Posted in: Disc Reviews by Archive Authors on January 28th, 2007
The relationship between Richard Burton and Elizabeth Taylor appeared to blossom when they were both on the set of Cleopatra. The epic film was famous, not for the success of the film but more for the near bankruptcy of the studio and for the romance that blossomed between the two. Warner Brothers has recently been releasing groups of films surrounding various film icons, and this set of four titles focuses on the two acting giants.
Posted in: Disc Reviews by David Annandale on January 18th, 2007
This is the second volume of Pluto cartoons, here going from 1947 to the end of the series in 1951. The neat thing about these themed collections in the Wald Disney Treasures series is that they highlight particular strengths in Disney’s animation. Thus, if the Silly Symphonies sets focus on the marriage of movement with music, the Pluto cartoons are wonders of pantomime, since the central character doesn’t speak. Pluto is not a jot less communicative for not using words, however, and the sight gags involved in some of his facial expressions (such as when wearing the unwanted “Pluto’s Sweater”) are priceless.
Posted in: Disc Reviews by David Annandale on January 15th, 2007
The zaniness continues in Bikini Bottom, and the series shows no sign of losing its appeal or its lunatic creativity. Wonderful little example: “Whale of a Birthday” is about Mr. Krabbs’ daughter’s sixteenth birthday. The highlight: a performance by “Boys Who Cry” singing “It’s All About You.” Perfect. There are twenty episodes here to keep your funny and whimsy bones tickled. (What, you don’t think you have a whimsy bone? Of course you do.)
Posted in: Disc Reviews by David Annandale on January 15th, 2007
Warner Bros. had the Looney Tunes and Merrie Melodies, Disney had the Silly Symphonies. This is the second volume collecting those shorts, covering the years 1929 to 1938. The shorts are selected on a menu that can be presented in alphabetical or chronological order, and it is the latter approach that is the most enlightening, as we can see the cartoons evolve. There is no dialogue in these shorts – the point was to fuse animation and music. And while that is an end in itself in the earlier cartoons (and quite the technological feat at that), more and more narrative content develops over the years.
Posted in: Disc Reviews by Archive Authors on January 15th, 2007
Adapted from the hit stage musical, Norman Jewison's film version of Fiddler on the Roof has established itself as a classic over and over again since its release in 1971.
"He loves her. Love, it's a new style... On the other hand, our old ways were once new, weren't they?" I'll hardly be the first to write it, but the reason Fiddler on the Roof, a story about Jewish people and their culture, is so popular, is that its themes have universal appeal. In fact, in a way it hardly matters th...
Posted in: Disc Reviews by Archive Authors on January 8th, 2007
After seeing Casino Royale it's hard to look at a Bond film the same way, and when Roger Moore inhabited the guy who likes martinis, fast cars and dangerous situations, it may have been a little cheesy. Granted, Moore did appear in a couple of notable Bond misses, but in the tenth release of the James Bond franchise, The Spy Who Loved Me stands as one of his best, if not the best Moore film.
From a screenplay by Richard Maibaum (his 7th Bond film) and Christopher Wood (his first) and directed by Lewis Gilbert (his 2nd Bond film), this new situation finds James at first in Austria, being chased by assassins, with everyone on skis.
Posted in: Disc Reviews by David Annandale on January 5th, 2007
Here we go, with another rise and fall story in the underworld. Two young friends in Jamaica, Biggs and Wayne, grow up separately to become powerful gangsters (the “shottas” of the title). After a prolonged separation, they reunite in Kingston, and the story takes them back and forth between that city and Miami as they climb the drug totem pole, heading for the inevitable fall shown pre-credits.
All the characters speak Jamaican patois, making subtitle necessary.
Posted in: Disc Reviews by Archive Authors on December 30th, 2006
Comments on the supplemental material on this edition have been ported over from Ryan Erb's excellent (and recent) review of the HD DVD, which also can be enjoyed on this site. Now onto this review...
Remember when it was announced that far-left conspiracy theorist (and resident Castro admirer) Oliver Stone would be making a film about the September 11 attacks? Of course you do. In fact, the collective pucker of the nation tightened in horror and trepidation when the notion was first thrown around, and later grew in suspicion as the film's realization became closer and closer.
Posted in: Disc Reviews by Archive Authors on December 29th, 2006
I'd never seen, nor heard of, Harvey Birdman, Attorney at Law before I received my review copy of this second volume of the series, which aired as part of Adult Swim. What a bizarre show! Not since Ren and Stimpy have I seen such a strange, adult-oriented cartoon.
Harvey Birdman was a shoddy superhero who has become a substandard Attorney. His firm handles cases for well-known animated Hanna-Barbara characters like The Jetsons, with each of the 13 episodes in this second volume presenting a new case.
Posted in: Disc Reviews by Archive Authors on December 22nd, 2006
Everyone in the world knows about the September 11 terrorist attacks on the United States. With films hitting the big screen in 2006, I guess the studios thought time enough had gone by to start making movies on the tragedy. World Trade Center is based on the attacks on the World Trade Center, as obvious by its name, but makes mention of the other attacks of the day. I can�t comment on the realism of the movie pertaining to the individuals depicted in the film (John McLoughlin and Will Jimeno) but they were involved with the production of the film, and since film is based on their accounts of the day I could imagine it�s very realistic. There are a few factual inaccuracies regarding some of the events of the day, but nothing major.