Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
If I had to find one single word to completely encapsulate this show, and particularly its first season, it would be: Cute. No, wait ... scratch that. Make it: Nauseauting.
Posted in: Disc Reviews by Michael Durr on August 12th, 2007
There are often stories about burn patients who lose part of their face or leave their other body parts horribly disfigured. It is sad and unfortunate. But what if you had horrible chemical and fire burns and had to take refuge in warehouses and underground? You had the strength of ten men, but could create a mask that you could use to duplicate your enemies or be the man you used to be? However, that face only lasted 99 minutes. This is the story of Darkman. A trilogy of movies that developed a cult following for its subject matter and campy presentation. Part action, part sci-fi, part thriller. But a great time as long as you left your brain at the door.
The first film directed by Sam Raimi (Spiderman, Evil Dead) features Liam Neeson as Dr. Peyton Westlake, a brilliant scientist on the verge of finding the solution to liquid skin cells or synthetic skin. This in time would help burn patients or disfigurements replace unwanted and dead skin tissue. The problem is he can only make it last for 99 minutes. One day his lab gets ransacked by a group of thugs led by Robert G. Durant (played by Larry Drake) who are in search of a memorandum. Peyton is horribly burned in the fire and presumed dead when his body can't be found in the explosion. He later resurfaces as a John Doe burn victim who is given a radical new treatment that cuts off his nerve impulses. He breaks out of the hospital and retreats to a condemned warehouse. He then goes back to the wreckage of his lab and tries to salvage his work. Using what is left of his work and vigilante money that is collected from thieves and bad guys that he fights he attempts to recreate faces of his enemies so that he may take revenge on the Durant crime syndicate. He also attempts to get back in touch with his girlfriend (played by Frances McDormand) by putting on his face and spending time with her. However, he realizes he can only put on the charade for so long and continually he descends back to the darkness as Darkman. He prevails over Durant, but the pain and suffering he endures from day to day stays with him.
Posted in: Disc Reviews by Michael Durr on July 28th, 2007
I still remember the first time I watched a Spawn animated episode. I was with my parents in my younger years on what I believe was the last vacation we ever took together. It was a hotel we were staying at which had HBO (I never had that channel growing up). I had read Spawn but didn't even know of the animated series. The fact it was late at night and on a premium movie channel meant it had to be good. I was simply blown away and remember telling my parents that we had to be back at the hotel to watch it again the next night. I remember that later I would procure used copies of the series. All beat up, in snapper cases, it didn't matter. I soon dumped those copies in a couple of years and hoped that it would get reissued in a nice box set. That time has come, Spawn has come home.
Spawn is Todd McFarlane's baby; his issue of defiance when he and a group of artists started Image Comics. Great art, compelling stories and no boundaries. Spawn was the story of Al Simmons who sold his soul to the demon Malebolgia so that he come back to avenge his death and be with his wife Wanda one more time. Problem was once that occurred he was to become an undead "hellspawn". So he fights that control constantly along with enemies from that conflict and those enemies in the human world that would bring him harm. He is not a superhero so much but the boogieman, a character that lives in the shadows and comes out at night to take care of business and then return to those same shadows by morning.
Posted in: Disc Reviews by Archive Authors on July 26th, 2007
Written by Evan Braun
I don't particularly like boxing, or wrestling for that matter. Martial arts don't usually turn my crank either, so it's a little inexplicable for me to be such a UFC fan. And yet, I am. Very much so.
Posted in: Disc Reviews by Michael Durr on July 23rd, 2007
Video games (especially those with platformer elements) were easy fits for syndicated cartoons. I spent a lot of time watching the Super Mario Super Show despite the show's silliness and use of Captain Lou Albano. Another show I naturally watched in the same vain was the Adventures of Sonic the Hedgehog. Featuring Sonic, the speedy blue hedgehog and his sidekick Tails (something resembling a fox but with two tails) would face off against Dr. Robotnik and a legion of robots that wanted to take over the planet Mobius. These robots included Scratch (a chicken), Grounder (the gadgets robot) and a less used Coconuts (monkey bot regulated to sanitation duty). The original series would run 65 episodes and a special before spinning off into a somewhat darker show dubbed just Sonic the Hedgehog.
The Adventures of Sonic the Hedgehog worked in a lot of areas. It was entertaining, using its slapstick humor to keep the plot moving for the entire 22 minutes. Sonic might have been an ego-maniac but it wasn't so overbearing that it took away from the cartoon (except the phrase "I'm waiting"). The villains were extremely entertaining as Dr. Robotnik came to life better than expected since the video game series was fairly new and it didn't really have much to draw from. Even the main robots were fun to watch, well with the exception of Scratch who to be honest was just plain annoying. The show also served to create many sub-villains and sub-heroes that held interest and were sometimes multi-dimensional. In fact, they even created a few characters that switched sides and did so in a way that made sense.
Posted in: Disc Reviews by Michael Durr on July 23rd, 2007
Synopsis
I started watching cartoons in the 80's growing up and remembering most fondly cartoons like Transformers, Batman, Thundercats, TMNT and so forth. Oh I've had my fill of Looney Tunes and appreciate them greatly. But once you go past Looney Tunes a lot of the older cartoons escape me (with the exception of Droopy and Scooby Doo). Good examples are the Flintstones and almost anything out of the Hanna-Barbara lineup like Yogi Bear and Huckleberry Hound. So imagine my ...confusion when I received Batfink - The Complete Series across my reviewer table. Batfink was a cartoon series that originally ran in the late 1960's with influences like the Green Hornet and Batman which also ran at this time. The series was created by Hal Seeger and basically featured three main characters; Batfink, Karate and the Chief.
Posted in: Disc Reviews by Michael Durr on July 16th, 2007
Synopsis
The show that started out as basically a Cops parody (which is pretty funny on its own trailer trash merits) has become a holy grail of sorts for the Comedy Channel. The show has now spanned four seasons and a major motion picture. Reno 911 can be best described as a faux reality show with a good deal of improvisational comedy performed by some very capable actors and actresses. It loosely has a plot from season to season. This season focused on the pregnancy of Depu...y Wiegel. However, it is not critical or necessary to focus on the plot and you can watch most of the episodes out of order and still get the desired effect. Episodes include incidents from Carrot Top trashing a hotel suite to a Citizens Patrol member (great cameo performance by Paul Ruebens)keeping one step ahead of the police on a murder case.
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
Is it wrong that I kinda sorta liked The Powerpuff Girls? Don’t get me wrong, I’ll join the scores of those older male online reviewers who feel a bit of guilt in that statement, and wonder when Chris Hanson and the Dateline NBC crew will come barreling down my door, but God help me, I found it charming.
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
I’ve gotta say that when the first Die Hard was released, I was in a position where I hated, absolutely despised Bruce Willis. In my opinion, the world honestly didn’t need another loudmouthed movie star who was from New Jersey and didn’t hesitate to say so, and that whole schtick about him and the Bruno persona would allow him to release music albums reeking of self-promotion and another money grab. And when he hooked up with Demi Moore, my initial reaction was “good, they’ll have mongoloid...babies and divorce after a couple years”. And since 1985 or so, there’s only one part of my opinion that held true for the most part.
Posted in: Disc Reviews by David Annandale on July 8th, 2007
Synopsis
Stephen King wrote, in Danse Macabre, back in 1981, something to the effect that horror on TV ranged in quality from the ridiculous to the workmanlike. This was, of course, before he became rather too involved with the medium himself. Things have improved since the, of course, but horror has yet to achieve the truly sublime on television, and this series certainly wasn’t that. It was, however, on the upmarket end of workmanlike, and some of these 15 episodes are pretty neat little eff...rts. The standout is, arguably, “You, Murderer.” Directed by Robert Zemeckis, its opening intro is a parody of the director’s Forrest Gump, and it then has the gall to cast Humphrey Bogart in the lead of a humorous murder tale. The whole thing is done in first-person perspective, à la Lady in the Lake, and co-stars John Lithgow, Isabella Rossellini and Sherilynn Fenn. Everybody has fun with the piece, including the audience, and, from beyond the grave, Bogart himself.
