Posted in: Disc Reviews by David Annandale on November 11th, 2002
Synopsis
In the full widescreen segments of the film, a portion of an American satellite lands inAustralia and is swallowed by a crocodile. Competing agencies send their agents to recover thedevice. In the segments where the screen shrinks to something resembling the TV screen (thoughstill wider than 1.33:1), Steve and Terri Irwin chase after animals, and Steve speaks continuallyto the camera. The collision course of the title is not just the intersecting courses of the Irwinsand th...
Posted in: Disc Reviews by Gino Sassani on October 31st, 2002
Synopsis
Zero Mostel is a down-on-his-luck play producer. Gene Wilder is a neurotic accountant.Together they cook up a scheme to raise a million dollars (from old ladies) to produce a playguaranteed to flop (and thus they keep the money.) The play they choose is a little romp called“Springtime for Hitler.” This being a Mel Brooks film, the humour ain’t subtle, and Brooks doesrun some sequences into the ground (he never has known when to quit). But there is a lot oftremendously funny...
Posted in: Disc Reviews by Archive Authors on October 30th, 2002
This disc combines excellent sound, a fantastic movie, and bales of extras with murky video to create a very acceptable – if not truly outstanding - first release of Spider-Man. I would heartily recommend this disc to anyone, but with some caution: this release (“Widescreen Special Edition” reviewed) leaves plenty of doors open for SuperBit Deluxe and later Collector’s releases. Both sound and video are good – but definitely not the best – so, watch for re-releases after the holidays.
This two-disc set is b...
Posted in: Disc Reviews by Gino Sassani on October 19th, 2002
Synopsis
The plot is very simple, as the spectacular song-and-dance numbers are the real star of theshow. Gene Kelly and Jean Hagen are big stars of the silent screen. But sound is arriving, andHagen’s voice sounds like fingernails on a chalkboard (and she has a personality to match). Kellyfalls in love with Debbie Reynolds, a struggling dancer with a terrific voice. This is enough of aframework on which to hang the production numbers, but the comedy in between is oftenhowlingly fun...
Posted in: Disc Reviews by Archive Authors on October 13th, 2002
As my odds-on favorite to win Best Animated Film at this years Academy Awards, Ice Age combines a wonderful mix of breathtaking digital animation, and a wonderful story full of entertaining characters. Fox, with this film, has jumped into the upper echelon of digital animation studios, along with Disney and Dreamworks.
”Twenty thousand years ago, the Earth was being overrun by glaciers, and creatures everywhere were fleeing the onslaught of the new ICE AGE. In this time of peril, we meet the...
Posted in: Disc Reviews by Gino Sassani on October 1st, 2002
Long before tough cop Dirty Harry made our day, Clint Eastwood defined the modern western with his Spaghetti Westerns. It is no surprise that a Western would define Clint Eastwood as an Academy Award winning producer and director. Unforgiven is unlike any movie Eastwood has ever done. It is loaded with extraordinary actors surrounding his own stellar performance. Names like Morgan Freeman, Gene Hackman, and Richard Harris are rarely found in such supporting roles. Unforgiven also sets itself apart from Eastwood’s previous films in the way it portrays the West that Eastwood glorified for so many years.
Posted in: Disc Reviews by David Annandale on July 24th, 2002
Synopsis
The Littles (Hugh Laurie and Geena Davis) head off to the local orphanage to adopt a child. Their son George (Jonathan Lipnicki) is hoping for a little brother, but what he gets is considerably smaller than he had in mind: talking mouse Stuart (voice of Michael J. Fox). We follow Stuart's misadventures as he adapts to his new family, and they adapt to him. Nathan Lane does the voice of Snowball, the very put-out cat.
Audio
The sound is very clear, and Alan Sil...
Posted in: Disc Reviews by David Annandale on July 15th, 2002
Synopsis
Herbert's novel is very complex, and one attempts a synopsis at one's own risk (this is part of the problem with Lynch's film). At its most basic, it is about power struggles in a galactic empire, power struggles centred on the planet Arrakis, or Dune, home of the spice, the most vital element in the empire. Paul Atreides, newly arrived on Arrakis, turns out to be the long-prophesied messiah. This is an incredibly ambitious project for a telefilm, and though some of the budgetary limitations...
Posted in: Disc Reviews by Gino Sassani on June 25th, 2002
Aliens was one of those rare sequels that must include T2 where everything gets taken up a notch without spoiling the elements that made the first successful. This is not to say Aliens is better than the original, but very different yet somehow very much the same. Sigourney Weaver acts with a confidence made possible by the first film. It’s hard to believe but Ripley just gets stronger. The story is much more complex but still retains the chilling simplicity of a horrible creature stalking its prey. There are more cr...
Posted in: Disc Reviews by Gino Sassani on June 18th, 2002
“In space no one can hear you scream” was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future companies are quasi-government agencies and these astronauts are not explorers out for glory and...
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