Studio

“It’s rare, but sometimes, there’s this moment in the car where everything goes quiet, my heartbeat slows, it’s peaceful, and I can see everything, and no one, no one can touch me. And I am chasing that moment every time I get in the car. I don’t know when I’ll find it again, but, man, I want to. I want to. ‘Cause in that moment, I’m flying.” 

The first think I noticed when the writer/director John Kosinski-led F1 arrived here in UHD Blu-ray from Warner Brothers Home Entertainment was that they had changed the film’s name. when it was available for screenings, it was simply called F1. I guess someone in marketing thought the name was somewhat confusing so they decided to add “The Movie” to the title. I guess this was in case any of you out there got confused and was not aware you were watching a movie instead of an actual race somewhere.  I’ll never claim to understand exactly what studio marketing people really do for a living that doesn’t involve a set of darts and a target with various “ideas” spread out in the landing area.
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“We work 364 days a year because on that one day we deliver presents to several billion individual domiciles across 37 time zones without ever being detected by a single human being. We prep, we rehearse every moment, every stop down to the last chimney. So yeah, it’s a lot of work.”

At first glance, it would appear that the crew for Red One is made up of folks who have had long associations with Dwayne Johnson, from Director Jack Kasdan, who also directed two of the Jumanji films, to writer Chris Morgan, who wrote many of The Fast And Furious films including the Johnson-led spinoff Hobbs And Shaw. He also wrote the last Shazam film, which led to Johnson’s spinoff black hole Black Adam. It’s a working environment friendly to the actor.
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