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Easily the one of the weirdest (if not the weirdest) concepts to ever grace the small screen, Space Ghost Coast to Coast is a bizarre talk show hosted by a minor 60’s cartoon hero Space Ghost. Repeated animation clips are used to have Space Ghost “interview” such luminaries of the mid 90’s (the show ran on Cartoon Network from 1993-1996) such as Slash, Hulk Hogan, Bobcat Golthwait, Michael Stipe from REM (promoting Monster), and The Jerky Boys.

The basic premise has Space Ghost asking inane questions to hi... guests only to have them respond in equally confusing ways. The guests are interviewed before hand in the studio and clips of their discussions are spliced into the conversation with Space Ghost. Intertwined into this is Space Ghost’s ongoing conflict with the leader of the band – Zorak an man sized evil preying mantis and his producer Moltar – some evil dude with a bucket on his head. These two are constantly insulting Space Ghost. He is occasionally aware of this and responds by threatening to blast them with his space wristbands. This very unusual combination provided some rare moments of hilarity but all too often felt myself wondering “was there something more to that comment that I am missing?” This is definitely a show that would have it’s devoted fans, similar to shows like Mystery Science Theater 3000 (of which I was a big fan), but would have a hard time appealing to the audience at large.

Casablanca. The Treasure of the Sierra Madre. The Big Sleep. TheMaltese Falcon. To Have and Have Not. All legendary titles, all among the very bestmovies Hollywood has ever made. Terrific adventures and mysteries, the fit together as acollection in fascinating ways, beyond simply having Bogart as the lead. To Have and HaveNot is structurally very much like a more upbeat version of Casablanca. TheMaltese Falcon is frequently held up as the first film no...r, and The Big Sleep comefrom the peak of the noir period. To Have and Have Not and The Big Sleep alsogive us the incredible screen chemistry of Bogart and Bacall. The former film is Bacall’s filmdebut, and her arrival has the same effect as the Hindenburg’s at Lakehurst, NJ: she doesn’t justlight up the screen, she incinerates it. If you love movies at all, you owe it to yourself to see allof these films. Again, and again, and again.

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It would be a boldfaced lie to say that Alias is the best show of its kind on television. The truth is that it is the ONLY show of its kind on television. Alias certainly contains writing that rivals even the award-gobbling Sopranos. The photography is film quality. The character chemistry, which I rank as the most important element in any show, is wonderful. The characters are compelling. You really start to care about these guys; even the villainous Sloan demands sympathy at times.

How quickly we forget our accomplishments. It was not long ago that the thought of sending a man into space was a far-fetched concept. The thought of landing a man on the moon was pure science fiction. Once the space race heated up, however, all boundaries were eclipsed. We succeeded in reaching the moon, and eventually space flight became a regular occurrence. It is easy to take for granted the miracles that were performed during the early days.

Thankfully, the folks at Spacecraft Films are here to remind ...s. Utilizing existing NASA footage, this three-disc set is a glimpse into the wonder of the Saturn rocket program like it has never been seen before. Since these launches were so groundbreaking and experimental, NASA went to great lengths to capture as much of the process on film as possible, often utilizing 16mm film stock. Reels upon reels of that footage is showcased here, most of it in a raw and uncut form.

This is not your father's cop show. Even if you’re father watches NYPD Blue.

The Shield may just be the show that puts F/X on the map, if it can stay on the air long enough to do so. This is a series that pushes all the boundaries. It features a level of adult language that is comparable only to South Park, fleeting nudity that rivals that of the previously mentioned NYPD Blue, and violence levels never before seen on a network television series. The weekly plots also push the li...its, with the main character being a crooked cop that is happy to get the bad guys off of the street… as long as it serves his best interests.