Posted in: Disc Reviews by Archive Authors on December 31st, 2012
In the same fashion as Batman Begins, Casino Royale the 21st Bond film ït starts over the franchise with a new outlook. Daniel Craig stars as James Bond in this film based on the 1953 novel by Ian Fleming, which hopes to rejuvenate the series by getting rid of some of franchise trademarks as well as the gadgets they supply. Grossing nearly 600 million dollars worldwide, Casino Royale was commercially a great success, but does the new bond fall short of past expectations, or does this reboot on the series provide for good cinema?
Posted in: Disc Reviews by Gino Sassani on November 8th, 2011
"Soldiers, Sailors and Airmen of the Allied Expeditionary Force: You are about to embark upon the Great Crusade, toward which we have striven these many months. The eyes of the world are upon you. Good Luck! And let us all beseech the blessing of Almighty God upon this great and noble undertaking." - General Dwight D. Eisenhower, Supreme Commander of the Allied Forces."
World War II was a turning point in American history unlike any other in the 20th century.
Posted in: Disc Reviews by David Annandale on May 9th, 2010
We are in the midst of the Great War. Michael Dunne (Paul Gross) is a Canadian solider recovering from physical and psychological wounds. He falls in love with his nurse (Carline Dhavernas), and when her asthmatic brother enlists, Dunne heads back to the trenches to protect him, and the two men wind up at the gigantic, murderous battle that gives the film its name.
Posted in: Disc Reviews by Michael Durr on March 11th, 2010
In my lifetime, I’ve really only liked five zombie movies. There is Shaun of the Dead, the three Resident Evil movies, and Zombieland. Most of the other zombie type films either belong in the “Way too Gory” or “Nonsense” designation. So, naturally when I receive a zombie movie like Dead Snow, there is some apprehension. However, in this case I can say that this movie belongs in both of those designations and delightfully so.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
There’s a lot to want to love about this film. You have the return of the super powered Malone children, and more importantly, the same actors to portray them. Director John Hough returned to direct the sequel. The film also includes Christopher Lee and Bette Davis as the villains. Like I said, a lot to want to like. Something went terribly wrong along the way. Neither Christopher Lee nor Bette Davis take their roles seriously at all. I don’t think I’ve seen either accomplished thespian show so little effort in a performance.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
Walt Disney has always had as a main theme in its movies the idea of empowering children. It didn’t matter what circumstances the children might find themselves in, Disney always found a way to bring them out of their predicaments with an inner strength that they never really knew or believed that they had. It’s likely one of the reasons the studio has been so successful with children’s films over the decades. Escape To Witch Mountain is one such film. It’s certainly not the greatest from the Disney vaults, but you could do a lot worse.
Posted in: Disc Reviews by Archive Authors on October 6th, 2008
I like Mike Myers. I think he’s really talented, and I’ve enjoyed him in films like Wayne’s World, So I Married an Axe Murderer and Austin Powers: International Man of Mystery. That’s why I didn’t want to see The Love Guru. Seeing the trailers for this latest Myers project, I had the distinct feeling it was going to be a black mark on his filmography.
What an understatement — 20 minutes into The Love Guru, I wanted to punch Mike Myers in the face.
Posted in: Disc Reviews by Archive Authors on August 8th, 2008
Why god must you do this? Why does Hollywood in all its limited wisdom try to remake any and everything with the hopes that it will be good, when it just winds up becoming another EPIC FAIL? They’ve done it with The Grudge, they’ve done it with The Eye, and now I hear they might be remaking Oldboy and The Host. We’re coming up on sacred cow territory here, and quite frankly, I don’t know why these films have to be “Americanized” to appeal to the unwashed masses; I thought the whole point of them was to be appreciated on their own merits. But sure enough, the horror film genre is guilty of cannibalizing product like anyone else. See what I did there?
Posted in: Disc Reviews by Archive Authors on August 8th, 2008
For as much as I might viscerally disagree with the creation of a film or its sequel, I lay much of the blame at you, the viewer and movie-going public. You created the furor around the Step Up series of films. You all went in droves to the first film when it was released in August 2006, when movies were winding down in the blockbuster season and thus helped it make $65 million domestically and more than $110 worldwide. It’s your fault that another film was inevitable, so in the down-turn of this past February, we got a second one. That one made about the same domestically, but made $30 million or so more and almost brought in $150 million worldwide. Count on the fact that another 90-minute film about teens dancing will be made and that the Step Up trilogy (I threw up in my mouth a little when writing that) will be complete.
Posted in: Disc Reviews by Archive Authors on July 14th, 2008
I don’t remember that much about Diva growing up; it was a film that I heard about as a kid, and a lot of people liked it, but that was the first time I can honestly say I was exposed to the arthouse film, and that it was something that I wanted to find out more about. Through the years, I’ve seen many a foreign or independent film, however the one that started all of it off for me I hadn’t seen, until now.
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