Posted in: Disc Reviews by Archive Authors on April 22nd, 2006
A critically acclaimed Adam Sandler film? I’d never would I have thought I’d see the day. I guess if The Truman Show is one of Jim Carrey’s dramatic stabs, then the star of Big Daddy can give a romantic comedy a try. Written and directed by Paul Thomas Anderson (Magnolia), using a story from the “Strange But True” category, combined with adding a touching tenderness to his characters, wrapped up with Sandler, playing a quiet, soft spoken man prone to fits of blind rage.
Sander is Barry ...gan, a novelty toilet plunger salesman with 7 sisters, who don’t hesitate in bullying him at every opportunity. Barry has times where he has periods of anger that cause him to destroy things, such as a sliding glass door at one of his sister’s houses. One morning, while at work, Barry discovers a harmonium that is left abandoned outside of the warehouse where he works. The harmonium becomes a metaphor for Barry’s pursuit to reclaim his life, as he periodically tries to play it through the film. Barry soon meets Lena (Emily Watson, Breaking the Waves) who drops her car off at the mechanic next to Barry’s office, but her intent is to meet him. Barry is attracted to Lena, and his awkwardness around her is cute to see, as if he’s a 13 year old trying to figure out what to do and say. Barry’s conflict in the movie is when he calls a phone sex company. He’s very awkward, and even confused, when talking with the girl on the other line. She decides to extort money from him, and enlists the help of Dean (Philip Seymour Hoffman, Capote), the owner of the company, and 3 crazed brothers.Through this, Barry is inspired by Lena, and when he finds out about a business trip she has to take to Hawaii, he takes advantage of a loophole in a Healthy Choice Promotional Campaign, which allows him to collect over 1 million frequent flyer miles from pudding purchases. He’s unable to redeem the miles in time, but he goes to meet her anyway.
Posted in: Disc Reviews by David Annandale on April 20th, 2006
Synopsis
I’m late coming to this series about a fractious family and the funeral home they run. These are the first episodes I’ve ever seen, so I’m not going to pretend I have the faintest idea what’s going on here. All the various plot lines are clearly working to a conclusion, and for the benefit of those who know these characters, some of the things that are dealt with are James Cromwell’s depression and the difficulty in treating it, and the imminent arrival of a baby (which sets up the final epi...ode’s variation on the opening: instead of starting the show off with a death, it begins with a birth).
Posted in: Disc Reviews by Archive Authors on April 19th, 2006
The appearance of Mr. T as B.A. Baracus unfortunately overshadows the rest of this show. Why is that unfortunate? Because Mr. T’s appeal mostly comes from his performance as the show-stealing Clubber Lang from Rocky III, and not from any major importance he had on this series. While people certainly tuned in to see Baracus, they were often disappointed by the back seat he would frequently take to the other stars – disappointed because they wanted to see Clubber Lang on the A-Team, and not the back-seat charact...r he plays here. But after watching more of his role as Baracus in The A-Team: The Complete Fourth Season, it becomes obvious why he wasn’t used any more than he was – he really is a one-trick-pony actor. He plays one role – plays it well, in fact – but he simply cannot add anything else to the character. The new quickly wears off, and all you’re left with is a supporting character stealing the spotlight by presence alone over the show’s real star, George Peppard.
Some of the episodes included in this latest release are solid, while others are childish – in fact, most are childish, but I won’t say they’re not all a little fun. It always amazed me how The A-Team’s battles with the bad guys – while often containing the use of machine guns, grenades, assault choppers, and dozens of other deadly militaristic weapons – most always resorted in their victory without the loss of one human life, good or bad. It’s also amusing the government has such difficulty locating them, but any yahoo gas station owner can track them down with ease – a shortfall of the series most loyal fans will overlook. Still, the nostalgia factor is huge with this show – it’s got to be – and it does still manage the occasional episode with deeper value (see the season finale). It’s certainly a stupid show, but don’t let that stop you from enjoying it. There are far worse things on our silver screens today.
Posted in: Disc Reviews by David Annandale on April 18th, 2006
Synopsis
After a very rough lovemaking session with her ethically dubious (to say the least) psychiatrist, KatieBird Wilkens (Helen Udy) knocks the sap down, chains him up, and proceeds to torture him, all the while recounting how she came to be a serial killer. Flashback to her childhood, and especially her adolescence, when her mild-mannered father (Lee Perkins) introduces her to the joys of killing. KatieBird (played in her teens by Taylor M. Dooley) develops her own unique way of dealing with her...victims: she wants them to hurt her, too.
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Synopsis
As one who is not a fan of much techno and even less a fan of Moby, it was a little surprising to see what my thoughts were on a recent live DVD that the artist has released (brief political soapbox rant commencing). Quite frankly, I’m not a fan of the man’s politics and his far-left rantings and ravings, and find his urge to help peddle Snapple-like tea beverages a little interesting. What I find even more interesting, nay a bit ironic is that among those that were thanked for the singer’s May 25,...2005 show in Belgium (in support of his album “Hotel”) are a group called Clear Channel Belgium. One would presume that this is the very same Clear Channel organization that many lefties say is run by a crony of George Bush, and if that’s the case, well, you can draw your own conclusions from that (end political soapbox rant).
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Synopsis
Apparently Carlos Mencia is being hyped as the latin version of Dave Chappelle when it comes to the eyes of Comedy Central, as he appears to be the guy who says whatever is on his mind, and is an equal opportunity offender. But as we all know with brussels sprouts, if you try to force something on someone, chances are they’re going to resist it.
Posted in: Disc Reviews by Archive Authors on April 12th, 2006
Wonder Showzen is either the most brilliant post modern art piece that I have ever seen, or it's the work of a group of complete head cases. No matter what side of the fence you fall on, this show is undeniably offensive, creative, hilarious, disgusting... did I mention offensive? When I first heard that this show was a kids show parody for adults, I built up this image in my head of something between Pee Wee's Playhouse and South Park. I really couldn't have been more wrong. In fact, the show is...much more like what would happen if The Electric Company was created by a brain trust of some of the most offensive and secretly brilliant comedians on the planet. I have heard about shows that know no boundaries before, but this is by far the most boundary-free product I have ever seen. Honestly, I'm not sure if that's a good thing or not. I am all for comedy without limits, but this show is way, way over the line
Regular segments on the show include kids answers to inappropriate questions, disgusting and disturbing vintage footage, and a puppet who berates the public. One segment features a kid dressed as Hitler. Another shows a child drinking blood in a butcher shop. While this program is unquestionably fascinating and bizarre, and most definitely has some hilarious moments, that's not to say that it is always a pleasant thing to watch.
Posted in: Disc Reviews by Archive Authors on April 11th, 2006
Synopsis
I like to consider myself both wild and out. Not knowing a helluva lot about Nick Cannon, other than he seems to be an entertainer that’s heavily produced to appear in movies and release the occasional rap/R&B album, kinda like a taller version of Bow Wow, with a little bit more emotional depth and a lot less charisma. The kind of guy that the ladies (that what I like to call them) take a fancy to, without knowing…what he’s famous for.
Posted in: Disc Reviews by Archive Authors on April 11th, 2006
It’s rather stunning to discover that My Neighbor Totoro was made way back in 1988, long before the days of CG and all automatic illustration. And perhaps that animation does detract from the overall experience from the film, but if that’s the only reason that it would be a problem, then people simply need to get their taste in order.
In another film from legendary Japanese film director Hayao Miyazaki (who made the Oscar-winning film Spirited Away), the film follows sisters Mei and Satsuki, w...o move with their father to the countryside, to spend more time with their mother. They do some exploring and encounter Totoro, a mystical being in the woods that can only be seen by children. Totoro helps the children experience a world of wonder that they never would have previously seen.
Posted in: Disc Reviews by David Annandale on April 10th, 2006
Synopsis
Laurel and Hardy’s career highs were all at Hal Roach Studios, and these three films are from their Fox period, in the twilight of their filmography. It is hard to call any of these classics, but there is still some very worthwhile comedy.
