Posted in: Disc Reviews by Archive Authors on May 24th, 2006
Dave Chappelle and I are the same. Well, he's a year younger than me. And he's black. But we're both from Washington DC, but I live in the suburbs, and usually never go into the downtown area unless someone dared me. But he's a lot funnier than me, and Comedy Central decided to give him a 12 episode commitment on their network after seeing him in such films as Half Baked, Screwed and Undercover Brother.
And quietly, Dave has put together a smart, funny show that every one instantly dismisses, and yet will watch as long as it airs. To watch a crackhead talk about drug awareness at a public school is quite possibly some of the funniest stuff on television in the last 3 or 4 years, and many of the new episodes on Comedy Central leave me in tears. Thankfully the network along with Paramount decided to put Season 1 out on DVD in a two-disc set, in all its uncensored glory. The 1st disc has eight episodes, while the 2nd has the remaining 4, plus a decent helping of bonus material that is sure to keep the laughs going long after you've turned off the TV.
Posted in: Disc Reviews by Archive Authors on May 24th, 2006
There really was (and still is) no justice in the world when a show like NewsRadio was perennially ignored so often during the mid and late '90s. I mean seriously, get a comic mind from Canada's The Kids in the Hall (Dave Foley), another from the States Saturday Night Live (Phil Hartman), and yet another from the dark comedy Ben Stiller Show (Andy Dick) and give them some sitcom material to work with, and the result can be nothing but laughs.
And that's what NewsRadio was about. But it didn't go for cheap laughs where the cast would either yell their lines or make exaggerated reaction shots for the folks in the crowd. There was layer upon layer of laughs. Aside from the stories, there were small character quirks that fans of the show will always remember. Lisa (Maura Tierney, ER) has a somewhat veiled propensity to get drunk and (surprise!) has a criminal background. And speaking of mysterious backgrounds, there's the station owner Jimmy James (Stephen Root, Office Space), a fairly goofy billionaire who is on an eternal "wife search" while sometimes hinting that yes, he may in fact be Deep Throat from the Watergate scandal.
Posted in: Disc Reviews by Archive Authors on May 20th, 2006
Before we get into it, just a quick recommendation to check out "Making Movies" by Sidney Lumet, the director of Network, Dog Day Afternoon and 12 Angry Men. While it's a quick read at 220 pages, it talks about dealing with the actors, rehearsal, a day on the set, and other various forms of a production, and includes stories that happened on his sets also. It's an intriguing book, worth checking out at your local bookstore. A "Ryan's Book Club" pick, if you will.
Then there's Lost in La Mancha, Terry Gilliam's documented efforts to make a film called The Man Who Killed Don Quixote. Keith Fulton and Louis Pepe had worked with Gilliam previously to film a documentary for Gilliam's 12 Monkeys, entitled "The Hamster Factor and Other Tales of 12 Monkeys", and whose help was enlisted to film a behind the scenes documentary here. The movie was Gilliam's vision of Cervantes "Man of La Mancha", and something he'd tossed around since 1991. He even came close to starting a production in 1999 before financing fell through. However this time, he had solid financing, and a cast that included Johnny Depp (Fear and Loathing in Las Vegas) and French actors Jean Rochefort (playing Quixote) and Vanessa Paradis. The film notes the problems that previous directors had in shooting a film on Quixote, and features footage of a film shot by Orson Welles that saw a theatrical release, helping to bring life to the aptly named "Curse of Quixote." Gilliam's Hollywood reputation is discussed as well, including the struggles surrounding the making of Brazil and The Adventures of Baron Munchausen. Gilliam is quick to point out on Munchausen there was a producer who promised the stars and the moon, but simply didn't have the budget for what he wanted to do, and Gilliam's name was tarnished from the experience. Being a veteran of such battles almost gives Gilliam a foresight into how his productions will turn out, as 7 weeks before the production starts, he says that there's "a lot of potential for chaos." 3 weeks later, Rochefort arrives, with a newly learned English accent he is eager to show off. As the production is due to start, Rochefort has some "phantom" back pains, so he does not board the plane from Paris to Madrid (where the production is housed). During the weeklong delay, Deep and Paradis arrive and start with screen tests and other work. Rochefort does arrive, and the production starts. Here's where the curse kicks in.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
Perhaps the folks at MTV thought that Wildboyz was doing so well, that they figured that maybe they should fly the boys out to even more remote locations, but that they should include some old Jackass members also. And sure enough, in the second season of Wildboyz, both Wee Man and Johnny Knoxville show up for guest starring roles and accompany the boys as they travel to Indonesia, Africa, Brazil and Costa Rica, to name a few places.
I'm pretty sure I'm not spoiling it for those who haven't seen it, but there's very little surprise involved. You've got Party Boy, Chris Pontius, and Steve O, both travelling to exotic locations to encounter animals, the locals in those areas, and to get drunk off the indigenous moonshine.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
What's a boy to do when he is called into work and has to work a graveyard shift and is virtually disallowed to access the internet? Why, watch the first and second seasons of Wings of course, and thoroughly enjoy the wild antics of the folks in an airport on Nantucket Island. You have Joe (Tim Daly, Return to Sender), the uptight anal retentive serious one, along with his younger brother (and general goofball) Brian (Steven Weber, At First Sight). Together they own and operate Sandpiper Air, a sleepy small airline with one plane. They have a customer service attendant, the former stewardess Fay (Rebecca Schull, Analyze This). Their mutual friend is a woman named Helen (Crystal Bernard, Young Doctors in Love) who runs a small kitchen, and there's an airport handyman named Lowell (Thomas Haden Church, Sideways). Together, their lives (and the wacky people and occurrences that happen to them) compose the hi-larious situation comedy that was created by those who helped previously shape Cheers and who would later shape the long-running show Frasier.
The first thing that surprised me about the show when I was doing some research on it was that it ran for so long, going from 1990-1997. Seasons One and Two encompass this four disc set, with 7 episodes on each disc. The episodes focus on Joe and Brian's continuous flirtation with Helen, who resists because of a rule she has about not dating pilots, but that rule lasts about a season and a half. Some of the laughs are OK, but the problem with the show living in its era is that some of the jokes are topical references and really show the age of things.
Posted in: Disc Reviews by Archive Authors on May 13th, 2006
Like it or not, you can't talk about this show without talking about the C.S.I. phenomenon. The extreme popularity of that single show has launched an entire genre of hour-long police investigation shows that are showing up on every network, every night. There are now three different C.S.I. programs on the air, as well as military crime programs, FBI profiler programs... even a mathematical approach to crime solving with Numbers.
The latest show in this trend is The Closer, a TNT ...riginal program staring Kyra Sedgewick. The twist on this program is that Sedgewick's character is a sweet southern investigator from Atlanta who becomes the head of the Priority Murder Squad in Los Angeles. As one could discern from the title, her specialty is suspect interrogation. Despised by her colleagues because she is a female southern outsider, she must fight against criminals as well as the members of her own department to solve the crime.
Posted in: Disc Reviews by Archive Authors on May 11th, 2006
Whisper of the Heart follows Shizuku, a young girl on the cusp of womanhood as she learns to realize her talents and follow her dreams. She harbors deep admiration for Seiji, a mysterious young man, who shares a strange kinship with her that soon blossoms into love. From the start, Shizuku isn’t sure who she is. She indulges in songwriting and reading. It’s the latter hobby that first links her to Seiji. She starts to notice his name in the histories for every library book she checks out. It seems he’s always ...ne step ahead of her, and this observation soon turns to fascination. Once she meets Seiji, her fascination becomes something more. Through their ensuing relationship, Shizuku takes her interests and turns them into dreams. She learns those that never try are the only true failures, and she decides to become what she loves, rather than one, who takes part in hobbies of no consequence.
While Whisper of the Heart is an animated film, it has a head on its shoulders that far surpasses most mainstream films today. It’s likely the narrative will draw in adults more than the little ones – despite the G rating – but there is still something here for children… just not all children. It’s safe to say kids will have to be more advanced to enjoy and understand the depth and layers of this film. Shorter on fantasy than Spirited Away, Whisper carries with it a lot more intelligence than that earlier feature from the same creators. This film, instead of being strictly for kids, is instead for those on the verge of determining their interests and realizing those attributes and preferences can be cultivated into a way of life. Those are the children this film really speaks to. And if you’re an adult like me – the kind that didn’t know what he wanted to do with his life, even as he stood up to accept his college diploma – then Whisper of the Heart will speak to you, too.
Posted in: Disc Reviews by Archive Authors on May 10th, 2006
Sam: Hey, I recognize you.
Andrew: Oh, did you go to Columbia High?
Posted in: Disc Reviews by Archive Authors on May 8th, 2006
Synopsis
The Who’s Who of San Francisco is gathering for the grand opening of the Glass Tower, the world’s tallest building. The architect, Paul Newman, is disturbed by what appear to be corners cut in the electrical installations by Richard Chamberlain, and sure enough, a fire starts on the 81st floor. Fire Chief Steve McQueen is soon on the scene, but the situation deteriorates rapidly, and hundreds of celebrants on the top floor are at risk of fiery death.
Posted in: Disc Reviews by Archive Authors on May 3rd, 2006
I have been rambling on and on about the merits of this outstanding series to friends, family and innocent bystanders for years. I will continue to do so until the final disc of the final season has hit Amazon.com; and probably for quite some time after that. It is a show that is important, culturally relevant, and surprisingly political without becoming annoyingly partisan.
Season Six is something of a bounceback season for the show. In Season Five, the show floundered a bit. While it was still easily one of...the best things on television, the ship lots its way. Issues were explored, but no one issue really solidified itself as a strong story point. By the time Season Six came around, the show had a natural theme to run with; re-elections. As Bartlet begins to struggle with complicated issues in the Middle East, Presidential hopefuls emerge in the form of Alan Alda and Jimmy Smits. Instead of winding down and fading away, this show picked up steam as it headed toward the end of its seven season run. I, for one, am enjoying every minute of it.
