Posted in: Disc Reviews by Archive Authors on November 4th, 2005
Synopsis
You don’t really care about the plot, do you? Gordon MacRae is romancing famr girl Shirley Jones, but thuggish Rod Steiger also has designs on her. And so on. But it’s the songs that matter: “Oh, What a Beautiful Morning,” “The Surrey with the Fringe On Top,” “I’m Just a Girl Who Can’t Say No.” And one could go on for much longer. The list is of tunes that one is familiar with without even knowing it, so completely have they permeated the mass consciousness. Fred Zinnemann’s film is handsome...and energetic without placing it in the same league as Singin’ in the Rain, and one might suspect that there is a touch too much attention paid to the technical, spectacle side of things, something that is reflected in the extras, but more on that below.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2005
The extras are the only significant difference between the Collector’s Edition and the near barebones first release of this film. Therefore, some pieces of this review will be taken from the standard release review.
If ever there was a film that was badly misunderstood it is Star Trek: Nemesis. The most common complaint I’ve heard is it was too much like an episode. Excuse me, but isn’t it supposed to be? Nemesis has everything a good Star Trek film should have. The character chemistry, space battle, a morality tale, and terrific f/x. If the film suffers at all it is from poor editing, as the collection of deleted scenes clearly shows (more on that in the special features section). As many politicians are fond of saying, “mistakes were made,” but this is a far better film than the critics or fans have given it credit for being. It deserves a second look and this 2 disc release is the perfect opportunity to revisit Star Trek: Nemesis.
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
The Battle of Britain was a famous turning point in the World War Two theatre. The movie, Battle of Britain, was brought to your home theatre a few years ago. This single disc edition, with very few features, seemingly cried out for more. Now we have it in Battle of Britain: Collectors Edition, 2 discs of military goodness.
The film itself has spectacle. The planes used for this film helped create an air force equal to a medium sized country. No CGI here. The director is Guy Hamilton (b...st known for early James Bond films). Battle of Britain is one of those large all star cast war movies (think of A Bridge Too Far) that was made popular in the late 60's/early 70's. This movie is all Brits however (with a sprinLing of Germans). Michael Caine, Ralph Richardson, Robert Shaw, Laurence Olivier, and many others take part in the action. The film has a few flaws. There are some phony photography shots and the dramatic construction is a bit sloppy. There’s an attempt at a romantic sub-plot (featuring Christopher Plummer and Susannah York), and thankfully it’s not as damn annoying as the love plots in Pearl Harbor. But I quibble.
Posted in: Disc Reviews by David Annandale on October 3rd, 2005
Synopsis
The son of Seth Brundle, the unfortunate man-fly, is born with his mixture of human and fly DNA. He turns out to be uncannily brilliant, but also reaches adulthood (played by Eric Stoltz) in only five years. He grows up in the Bartok Industries facility, and is asked to carry on his father’s work. Inevitably, the fly genes make themselves felt, and he begins to transform, and love interest Daphne Zuniga wants to save him.
Posted in: Disc Reviews by Archive Authors on September 20th, 2005
The great thing about DVDs produced under the Criterion moniker is that they can't really be compared to much else. Usually, I can just whip out a peppy little monologue about the film I have just watched, but Criterion always makes things a bit more difficult... which is great for film fans that have seen it all before.
Naked is, of course, no different. There is no easy summation for this piece of art, which won awards for Best Actor and Best Director at the 1993 Cannes Film Festival. This is ... simply fantastic dark comedy, filled with superb performances and brilliantly witty dialog. While many American audiences live and die by the easy-to-follow plot, this is more of a collection of character studies, with Johnny (played by David Thewlis) serving as the tour guide. Microcosms of relationships, criminal minds, malicious intent and the curse of intelligence are all explored here, in a film that may severely expand the viewer's beliefs about those that live on the fringe of society, and their own lives.
Posted in: Disc Reviews by David Annandale on September 17th, 2005
Synopsis
Seth Brundle (David Goldblum) is on the cusp of perfecting an functioning teleporter, a device that will transform the world. Eager to share his creation with someone, he strikes up an acquaintance with science journalist Geena Davis. She is initially skeptical, but is soon converted, and as the work progresses, the two fall in love. Then, in a fit of misplaced jealousy (he believes that Davis is seeing ex-boyfriend John Goetz), Goldblum teleports while drunk, not knowing a fly is also in th... machine with him. Their DNA is fused, and the man slowly starts transforming into a fly, his relationship and his identity crumbling along with his flesh.
Posted in: Disc Reviews by Archive Authors on August 21st, 2005
Synopsis
When the economic boom in Japan leads to massive deforestation, the raccoons find their habitat threatened. They band together and mount a campaign to stop the destruction of their world by humans. They learn to shape change, and wreak merry havoc with construction crews. Some of their stunts simply frighten the people off, but some of the sabotage is deadly, too.
Posted in: Disc Reviews by Gino Sassani on August 20th, 2005
Evil sells. From the time of Adam and Eve it appears that Satan makes for great storytelling. The mini-series from NBC gets its name, obviously, from Revelations, the final book in the Bible. Combine the idea of pure evil and the end of times and you get... well, The Omen. Revelations deals more with the impending Armageddon than it actually does with the Anti-Christ. The clash of science and religion is far more important in this film than past films like The Omen. Bill Pullman is a good choice here. His portrayal of a Harvard scientist caught in the middle of this epic tale contains just the right reserved element to make him completely believable. Natascha McElhone is too stereotypical. Her constant ranting of scripture gets tiresome. I’m not really sure I blame the actress more than the way the part was written. This is a long tale that would have benefited from tighter editing. Of course, NBC had to fill 6 hours of prime-time.
Synopsis
Posted in: Disc Reviews by Archive Authors on August 19th, 2005
I'll bet the script to this film read like a dream. The Exorcist meets Hellboy meets The Mummy. Surely this is the ideal vehicle for Keanu Reeves following his three picture run on The Matrix. Sound too good to be true? Unfortunately, it is. Now, there is a lot that is admirable in this film. For example, the acting, which is is far above the tired bar set by most modern action/sci-fi flicks. Furthermore, the special effects in Constantineare simply fantastic. In fact, I would go so...far as to say that they are some of the most amazing special effects I have ever seen. These are effects so amazing that they actually help to convey the story on their own. It is one thing to hear people describe hell, it is quite another to experience it firsthand through a special effect.
It is a shame that for all of the hard work and thought that went into this film, the end result is so disappointing. The film starts off with such promise. Why must it go downhill? The simple answer is that brilliant visuals can't cover a script that has been dumbed down to appeal to the lowest common denominator in the summer blockbuster movie going pantheon. This could easily have been one of the best comic book films of all time. I am just so disappointed by the potential that was squandered in this production.
Posted in: Disc Reviews by David Annandale on July 20th, 2005
Synopsis
Hugely popular in the 1950s, but politically excoriated and ultimately shut down, EC Comics such as Tales from the Crypt saw their stories revived first in the theatrical Amicus anthologies of the early 70s, and then as this TV series. Here is the first season (a mere six half-hour episodes), directed by the likes of Richard Donner, Walter Hill, Robert Zemeckis and Mary Lambert, among others. The stories are very faithful to the spirit of the comics (and are taken from actual stories)... and play out as simple, gory morality tales. A husband, driven mad by his wife’s love of animals, takes up taxidermy, only to wind up stuffed himself. A newlywed couple takes refuge in a spooky old house, where the husband plans to do away with his rich wife, only to have the tables unexpectedly turned on him. And so on. Lots of blood, over-the-top performances, and nary a moment that takes itself seriously. Good family fun, in other words.
