Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Cinderella Man tells the heartwarming true story of heavyweight fighter James J. Braddock, a man thought to be washed-up, who rises from the ranks of the forgotten to rebuild the life and potential he lost somewhere along the way. It's also one of Ron Howard's finest films, and with a body of work which includes Backdraft, A Beautiful Mind, Apollo 13, Far and Away, and Ransom, this is a fine accomplishment. Unfortunately, this film's success never rose to the level anyone ant...cipated, and there's nothing worse than when a well-crafted piece such as this falls victim to bad press -- especially when said bad press has almost nothing to do with the film. Firstly, Cinderella Man suffered from the now famous idiotic outburst of its star Russell Crowe. Secondly, there was the debacle over Howard's portrayal of Max Baer, and how that portrayal affected and offended Baer's still-living son (the former Jethro Bodine of TV's Beverly Hillbillies, and successful film producer). Finally -- and perhaps most important of all -- was the lackluster marketing campaign, which made the film look so dull even I was ready to wait for the video. These three factors added together to cause the film an almost embarrassing performance for all there was to recommend it (two Oscar winners in the starring roles, an Oscar winner behind the camera, another Oscar contender in a supporting role -- Paul Giamatti -- and perhaps one of the most inspirational tales in American history).
At one time, James Braddock was a contender. He had the world on a string, a woman who loved him, and several adoring children. But somewhere along the way -- an injury here, a few decision losses there -- his career and his world took a nosedive. After injuring his hand and coasting through a boring fight, he loses his boxing license, and consequently, his meal ticket. At one point, the sky was the limit. But now, left to a dark and desperate world, he struggles to keep the heat on during a brutally encroaching New York winter. He's forced to send his children away just to save their lives from the harsh weather. And at his lowest point, he succumbs to the very thing he stands against -- welfare. After finding himself all but forced to sign up for social assistance, he becomes determined to turn it all around. All he needs is the opportunity, which comes in a supposedly one-time shot against a top heavyweight contender. No one expects Braddock to win, but when he does, it sets in motion a chain of events, which position him into a very real chance for a shot at the deadly world heavyweight champion Max Baer, who was responsible for the deaths of more than one man in his storied career. Whether Braddock becomes one of those victims, I will leave for the uninitiated to discover. But the enjoyment of Cinderella Man depends not on winning or losing, but on the inspiration of Braddock's overwhelming comeback. He rose from the proverbial canvas at the same time as a nation did, and it's not entirely implausible that he lended a hand -- however small -- in getting this country back on its feet.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Yes, I dreaded this one like the plague. Call it a pure hatred for reality television. But honestly, after starting these episodes, I found myself lending a begrudging respect to it all. If you're unfamiliar with this enormously popular program, here's a brief education. Home interior designers Ty Pennington, Michael Moloney, Constance Ramos, Paul DiMeo, Tracy Hutson, Preston Sharp, and a slew of others, who have made appearances here and there, get together and help some needy family realize their dream home in just seven days. As if the simple act of building a house in seven days isn't enough to get you watching, they usually pick some family that's been pushed to the limits of what ordinary people can take.
This season of thirteen episodes features quite a few heart-warmers spread across its two discs. The most memorable for me was "The Cadigan-Scott Family," which involved a family of eight children, who had lost their parents tragically. The mother died of complications from heart problems; the father followed shortly thereafter with a heart attack. The family would have been dispersed to foster care if not for the selfless act of the two oldest siblings. Jennifer, 23, and Janice, 21, became legal guardians for the other six children, so the family could stay together. Not even an iron-clad heart could fail to soften at the sight of over 3,000 Livermore, California, residents lining the streets at the show's end for the big unveiling. I'll briefly declare a peace treaty between myself and reality-TV to give this show its due. It certainly knows how to hit all the right buttons.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Written by Clayton Self
Long Way Round is a reality show/documentary in which two actors, Ewan McGregor and Charley Boorman, trekked 20,000 miles around the world on their motorcycles. They started in London, and headed east through Russia and other countries, caught a short flight to Alaska, continued down through Canada and all the way to New York. It was an idea originally conceived by McGregor as a best friend road trip, but turned into an international spectacle, as millions of people shared their experience via television. A...series that spanned seven episodes, documented their journey via cameras attached to their helmets, bikes and a third motorcycle driven by their cameraman, Claudio. Two support vehicles stayed a few hundred miles behind on the main roads to meet up with the guys at each border they crossed to make sure their supplies and medical needs were met.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Old Yeller is a hard film to take if you're a child. I thought the same would be true as an adult, so needless to say, revisiting this family classic for the first time through an adult's eyes promised to be a harrowing experience. In fact, for the longest time, I hated Old Yeller and berrated its merits as a film. I realize now after years of maturity and a second visit to the Coates family ranch my belittling of this film masterpiece was a defense mechanism to build up my own sense of machismo. The re...lity is Old Yeller is a darling film with a message, and a powerful one at that. But not one of those same old tired political messages too many films try to infuse in their narratives these days. No, rather than trying to push a specific viewpoint, Old Yeller brings something valuable to the table and teaches us all how to love and cope instead of how to think.
I'm sure there aren't many who haven't themselves been out to the ranch a time or two to visit Katie, Jim, Travis, Arliss, and the Old Yeller dog, but for safety's sake, I will avoid giving away the powerful ending, or any other significant spoilers. The plot centers around the hate-to-love relationship between teenage Travis Coates (played well by Tommy Kirk) and an enormous, lovable stray dog christened Old Yeller. It's against Travis's will the dog comes into his life, but in the end, the dog will find no greater friend than this young man quickly budding into maturity. For about three months, Travis is left as man of the house, while his father heads away on business, and in this critical three-month period, Travis learns what it means to sacrifice of himself for others. Perhaps most critical of all, he discovers one of the most difficult lessons there is with love. No matter what happens, we know by the end of Old Yeller Travis Coates will be just fine... and that the world will be a better place because of him. Travis is truly an inspiring character, but we also learn what Travis becomes could never be possible without the Old Yeller dog.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2005
Written by Clayton Self
Alien vs. Predator had mixed reviews upon its initial release in theatres. Fox studios demanded a PG-13 rating (to gain a wider audience) and two weeks before the release, cuts were made to reduce the amount of human blood onscreen, and a few moments of character moments. This new, un-rated edition restores some of those cut scenes, adding just over 8 minutes of previously unseen footage.
Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Ray Ferrier (Tom Cruise) is a middle-aged divorcee with a blue-collar job and a rundown home in the New Jersey suburbs. When his ex-wife unexpectedly drops his estranged kids—ten year old Rachel (Dakota Fanning) and sixteen year old Robbie (Justin Chatwin)—off for the weekend, Ray is less than pleased. He’s always struggled with his parental duties, but now finds it increasingly difficult to communicate with his children. However, events beyond his control are about to force Ray to come to terms with his responsibili...ies. Bizarre lighting storms herald the arrival of alien tripods, which explode from beneath the Earth’s surface and begin dispensing death and destruction on the surrounding countryside. Narrowly avoiding the first attack, Ray returns home, grabs his kids and embarks on a frantic journey across country to find their mother in Boston.
Tom Cruise is likeable in the lead role, and manages to pull off the everyman act fairly convincingly for someone as famous as he is. He’s definitely grown as an actor in recent years—starting with his turn in Paul Thomas Anderson’s Magnolia—and I am becoming increasingly interested in his work. Of the rest of the cast, only Dakota Fanning and Justin Chatwin have any real screen time. In this movie Fanning isn’t really required to do much beyond acting like a terrified ten year old girl, which she does with her usual brilliance. I’m constantly amazed by how self-assured and composed she remains in the presence of superstars such as Cruise and De Niro (not to mention a director like Spielberg). Chatwin also puts in a decent performance as Ray’s moody teenaged son, accurately portraying the kind of sullen resentment that many children of broken marriages harbor towards their ‘unfit’ parents.
Posted in: Disc Reviews by Archive Authors on November 18th, 2005
Synopsis
Operation Market Garden is the most famous Allied defeat in the Second World War. An audacious plan scuppered by bad luck and worse decisions, it is recounted in this visually spectacular film. The goal is to seize a group of bridges across Holland, culminating in the brdge at Arnhem. Everything imaginable goes wrong. Richard Attenborough’s film stars just about every big name actor under the sun, and his re-enactment has so many extras and so much hardware that one feels he could have convi...cingly remounted the entire operation. The stellar cast isn’t required to do very much other than be manly, but the battle staging is undeniably spectacular.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Written by Clayton Self
Kingdom of Heaven is a handsome epic by Gladiator director Ridley Scott. It is an underrated film due to a less than successful theatrical release, but at closer examination, this film is a deeply important tale of courage, faith and self-sacrifice. It focuses on a relatively lesser-known period of the crusades, when peace was trying to be made between Christian and Muslim.
Posted in: Disc Reviews by Gino Sassani on November 13th, 2005
A long time ago in a galaxy far far away...
It was really 1977 and as close as your neighborhood theatre. Luke Skywalker, Han Solo, Darth Vader, and Princess Leia captured our imaginations and have never let go. Star Wars has become nothing less than a modern mythology. No one can deny that George Lucas changed how we see films forever. It doesn’t matter if you’re a Star Wars fan or even watch science fiction as a whole. Movie making changed in 1977. Lucas continues to shape the industry with the f/x empire he built on Star Wars.
Posted in: Disc Reviews by Archive Authors on November 7th, 2005
Synopsis
Things don’t get much more anodyne than this storyline, showcasing an impossibly idealized family and their trials of love and prize pigs as they travel to the eponymous event. This is strictly for the nostalgic and pure fans of Rodgers and Hammerstein (the songs generally are not as culturally engrained as those of Oklahoma!). There are two versions of the film here, and the 1945 take is easily the better of the two. The 1962 remake (and the third film by this name, a non-musical ver...ion having appeared in 1933) has Pat Boone in the lead (never a good sign) and is even more plastic. This version does, however, have Ann-Margaret pulling a bit of a show-stopper with her dance number.