Candy Factory

In 2003, a commercial director named Sandy Collora made an 8-minute short film called Batman: Dead End, in which the Caped Crusader does battle with the Joker…along with Alien and Predator! While this sounds like a heavy dose of fanboy wish-granting, the film was Collora’s very serious attempt to show Hollywood big wigs what he could do. The mini-movie turned heads among the Comic Con crowd due to its gritty tone and impressive production values on a shoestring budget. Not surprisingly, this overlong Behind the Mask documentary is at its very best when it chronicles the making of what is widely-regarded as one of the best fan films ever made.

Every kid in America knows what Batman should be.”

I don't know what it is with this place. I don't want to call it voodoo because that's so cliché and you guys probably hate that down here...but there's definitely a feel.”

To say that a certain city is “almost like another character” in a movie has become somewhat commonplace. The phrase is usually applied to films where directors have placed an inordinate emphasis on the background and setting of their stories. By that standard, The King of New Orleans doesn't simply cast The Big Easy as “almost like another character”...the city gets a starring role.