Special Category

Written By Jeff Mardo

The final season of Lois and Clark: The New Adventures of Superman has finally hit store shelves, and it couldn't have come at a better time for the franchise. The Big Red S is everywhere these days, between a new feature film that is coming soon to DVD, a boxed-set re-release of all the Christopher Reeve-era films and an all new video game, the hero seems to be everywhere. It's only fitting that the final season of the modern series should be hitting the streets as well.

(Portions of this review have been pulled from the original one-disc version of Platoon, which can also be found in the reviews portion of the site)Synopsis

There are a good number of people who have labeled Oliver Stone as a fan of conspiracy theories, out to destroy foundations of conservative ideology, while at the same time re-visiting 60’s nostalgic icons. Despite the jokes and the stereotyping, one has to admit that, as a filmmaker, he has helped bring to screen some of the most talk...d about cinematic experiences of our time, including Midnight Express, Scarface, not to mention Conan the Barbarian. As a director, his works, such as The Doors, Nixon, JFK and Natural Born Killers, have generated discussion both within and aside from the technical merits. Platoon was his most personal work, and is widely regarded as one of the defining films of the Vietnam War.

By the time this film was announced, everyone and their dog had asked me if I’d read The Da Vinci Code. I hadn’t.

Yes, I’d heard it was the bestest book in the whole wide world. No, I didn’t want to borrow their copy. Months later, when I finally sat down to watch this DVD, I had still not read Dan Brown’s masterpiece. See, I decided to be one of the few who could judge the film as completely separate from the novel.

I can’t imagine anyone who’s not a Kevin Smith fan renting, buying, or otherwise arranging to view this DVD. The gist of this review is simple: if you like Kevin Smith and/or his work, you’ll enjoy An Evening With Kevin Smith 2 – Evening Harder.

Since I haven’t seen the original An Evening With Kevin Smith, I can’t offer a comparison. That said, I’d be willing to guess that this release is both more of the same and a whole new experience.

Synopsis

More half-hour tales of horror from back when the letters “HBO” didn’t yet necessarily imply envelope-pushing TV. A bit of cod-philosophising from our host, the obligatory female nudity, and some okay-but-nuthin’-special horror, only slightly edgier than what was passing for terror material on network TV at the time. Among the familiar faces this time around: Michael Madsen (playing an abusive husband), Bill Paxton, Kelly Lynch, Lauren Hutton, and Michael Ironside. Guest directors include th... likes of Roger Vadim, but it’s all pretty interchangeable stuff.

Proof that HBO was gutsy before The Soprano's comes with season five of Tales from the Crypt. By this point, the series had become a well-respected cult favorite, and these 13 episodes, spread over three discs, are some of the series' best. The show, based on a classic comic book series, really became my generation's version of Alfred Hitchcock Presents and The Twilight Zone. It was a half-hour series that told twisted tales of mystery and horror, and was hosted by a very decomposed Crypt Keeper. The Keeper was full of really bad puns, yet that was part of the show's charm. He was the one thing that ties each episode together, and he became something of a pop culture icon, on par with both Freddie Krueger and Jason Voorhees.

One of the really great things about this show is that the creators somehow convinced Hollywood's elite actors and behind-the-scenes personalities to lend their crafts to the production. Each week featured a different director or actor that viewers would be surprised to find working on the series. This season saw guest appearances from Tracy Lords, Martin Sheen, Steve Buschemi, Billy Zane, The Who's Roger Daltrey and more. This is a series that is just plain fun. If you start watching these episodes, you may very well find yourself going back and picking up the seasons you may have missed. The good news is, this is not a show that you necessarily need to watch in the correct order, so there's no reason why viewers can't start here, and pick up the earlier seasons later. The important thing is that you start somewhere.

Synopsis

Hot on the heels of the success of the Martin Scorsese film The Departed, I figured why not take a look back at the Hong Kong crime film that inspired it. Better yet, why not explore the trilogy that is the Infernal Affairs crime films, and how they hold up now. And I’ll try to minimize on the redundant stuff.

Synopsis

Bill Paxton is a polygamist. He and his three wives (Jeanne Tripplehorn, Chloë Sevigny and Ginnifer Goodwin) and their children live in three adjoined houses, and must constantly be careful not to let the secret of their lifestyle be revealed. That might be stress enough, but Paxton is having trouble keeping up on the sexual front, there is tension and competition between the wives (Tripplehorn is the alpha, Sevigny is manipulative and a shopaholic, Goodwin is insecure), and one of his fathe...s-in-law, the inimitable Harry Dean Stanton, is creating business hell for him as he opens up another hardware store.

Synopsis

Of all the Bond films and the various images and gadgets that have come from it through 20 films, the one that probably crystallized most of these images is Goldfinger. You have the awesome Aston Martin car with the ejector seat, machine guns, and the like. You had the female who could kick ass and had a really cool name in Pussy Galore (Honor Blackman, Bridget Jones’s Diary). And you had Jill Masterson (Shirley Eaton, Ten Little Indians) experiencing the most creative death to...that point.

”My name is Melinda Gordon. I just got married, just moved to a small town, just opened up an antique shop. I might be just like you…except from the time that I was a little girl I knew that I could talk to the dead. ‘Earthbound spirits’, my Grandmother called them. The ones who’ve not crossed over because they have unfinished business with the living, and they come to me for help. To tell you my story, I have to tell you theirs.”

So goes the opening for each episode of this first season of Ghost Whisperer, a series that blends drama, horror and comedy to carry its audience to an emotional place. I can imagine a lot of viewers crying at some point or another during almost every episode, which is a credit to the show’s makers, but they’re aided by the fact that their show deals so much with death, life, love and grief.