IV: The Voyage Home without a promise to write and direct the next film in the franchise. Against their better judgment Paramount agreed, and to this day wish they had not. The story is absolutely silly and the direction very one-dimensional. The truth is, however, that there still are some very endearing Trek moments in the film. DeForest Kelly gives a superb performance as McCoy must face his past decision to allow his terminal father to die. Even the Kirk / Spock moments are often quite compelling. Unfortunately Shatner couldn’t help but show with how little regard he held his minor cast mates. Sulu, Scotty, Uhura, and Chekov are reduced to comic parodies of themselves. The f/x are some of the franchise’s weakest.

Audio

“Say hello to my little friend!”

This is just one of the many cultural references that have come out of Brian DePalma’s 1983 epic film, Scarface. Al Pacino plays Tony Montana, a Cuban refugee that arrives in the United States with nothing, and leaves with everything. It’s a story about the American Dream, about excess, and about ambition. A fantastic supporting cast (including Michelle Pfeiffer, F. Murray Abraham and Mary Elizabeth Mastrantonio), and a script by Oliver Stone makes Scarface one of the...greatest gangster films of all time.

For a long time The Lion King was the highest grossing animated film in history. For my money it is still miles ahead of any other animated feature. Using more frames per second in animation than the modern cost-cutting standard, this animation simply flows. Elton John and Tim Rice combined for some spectacular songs that somehow appeal to adults and the pop crowd while still maintaining that charm and sing-along ability necessary to attract children. The story is far richer in content than the typical animated fare.Finally, this film is quite simply just beautiful to watch. Without taking anything away from Disney groundbreaking features like Snow White or Sleeping Beauty or even the wonderful Fantasia, The Lion King is indeed king of the animated jungle.

Synopsis