Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
It’s no big secret that I enjoy Extras, and found my way to it through the first episode of the second season, which included a guest appearance by Orlando Bloom (of Pirates of the Caribbean lore). And now that I’ve seen the first season, and rabidly followed the second season on HBO, while it’s a bummer to see Extras fade away after a dozen episodes, and just like The Office, it’s not going to soon forgotten.
Posted in: Disc Reviews by David Annandale on July 8th, 2007
Synopsis
Whoah. MGM if really digging into the vaults to bring us these. Xaviera Hollander is not much more than the answer to a trivia question today, but for a while in the 70s, she had enough profile to warrant three films based first on her book, then more generally on her persona. Lynn Redgrave (!) plays her in The Happy Hooker (1975), which follows her arrival in the States and cheerful discovery of the life she was born, it seems, to lead. Mysteriously rated R, this is a film that could...have played without cuts on prime time TV twenty years ago. A film all about sex with no sex in it. Makes you long for Joe D’Amato and Laura Gemser to arrive and save the day.
Posted in: Disc Reviews by Archive Authors on July 1st, 2007
Synopsis
Timothy Dalton might have endured a bit of grief for his short tenure as James Bond, enduring comments equating him to Connery and Moore plagued his two film run, with this one being the last. However, this one was quite the doozy, and almost in the area of “forgotten gem” status.
Posted in: Disc Reviews by Archive Authors on June 27th, 2007
Synopsis
In slowly but surely wrapping up my reviews of each and every Ultimate Edition James Bond title on DVD, coming to Thunderball, a sect of people say that this is the quintessential film for the man who quintessentially personified James Bond. So in his fourth outing as the man who likes martinis, cars and women, he encounters a large swath of them all over two hours.
Posted in: Disc Reviews by Archive Authors on June 25th, 2007
Perhaps Woodstock is the best known music festival, but only one has kept strong for several decades and still going - Glastonbury. A small town in the southeast of England is the host to a sizeable music festival that spans for several days and attracts in excess of 150,000 people. Like a lot of you I’m sure, I had never heard of this music festival and after watching this once I’ll probably never get wind of it again.
The first disc of Glastonbury is a documentary on the festival it is not in chron...logical order but includes footage from the 60’s all the way through to the latest festival in 2005. It interviews some of the colorful people attending the festival over the years, the staff involved, and of course the bands that play. At first I was interested in this disc thinking I would get the chance to watch these bands play live, but instead I sat through 130 minutes of hippies rolling around naked in mud, with the odd montage of performances. Really I found this to be a weak documentary, I was not interested in the people dancing like fools to bongo drums, holding up lighters and crying, getting naked and just acting totally like a junkie. The people interviewed and shown in the footage in this documentary were just utterly weird, and not interesting. The only somewhat interesting and normal parts of this documentary were the footage of the most recent festival where there was a lack of hippies. Of course I did enjoy the live and uncut performances that were shown, more specifically on disc 2. Although there are some big names and famous songs played in this documentary and subsequent extras disc but I didn’t like enough of the musicians to enjoy this disc myself. If you do however like Radiohead, Paul McCartney, David Bowie, The Killers, Foo Fighters, David Gray, The White Stripes, etc. like I’m sure a load of you do then you might enjoy the odd sequence where you get to see them play.
Posted in: Disc Reviews by Archive Authors on June 21st, 2007
Flags of Our Fathers is based on the book of the same name by James Bradley and Ron Powers about the Battle of Iwo Jima and the famous raising the flag on Iwo Jima picture. It’s the second recently released movie about the Battle of Iwo Jima, the other being Letters from Iwo Jima.
Both films were directed by Clint Eastwood. Although both focus on the same event, they are quite different. Letters from Iwo Jima is from the Japanese perspective and Flags of Our Fathers from the Ame...ican. Also, Flags is more focused on the group of Marines that raised the flag, their efforts in selling war bonds back in America and their coping with the war. Having recently watched and enjoyed Letters from Iwo Jima, I eagerly anticipated this film.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2007
Marvel Comics has certainly enjoyed a renaissance of late. There can be no question that this entire run of comic heroes on screen began with Spider-Man. Even the recent DC reimaginings might not have gotten this second chance without everyone’s favorite web slinger, or at least the gobs of money that franchise has pulled in. While none of these recent comic films have come close to the success of Spider-Man, the studios are determined to keep the trend alive and well. That translates to great news for us. The most...recent development of this success is that lesser known comic heroes are starting to emerge on film. Ghost Rider is not quite as known around the world but is not without its loyal following. Nicholas Cage happens to be among the Ghost Rider faithful. We’re talking about a guy so into the comic scene that he named his son Jor-El (Superman). Cage, it appears, has wanted to do Ghost Rider for almost as long as he’s been acting. This unusually high level of passion for a character plays to the film’s advantage. He believes in the role and thus becomes Ghost Rider with an uncanny ease.
The Ghost Rider character has evolved more over the years than perhaps any other comic icon. The story and the character himself have gone through many significant changes. The film pays homage to a ton of this history by including elements of many of those comic runs. The writers combined some of the best elements from the whole to create a world and character that is unique, yet quite true to the spirit of the Ghost Rider. The basic story remains relatively faithful to some aspect of the story’s varied history while allowing the film to have its own distinct look and tale. Here a young Johnny Blaze discovers that his father is dying of lung cancer. Together father and son have a motorbike daredevil show. He is approached by an ominous stranger who offers to heal his father’s ailment in return for, you guessed it, his soul. I know what you’re thinking. “Boy have we seen that one a thousand times before. Believe it or not this story has a remarkable twist to the old story. Of course, the deal’s a rip-off and Johnny gets exactly what he wants but not really what he wants. It’s that old fine print stuff again. The twist is that our old devilish friend has a more complicated fate in store for Johnny. When called upon he must ride his bike as the flaming skulled Ghost Rider to do the Devil’s bid. In this film the spectral rider is called upon to collect a powerful contract , which is also goal of some rather nasty elemental bad guys. It’s a royal battle to control Hell, and Blaze is right in the middle of it.
Posted in: Disc Reviews by Archive Authors on June 16th, 2007
I’m kicking myself. Martin Scorcese’s The Color of Money has long been a favourite of mine, but for some reason I never knew it was a sequel to The Hustler, a film 25 years older and three times better.
Starring a young Paul Newman (Road to Perdition) in a role that earned him his second Oscar nomination, The Hustler is about a cocky pool player hustling his way to the top. When “Fast Eddie” Felson (Newman) challenges undefeated straight-pool champ Minnesota Fats (Jackie Gleason,...Requiem for a Heavweight) to a high stakes game, the talented young hustler shows he has the skills to be the best, but self-destructs toward the end of the 25-hour marathon match. Left near-penniless and without the managing partner who helped him get started in the seedy world of pool hustling, Eddie faces an uphill struggle to regain his confidence. Shacking up with smart, attractive and similarly self-destructive Sarah (Piper Laurie, Carrie) proves to be a decent diversion while Eddie wallows in misery, but while he uses her as a crutch, he becomes the cause of her destruction when he agrees to play for Bert Gordon (George C. Scott, Patton), a ruthless, greedy manager, and brings her along when they hit the road.
Posted in: Disc Reviews by Archive Authors on June 4th, 2007
With the release of Fantastic 4: Rise of the Silver Surfer just around the corner, it’s no surprise to see the studio rolling out a double-dip of the first film. Fantastic 4 – Extended Edition revisits the film with an extra 20 minutes of footage, and a second disc full of special features. But is it a worthy acquisition for your collection?
First, a bit about the film for the uninitiated. This is the Fantastic Four’s origin story, including how they came to have their super powers, and who Dr... Doom, their first super-villain nemesis, was. And that’s enough about that.
Posted in: Disc Reviews by Michael Durr on June 2nd, 2007
I must really love this job. That's the only explanation as to why I keep reviewing for this site. Then I get across my desk a copy of Dante's Cove - The Complete Second Season. (I guessed I missed the first one). On the cover they show three quite buff men (in the background two women, hey that's Tracy Scoggins), all with pants being a little too low. Uh-oh. *flips to the back*; oh geez is that two men kissing, *sigh*, it is. From the here! network for openly gays and lesbians comes the guilty pleasure show; Dante's Cove, a soap opera that let's just say really pushes the envelope. The backdrop or the events to season one are as follows.
One hundred and sixty years ago, Ambrosius Vallin (played by William Gregory Lee) had been imprisioned by Grace Neville (played by Tracy Scoggins) after she found him fraternizing with a man (they were engaged to be married). Okay, they were doing it doggy style. (if I have to live with the image, so do you). So Grace gave Ambrosius advanced age and threw him in the basement. He is returned to his former self by a kiss from Kevin (played by Gregory Michael). Naturally Ambrosius becomes obsessed with Kevin who is really in love with Toby (played by Charlie David). By the way, Ambrosius and Grace use the powers of a mystical religion called "Tresum". However in order to satsify this religion and keep their youth they have to fufill certain rites and passages. It's a blend of fantasy, soap opera, and really really open gay people in a beautiful island setting (second season was shot in Hawaii).
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