Special Category

Everybody has their favorite Looney Tunes character and particular cartoon shorts. That’s the largest obstacle facing Warner Brothers in this ambitious project to restore and release these shorts on DVD. The first collection features 56 all time great shorts plus a ton of extras. If your favorites were not included, take heart. This is only the first of many promised releases. All in all it would take a Dickens’ Scrooge not to find something to love about this collection. It doesn’t matter if you’re 5 or 105, these cartoons have been a vital part of growing up for all of us.

Synopsis

X2:X Men United is the follow-up film to the original X-men film from 2000. The original film did a good job of setting up the universe of the X-men and introducing us to the core characters that the comic books have always centered around. This film expands on this universe and brings along some of the coolest characters from the comics, this being Pyro, a brief glimpse of Juggernaut and lets not forget Nightcrawler. In this film we see the good and band mutants joining forces to defeat a common enemy. This is a little disappointing as we get to see cool new good characters but not really any super new baddies, but it also keeps the storyline fresh instead of it just being the good mutants versus the bad mutants.

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Adam Sandler and his crazy antics are back… this time, he is animated. I went into the viewing of this film with very low expectations; and although this is not a quality movie, it did turn out to be mildly more entertaining then I expected. This film is over-the-top and childish at time, but Sandler is comical as the voices of the three main characters, and the musical numbers are entertaining in a manner in which only Adam Sandler can provide. This movie will not be for everyone, but die-hard Sandler fans will p...obably be entertained.

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The Tick was a live action show based on the wildly different super-hero of the same name. He was also featured in an incredibly funny animated series in the early 90’s that also ended way before it’s time. The Tick follows the comedic adventures of a muscular, but dim witted 300 lb powerhouse whose duty is to clean the city of evil-doers while shouting inane phrases such as the always catchy “Spoon!”

When I first heard that they were going to make a live action version of the Tick, I was very skeptical ...- but then I learned that they cast Patrick Warburton (Putty from Seinfeld) as the blue guy and I thought this could work. I was thoroughly impressed after seeing the pilot that they had truthfully captured the off-beat antics that the animated series perfected. Having Ben Edlund (the Tick’s creator) intimately involved in the creation of the series really paid off from the perspective that none of the Tick’s quirky charms were lost in his jump to the small screen; however poor marketing from Fox played a role in its too early demise.

Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.

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Harrison Ford is the top selling actor in Hollywood these days. He owes this distinction in no small part to a couple of trilogies he did early in his career. While Star Wars might have been a chance for Ford to break out, Raiders of the Lost Ark and its sequels defined his abilities. Indiana Jones is the perfect hero. He’s strong, intelligent, and above all moral. Unlike the stereotypical hero Jones is also vulnerable and at times flawed. Credit Steven Spielberg for the iconic stature Indy occupies today. Left to his own devices, George Lucas would have given us Tom Selleck as the cigarette-smoking morally bankrupt Indiana Smith.

Raiders of the Lost Ark brought back the cinematic tradition of the 2-reel serials. These shorts would combine with a newsreel, a cartoon, and a feature film to provide a splendid moviegoing event in the early days of talkies. To those of us too young to remember them, the Indiana Jones saga is a time machine to a much simpler day of good guys and bad guys. While even Spielberg himself admits that Indiana Jones and The Temple of Doom was inferior to the rest of the trilogy, even this weaker film provided a historic filmmaking moment. Because of its dark nature and gore elements the film did not fit neatly into the PG rating. The filmmakers did not want this “family” adventure labeled with R, so the ensuing conflict brought us PG-13, now the most widely used rating on films. Indiana Jones and The Last Crusade dared to show us a much more vulnerable hero with the addition of his father. The relationship is a complicated one, but a relationship every father and son can instantly recognize and relate to. Right Dad?

Forever Knight was a CBS attempt to provide original drama broadcasting in the late night slot. This was, of course, before Letterman came along. After two seasons it was jettisoned and the USA network picked it up. USA retooled the show and ran it for just one more year for a total of three: Thus the Forever Knight Trilogy. The concept was quite intriguing. Knight would strongly emulate the popular Ann Rice universe of vampires, combining these gothic images and stories with a modern police drama. Each episode had a trademark dual storyline. One story would involve Knight’s seedy vampire past, while the second story would involve the current police case. The stories would blend on some common element like loyalty or Father’s Day. Filmed almost totally at night in Canada, the series had a distinct atmosphere assisted in no small part by the wonderful time-lapse photography and the cello-rich score of Fred Molin

Synopsis

Most sci-fi fans have a very warm place in their heart for Starbuck, Apollo, and the rest of the crew of Battlestar Galactica. At over $1 million per episode, it became the most expensive show in network history. Star Wars master Jedi f/x man John Dykstra utilized many of the techniques he developed for the Lucas enterprise. George Lucas claimed they were so close he was forced into a failed effort to sue the show for copyright infringement. Sci-Fi channel is about to relaunch this revered franchise, but the results appear so far underwhelming. (Starbuck as an airhead blonde chick?) Dressed in an amazing package that resembles a Cylon face, this is the ultimate Galactica. Glen Larson was already a network master with huge successes under his belt, like the famous forensic scientist Quincy, when he wrote and pitched the show. Galactica was a risk he did not have to take. The result was television magic. Like so many masterful shows before it, such as another famous sci-fi “enterprise”, it was never given a fair chance at the time. It was doomed to only be truly appreciated when it was finally gone.

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The biggest band in the world did something completely revolutionary on their 2001 tour… they took a step back.

In the eighties and nineties, U2 was a band that became big. Huge. Their shows grew from arenas to stadiums, incorporating massive special effects, a giant lemon-shaped disco ball, and the largest video screen ever. As the productions grew, however, so did the costs, until the band was barely breaking even on the road, despite enormous audiences and absurd ticket prices. After some time off and a...new album, the band returned to the arenas where they first hit it big. This DVD set features the Boston, MA show from the Elevation tour in its entirety. The performance is not only fantastic, but completely honest and real. It is, as the saying goes, all that you can’t leave behind.

It has taken years to finally get a block-buster Hulk film produced, and the outcome has received mixed reviews. Grossing $132 million in the domestic box-office is usually nothing to sneeze at, but considering it cost $150 million to make the Hulk, it must still be looked at as disappointing. Many would argue that the animation was unrealistic, other would argue that it was amazing… each to their own. I, myself, found the film quite disappointing. I found the animation far too overdone, and the story to be lack...uster. I did really appreciate Ang Lee’s direction, but that is about as far as my praise will go for this film.

For those of you who have been stuck under a rock for the past 20 years, here is the basic storyline…