Posted in: Disc Reviews by Archive Authors on July 30th, 2006
Synopsis
There are a lot of surprising things that I was not aware of about when it came to Tales From the Crypt. Not only is this the fourth season that I’m reviewing, but there were a couple more seasons on top of everything else. Now granted, the show’s executive producers have a bit of a good pedigree. There’s Richard Donner (16 Blocks), Walter Hill (Aliens), Robert Zemeckis (Back to the Future), Joel Silver (The Matrix) and David Giler (Myra Breckenridge).
Posted in: Disc Reviews by Archive Authors on July 29th, 2006
Before there was Desperate Housewives, there was Dallas. Back stabbing, cheating, lying, romantic jerks with a ton of money. This show is what happens when a Soap Opera is taken seriously. Instead of cheesy organ music and dramatic zooms, this is a true hour-long evening drama. It is also one of the most famous shows of all time.
Season five opens with a dramatic kick off; the conclusion of Season Four's finale that features a murder at the Southfork Ranch! Shock gives way to mystery as the investigation unfolds, and even the Sheriff's department get caught in the middle of the family's squabbles. From here, the drama continues, as J.R.'s marriage falters and a tragedy befalls the head of the Ewing family. For those of you that have not seen these episodes, I may have said to much already. I will just say that if you are a fan of this show, the twists and turns in Season Five certainly do not disappoint.
Posted in: Disc Reviews by Archive Authors on July 28th, 2006
Synopsis
Starting in 1937, Peter Lorre starred in a series of eight films about the Japanese detective. In this set are the first, second, fourth and fifth in the franchise. WWII put an end, of course to a series with a Japanese hero played by a German-speaking actor. Whatever one might think of racist stereotypes (and it is best, in viewing such films, to try not to think of them at all), these are enormously entertaining programmers.
Posted in: Disc Reviews by Archive Authors on July 26th, 2006
The truth may never come out as to why HBO cancelled Carnivale after the show's second season. They claim that it was a combination of decreased ratings and rising production costs equaling $2 million an episode. What doesn't make sense, however, is that the network also admits that they received as many as 50,000 emails in a single weekend following the cancellation announcement. The facts also show that they followed up this show that was “too expensive to be profitable” with Rome, a show that has been widely recognized as the most expensive television series ever produced.
Several months after the show was cancelled, HBO offered the show's producers the chance to shoot a 2-hour movie to finish up the story which was left hanging. They refused, as they claim that the entire story was planned out for six complete seasons, so a two-hour finale would not even come close to finishing up the story. The show runners then announced plans to finish up the story in comic book form, but nothing has been seen of this plan as of yet.
Posted in: Disc Reviews by Archive Authors on July 24th, 2006
Synopsis
Will Rogers was once the biggest star in Hollywood. Think of any other big name from the late 20's and early 30's, and he outpaced them all. Today, he is little more than a name, and there are plenty of film guides out there that don’t even list his films. Quite the sobering lesson on the evanescent nature of fame. The films in this collection were all made in 1935, the last year of Rogers’ life, before he was killed in a plane crash. These comedies have definitely dated, but Rogers’ charm i... undeniable. He was an inveterate improvisor, but he apparently stuck pretty closely to the script of Doubting Thomas. Dismayed by his wife’s sudden theatrical ambitions, Rogers plots to derail those hopes and keep her in the kitchen, where she belongs (did I mention the films had become a bit dated?). Life Begins at 40 sees Rogers in full aphoristic mode as the crusty, mischievous and independently-minded newspaper editor determined to clear the name of an ex-con employee and triumph over the small town’s evil banker. In Old Kentucky has a feud between two families centred around horse racing. Rogers is the trainer who switches loyalties. Finally, <i <steamboat ‘Round the Bend has con-man Rogers captaining a steamboat as he searches for the half-crazed preacher who can prove that Rogers’ nephew killed a man in self-defense.
Posted in: Disc Reviews by Archive Authors on July 24th, 2006
Synopsis
In 1985, Steven Spielberg backed this TV anthology series. It took its name from the very first SF magazine (which was briefly revived to coincide with the TV show), but have very little in common with that mag. It was almost purely fantasy-oriented, and its real model was the likes of The Twilight Zone (which itself was revived for TV the same year). Spielberg himself directed the pilot, and plenty of other big names singed on as well. So Harvey Keitel stars in an episode directed by...Clint Eastwood, for instance. Other directors of note include Joe Dante and Martin Scorsese.
Posted in: Disc Reviews by Gino Sassani on July 11th, 2006
When Star Trek: The Next Generation began, we were introduced to a new crew and a new Enterprise. What I remember most about that first episode, however, was the new villain of sorts: Q. John De Lancie has created one of Star Trek’s most memorable and endearing characters. Some claim the Q character was really introduced in the Original Series episode Squire of Gothos. William Campbell plays the all powerful gamester Trelane who turns out to be a child of omnipotent parents who was merely playing with Kirk and his crew. While I can see the similarities, the Trek gurus have not officially endorsed this connection. I hope it stays that way. I didn’t like that episode. Trelane was quite an annoying character. That leads me back to my feeling that it’s really De Lancie and not necessarily Q that we’re in love with. Let’s face it. While some of the best Next Generation episodes feature Q, some of them are also pretty lame. Still, no matter how bad the episode is, it’s still worth watching Q. I guess I’ve always been a sucker for the clever con artist characters. Sid the Snitch from Hill Street Blues is another of my all-time favorite characters. In case you don’t know, Q is just one part of an omnipotent Q continuum. This omnipotent race or collective usually keeps to themselves. Our Q, however, has found a playmate in Picard and some of his counterparts. He seems intent on being that stone in Picard’s shoe while expressing some sincere interest in the human condition. While most of his appearances have resulted in mere annoyance, we can’t forget that it was Q who brought the Federation in contact with its most powerful and perhaps most popular bad guys, the Borg.
I tend to frown on such multiple dipping, but in the case of these fan collections I think they’re generally a good idea. The entire Trek collection would cost several thousand of your hard earned dollars. If you have most of this stuff on laserdisc like I do, you’ve been reluctant to plunk down the coin again. For me these collections are a good way to upgrade some of the more important stuff.
Posted in: Disc Reviews by Archive Authors on July 5th, 2006
Synopsis
Anthony Michael Hall steps into Christopher Walken’s considerable shoes as Johnny Smith, a man who wakes up after years in a coma to discover that not only has life moved on without him, but he has psychic powers, and with them comes visions of politician Greg Stillson (Sean Patrick Flanery, taking on the role essayed by Martin Sheen in the Cronenberg film) bringing about some kind of apocalypse. Smith’s struggle against Stillson makes up the central arc of the series, and this season...opens with Smith trying to stop his friend Rebecca from attempting to assassinate Stillson, and act that will result in her death.
Posted in: Disc Reviews by Archive Authors on July 5th, 2006
Synopsis
Paul Gross plays Geoffrey Tennant, a once celebrated actor who had a meltdown during a performance of Hamlet. Now he’s trying to mount The Tempest at the head of a broke company about to be evicted from its premises. Meanwhile, his former mentor, Oliver Welles, has just mounted a dispiriting version of A Midsummer Night’s Dream at the New Burbage Theatre, and very shortly thereafter dies. Tennant is brought in as the new artistic director, and his attempts to stage Ha...let are troubled by the ghost of Tennant, a lunatic director, scheming suits and difficult actors.
Posted in: Disc Reviews by Archive Authors on July 5th, 2006
Synopsis
Paul Gross plays Geoffrey Tennant, a once celebrated actor who had a meltdown during a performance of Hamlet. Now he’s trying to mount The Tempest at the head of a broke company about to be evicted from its premises. Meanwhile, his former mentor, Oliver Welles, has just mounted a dispiriting version of A Midsummer Night’s Dream at the New Burbage Theatre, and very shortly thereafter dies. Tennant is brought in as the new artistic director, and his attempts to stage Ha...let are troubled by the ghost of Tennant, a lunatic director, scheming suits and difficult actors.
