Box Set

There really was (and still is) no justice in the world when a show like NewsRadio was perennially ignored so often during the mid and late '90s. I mean seriously, get a comic mind from Canada's The Kids in the Hall (Dave Foley), another from the States Saturday Night Live (Phil Hartman), and yet another from the dark comedy Ben Stiller Show (Andy Dick) and give them some sitcom material to work with, and the result can be nothing but laughs.

And that's what NewsRadio was about. But it didn't go for cheap laughs where the cast would either yell their lines or make exaggerated reaction shots for the folks in the crowd. There was layer upon layer of laughs. Aside from the stories, there were small character quirks that fans of the show will always remember. Lisa (Maura Tierney, ER) has a somewhat veiled propensity to get drunk and (surprise!) has a criminal background. And speaking of mysterious backgrounds, there's the station owner Jimmy James (Stephen Root, Office Space), a fairly goofy billionaire who is on an eternal "wife search" while sometimes hinting that yes, he may in fact be Deep Throat from the Watergate scandal.

What's a boy to do when he is called into work and has to work a graveyard shift and is virtually disallowed to access the internet? Why, watch the first and second seasons of Wings of course, and thoroughly enjoy the wild antics of the folks in an airport on Nantucket Island. You have Joe (Tim Daly, Return to Sender), the uptight anal retentive serious one, along with his younger brother (and general goofball) Brian (Steven Weber, At First Sight). Together they own and operate Sandpiper Air, a sleepy small airline with one plane. They have a customer service attendant, the former stewardess Fay (Rebecca Schull, Analyze This). Their mutual friend is a woman named Helen (Crystal Bernard, Young Doctors in Love) who runs a small kitchen, and there's an airport handyman named Lowell (Thomas Haden Church, Sideways). Together, their lives (and the wacky people and occurrences that happen to them) compose the hi-larious situation comedy that was created by those who helped previously shape Cheers and who would later shape the long-running show Frasier.

The first thing that surprised me about the show when I was doing some research on it was that it ran for so long, going from 1990-1997. Seasons One and Two encompass this four disc set, with 7 episodes on each disc. The episodes focus on Joe and Brian's continuous flirtation with Helen, who resists because of a rule she has about not dating pilots, but that rule lasts about a season and a half. Some of the laughs are OK, but the problem with the show living in its era is that some of the jokes are topical references and really show the age of things.

Like it or not, you can't talk about this show without talking about the C.S.I. phenomenon. The extreme popularity of that single show has launched an entire genre of hour-long police investigation shows that are showing up on every network, every night. There are now three different C.S.I. programs on the air, as well as military crime programs, FBI profiler programs... even a mathematical approach to crime solving with Numbers.

The latest show in this trend is The Closer, a TNT ...riginal program staring Kyra Sedgewick. The twist on this program is that Sedgewick's character is a sweet southern investigator from Atlanta who becomes the head of the Priority Murder Squad in Los Angeles. As one could discern from the title, her specialty is suspect interrogation. Despised by her colleagues because she is a female southern outsider, she must fight against criminals as well as the members of her own department to solve the crime.

Sam: Hey, I recognize you.

Andrew: Oh, did you go to Columbia High?

I have been rambling on and on about the merits of this outstanding series to friends, family and innocent bystanders for years. I will continue to do so until the final disc of the final season has hit Amazon.com; and probably for quite some time after that. It is a show that is important, culturally relevant, and surprisingly political without becoming annoyingly partisan.

Season Six is something of a bounceback season for the show. In Season Five, the show floundered a bit. While it was still easily one of...the best things on television, the ship lots its way. Issues were explored, but no one issue really solidified itself as a strong story point. By the time Season Six came around, the show had a natural theme to run with; re-elections. As Bartlet begins to struggle with complicated issues in the Middle East, Presidential hopefuls emerge in the form of Alan Alda and Jimmy Smits. Instead of winding down and fading away, this show picked up steam as it headed toward the end of its seven season run. I, for one, am enjoying every minute of it.

Synopsis

I’m late coming to this series about a fractious family and the funeral home they run. These are the first episodes I’ve ever seen, so I’m not going to pretend I have the faintest idea what’s going on here. All the various plot lines are clearly working to a conclusion, and for the benefit of those who know these characters, some of the things that are dealt with are James Cromwell’s depression and the difficulty in treating it, and the imminent arrival of a baby (which sets up the final epi...ode’s variation on the opening: instead of starting the show off with a death, it begins with a birth).

The appearance of Mr. T as B.A. Baracus unfortunately overshadows the rest of this show. Why is that unfortunate? Because Mr. T’s appeal mostly comes from his performance as the show-stealing Clubber Lang from Rocky III, and not from any major importance he had on this series. While people certainly tuned in to see Baracus, they were often disappointed by the back seat he would frequently take to the other stars – disappointed because they wanted to see Clubber Lang on the A-Team, and not the back-seat charact...r he plays here. But after watching more of his role as Baracus in The A-Team: The Complete Fourth Season, it becomes obvious why he wasn’t used any more than he was – he really is a one-trick-pony actor. He plays one role – plays it well, in fact – but he simply cannot add anything else to the character. The new quickly wears off, and all you’re left with is a supporting character stealing the spotlight by presence alone over the show’s real star, George Peppard.

Some of the episodes included in this latest release are solid, while others are childish – in fact, most are childish, but I won’t say they’re not all a little fun. It always amazed me how The A-Team’s battles with the bad guys – while often containing the use of machine guns, grenades, assault choppers, and dozens of other deadly militaristic weapons – most always resorted in their victory without the loss of one human life, good or bad. It’s also amusing the government has such difficulty locating them, but any yahoo gas station owner can track them down with ease – a shortfall of the series most loyal fans will overlook. Still, the nostalgia factor is huge with this show – it’s got to be – and it does still manage the occasional episode with deeper value (see the season finale). It’s certainly a stupid show, but don’t let that stop you from enjoying it. There are far worse things on our silver screens today.

Synopsis

Apparently Carlos Mencia is being hyped as the latin version of Dave Chappelle when it comes to the eyes of Comedy Central, as he appears to be the guy who says whatever is on his mind, and is an equal opportunity offender. But as we all know with brussels sprouts, if you try to force something on someone, chances are they’re going to resist it.

Synopsis

I like to consider myself both wild and out. Not knowing a helluva lot about Nick Cannon, other than he seems to be an entertainer that’s heavily produced to appear in movies and release the occasional rap/R&B album, kinda like a taller version of Bow Wow, with a little bit more emotional depth and a lot less charisma. The kind of guy that the ladies (that what I like to call them) take a fancy to, without knowing…what he’s famous for.

Synopsis

Laurel and Hardy’s career highs were all at Hal Roach Studios, and these three films are from their Fox period, in the twilight of their filmography. It is hard to call any of these classics, but there is still some very worthwhile comedy.