Posted in: Disc Reviews by Gino Sassani on November 30th, 2005
Stargate Atlantis took a little getting used to. I wasn’t sure the characters had enough chemistry or were even dynamic enough to carry the high expectations for a Stargate series. When the show was first introduced it was likely that Atlantis would soon take over for the original series. Anderson had wanted to leave for years and it seemed the end was near for SG-1. Since that time SG-1 is about to enter a tenth season and the new format is working quite well. Now I can view Atlantis more as the companion show it really excels at being.
Posted in: Disc Reviews by David Annandale on November 16th, 2005
Viva La Merte (1970) was surrealist playwright and all-around provocateur Fernando Arrabal's feature film debut. Set during the aftermath of the Spanish Civil War, this is the deeply autobiographical (no matter how bizarrely presented) story of the a young boy whose father was betrayed by his mother to the security forces of the Fascist General Franco. Oedipal nightmares, extreme violence and brutal eroticism are present in force.These elements are present in the other two films as well. I Will Walk Like a Crazy Horse (1973) has a man suspected of killing his mother flee into the desert, where he falls in love with a holy man, and when the two return to society, our hero is disgusted by what he finds.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Synopsis
And Now for Something Completely Different (1971) was Monty Python’s first theatrical release, and consists of remounted, often more elaborately staged versions of many of their most beloved TV skits. You want your Dead Parrot, it’s here. So is the Lumberjack Song, How Not to Be Seen, and so on. As a one-stop intro to Python, it’s hard to beat.
Funny as the above film is, it is eclipsed in most people’s hearts by Monty Python and the Holy Grail (1974), easily the most...
Posted in: Disc Reviews by Archive Authors on November 13th, 2005
Synopsis
Lee Van Cleef, often a villain, incarnates a sneering hero in Sabata (1969). He uncovers skullduggery at the highest levels in a small town, and proceeds to blackmail the crooked, sadistic, and rather effeminate Colonel at the head of the criminal racket. Plenty of gadgety gun battles are involved.
Yul Brynner steps into the role for Adios, Sabata (1970), and this time he defends Mexican villagers against their tyrannical Austrian masters. Brynner cuts a fine figure i...
Posted in: Disc Reviews by Gino Sassani on November 10th, 2005
It is tragic that the fourth year of Enterprise would be its last. More tragic is the fact that in the fall of 2005 for the first time in almost 20 years there would be no new Star Trek on the air. By far the worst tragedy, however, was the fact that year four of Enterprise was the year it all came together. This is by far the best overall season of Star Trek since The Next Generation. The addition of writer Many Cuto was the spark this fledgling franchise needed. With the exception of the final episode, these 2-4 eposode arcs were for the most part quite fresh and inspired.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2005
The first episode of Season 8 is appropriately titled “New Order”. Changes are inevitable as this superior series goes where no American sci-fi show has gone before, a tenth season. Richard Dean Anderson has been slowly removing himself from the everyday appearances since Season 7. Here he is made base commander, and while his responsibilities have increased, his screen time has certainly tumbled. By year 9 Anderson is nothing more than a memory and occasional guest star. Still... the huge changes haven’t come yet, and season 8 is your last chance to visit this core team on a regular basis.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2005
1955 was a very significant year in the life of filmmaker Alfred Hitchcock. He received his American citizenship and he changed the face of the young television industry forever. Alfred Hitchcock Presents came before all of the other classic anthology shows. The show combined Hitch’s trademark gallows humor with his unerring instinct for suspenseful storytelling. The show was the first overnight success, drawing millions of viewers with its first episode, no small feat for 1955.
Hitchcock was ahead of his time.
Posted in: Disc Reviews by Archive Authors on October 25th, 2005
Wooden monologues, bad jokes, revolting fashions and way, way too much hair. I wish I could say that this means one thing... but it means a lot of things. In this case, however, I am talking about Tony Orlando and Dawn. Now, the quality of Orlando's rich voice is undeniable. My bone to pick is with virtually every other aspect of this cheese fest. At the time in the 70's, it seemed like everybody had their own variety show. Such a thing could be a big boon to a performer's career, so you certainly can't fault ...
Posted in: Disc Reviews by Archive Authors on October 25th, 2005
Wooden monologues, bad jokes, revolting fashions and way, way too much hair. I wish I could say that this means one thing... but it means a lot of things. In this case, however, I am talking about Tony Orlando and Dawn. Now, the quality of Orlando's rich voice is undeniable. My bone to pick is with virtually every other aspect of this cheese fest. At the time in the 70's, it seemed like everybody had their own variety show. Such a thing could be a big boon to a performer's career, so you certainly can't fault ...
Posted in: Disc Reviews by Gino Sassani on October 23rd, 2005
Val Lewton produced 9 horror films for RKO back in the 1940’s. His films did not rely on terrible monsters or horrific images. Lewton was a master at atmosphere. Unfortunately these films have mostly been forgotten over the years, The Cat People being perhaps the most recognizable title in the collection. Sadly, this might be more for the lackluster remake in the 1980’s. Truth be told, these films are not really horror films in the usual sense of the genre. In most cases the evil is the product of an all too human hand rather than anything supernatural or fantastic.
