Posted in: Disc Reviews by Gino Sassani on May 31st, 2004
“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the District Attorneys who prosecute the offenders …” Season 2 has been called “The Lost Season” by Dick Wolf fans. These episodes were not included in some of the many syndication packages so have been seen less often in reruns. The show maintains its trademark tight storytelling. The addition of Paul Sorvino is both a good and a bad thing here. Sorvino is certainly a very f...
Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Following what may be one of the best season finales ever (i.e. Buffy sacrifices herself for her sister Dawn) Buffy is raised from the dead by the ever increasing powers of Willow. She returns disoriented just in time to battle a horde of motorcycle riding demons hell-bent on turning Sunnyvale into their own personal property. It is during the opening two episodes that it becomes clear that secrets are going to play a major role in the sixth season.
Buffy’s friends believe that as a result of the events of...
Posted in: Disc Reviews by Archive Authors on May 15th, 2004
It seems that the producers of many long-running television shows are starting to catch on to what the viewing public has known for years; it’s best to go out on top. Shows such as Seinfeld, Friends and even Frasier (to an extent) have decided to pull the plug while the material is still operating on an acceptable level. It’s rare that shows can successfully pull the great switch like ER did, and replace virtually every member of the cast, while still not losing what made them great in the...
Posted in: Disc Reviews by David Annandale on May 10th, 2004
Synopsis
During World War II, Walt Disney threw the resources of his studio behind the war effort.The result is what we see here: a massive collection of animated shorts serving to boost morale,educate and propagandize, plus a feature-length argument for long-range bombing. I’m assumingI know have your attention.
Disc 1 breaks its short features down into three categories: “Propaganda and EntertainmentShorts,” “Educational Shorts” and “From the Vault.” The familiar Disney ch...
Posted in: Disc Reviews by David Annandale on May 7th, 2004
Synopsis
In 1957, the British studio Hammer, having already produced a number of classic SFthrillers, turned to gothic horror, which had been effectively dead since 1946, and brought it backwith a vengeance. Their revolutionary entry was The Curse of Frankenstein (****1/2),which introduced colour, gore and sex to the classic horror formula, and made Peter Cushing (asFrankenstein) and Christopher Lee (as the Creature) into stars. Unlike the Universal Frankensteinfilms of the 3...
Posted in: Disc Reviews by David Annandale on May 6th, 2004
Synopsis
This is a fascinating collection, but be warned that this isn’t a “Best Of” by any means. Thereis no Duck Soup here. After leaving Paramount, the Marx Brothers moved to MGM,where (as we learn in the commentaries), studio head Irving Thalberg gave their movies a newform: big, lavish production numbers, and more linear plots.
With the first effort, A Night at the Opera (1935) (****), this approach producedwonders. The formula for all the other films in t...
Posted in: Disc Reviews by Gino Sassani on May 6th, 2004
I’m not a big fan of “Reality TV.” I do watch Survivor, and I think that’s a really good show, but I don’t watch any of the others. When I first heard of the concept of “The Mole,” I have to admit that I was intrigued. Reality TV is all about real people reacting to each other’s most annoying personality traits and translating that friction into ratings. Well, “The Mole” puts a different spin on that concept by adding a dissenting element - one of the participants is “a mole” i.e. a nefarious agent of the producers ...
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2004
The Monsters of Universal Studios during the 1930’s to the 1950’s truly are a legacy. This collection, while including many films already released, is an important set. Bela Lugosi’s Dracula, Boris Karloff’s Frankenstein Monster, and Lon Chaney’s tortured Larry Talbot/The Wolfman have inspired generations of filmmakers, writers, and f/x engineers. The influence on our culture is impossible to deny. When asked about Frankenstein, most of us conjure the classic Karloff image long before we think of Mary Shelley or any ...
Posted in: Disc Reviews by David Annandale on May 2nd, 2004
Synopsis
In the second year of the series, Clark finds more and more of his powers manifestingthemselves, most notably heat vision, and a move closer and closer to flight. An archaelogical digreveals more secrets of his origin, and there’s a really big revelation when he encounters areclusive scientist/billionaire played by Christopher Reeve.
One of the more impressive aspects of the series is a real sense awe associated with theSuperman myth. “Myth” doesn’t seem too strong ...
Posted in: Disc Reviews by David Annandale on May 1st, 2004
Synopsis
