Disney

I've long held the belief that the folks at Pixar are really just children who have refused to grow up. That doesn't mean that they don't have to deal with the realities that adulthood thrust upon each of us. I'm sure they have families and are responsible citizens and parents. They consistently make movies, that while there is certainly appeal for children, are obviously intended for adults, adults like them, who have decided to never grow up. If you ever required proof of that concept, The Incredibles should prove the point quite nicely. Brad Bird and his team weren't writing about superheroes. They decided to do a movie about themselves. Finally out in high-definition Blu-ray the team now calls all of us like-minded souls to join the fold. This Blu-ray serves as our membership card and absolutely grants all of the privileges of membership right from your most comfortable home theatre seat. Count me in.

Bob Parr (Nelson) has a secret identity. He's in reality Mr. Incredible. He is a superhero who has dedicated his life to fighting crime. He has super strength and other abilities. He's not the only one. There is his best friend Lucius (Jackson) better known as the cool hero Frozone. There's also Helen (Hunter) who protects the city as Elastigirl. She has the same powers that The Fantastic Four's Mr. Fantastic has to stretch her body. Bob and Helen get married and join their superpowers with two super kids. Dash (Fox) has super speed and Violet (Vowell) has the abilities of The Fantastic Four's Susan Storm. She can become invisible and create powerful force fields. Unfortunately, the world has had enough of masked heroes. Lawsuits cause the heroes to turn in their capes, and they are put into a sort of witness protection program where they must swear off crime fighting. That's been hard for Bob and Lucius who do a little rescue work on the side while their wives think they're out bowling. It's a good thing, too. A new super-villain has emerged, and now it will be up to the Parr family to save the world from Syndrome (Lee), a one-time stalker fan who has decided to get revenge on the hero who once spurned his advances to join him.

If you are old enough to have seen the original Tron back in 1982, you know how much things have changed in the digital world since then. The block graphics of the film and subsequent game might have been state-of-the-art at the time, but it looks like something very primitive to the younger generation. Like all good science fiction, many of the incredible elements of the film have become quite commonplace. The idea that a person can be scanned by a laser and transported into a virtual world might still be out of reach, but it turns out that using lasers to scan objects is exactly how we get three-dimensional images of real-world items into the virtual world. When Flynn is communicating with his program, the program is represented by an image of Flynn himself. Today we'd call Clu an avatar, and it's become quite common for people to socialize in environments like Second Life, where their avatar representatives engage in the same kinds of activities we do in the real world.

Tron wasn't quite the huge box office film you might have expected. It did pull in about $5 million on its opening weekend, which was pretty respectable in 1982. The film ended its box office run with just under $40 million from a $17 million budget. That's not where Tron found its biggest success. The film became more popular as the years went by and some of the content was getting more and more like reality. The game became a classic and is still found in the occasional arcade. That was another trend started by the film. It was one of the first films to spawn a video game, something almost every big-budget genre film does as a matter of course today. The movie was a milestone in computer-generated images combined with animation. It took nearly 30 years, but it really isn't a surprise that Tron has finally gotten a sequel. It's been a commanding presence for years at ComicCon. It's the little big movie that wouldn't die.

"Once upon a time, a single drop of sunlight fell from the heavens. From this small drop of Sun grew a magical golden flower. It was said that this flower held the power to heal the sick and injured. From this flower sprang a glorious kingdom, ruled by the most generous king and queen, who were soon to have a baby..."

That baby has been the subject of many tales over the years. Walt Disney himself had begun work on an animated feature based on Rapunzel back in the 1940's. Uncle Walt was fascinated with timeless fairy tales, and they became the studio's specialty over the years. For one reason or another the film was pushed back and eventually shelved for other titles. But it seems that the studio that still bears his name continues to have the same fascination with fairy tales and fables. Somehow you probably just knew that they would eventually dust off those old plans and return to the story of Rapunzel.

"Good morning, young Prince."

The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.

You know you're in a lot of trouble when a movie opens up with the wedding of two dogs. Hi, I'm Baby. I'm the German Shepherd who runs security here at Upcomingdiscs. If you work for either UPS or Fed Ex, no introductions are necessary, and that spells R U N. I want to know why it is that you humans think that dogs want to look and act like people. We don't need no stinkin' sweaters. We don't want to walk on our hind legs. And we don't want to get married. Now I know why some politicians want a law to protect the definition of marriage. The truth is I get along just fine being a dog. I kind of have it made here. Someone always brings me my breakfast. I get belly rubs and treats all day long. The only job I have is protectin' this place, and that job's a cinch. Sure, it would be great to be able to open that fridge door by myself and the whole opposable-thumbs challenge gets in the way every now and again. But at the end of the day, it's a dog's life after all. There's a reason why people say stuff like that. You may think you have all the power, but when I give those delivery guys a piece of my mind, who do you think does all the runnin'? 'Nuff said.

Every now and then Gino asks me to look at some dog movies that get sent here. Okay, yeah, some of these things do happen to slip through my security net. Gino likes that, for the most part but, I'm afraid I really fell asleep on the job for letting Beverly Hills Chihuahua 2 get through the door. And someone's gonna pay down the road for that one. But it was my mistake, so it was only fair I had to watch the stupid thing and then write the review while Gino sits here and plays his pinball machine doing something called "poppin" all the dang time while I'm trying to concentrate. Sensitive ears here, by the way. Anyway... here's what I found out.

"If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrariwise what it is, it wouldn't be. And what it wouldn't be, it would be, you see?"

To be perfectly honest with you, I have never read either of the two Lewis Carroll books on which this film has been based. Under ordinary circumstances, that would put me at a decided disadvantage in both watching the film and certainly in providing an insightful review of the movie. But these are not ordinary circumstances. The characters and their stories, originally told in both Alice's Adventures In Wonderland and Through The Looking Glass And What Alice Found There, have become an indelible part of our culture. One need not have read a word to be intimately familiar with Alice and her fanciful friends and rivals from Underland, which Alice herself interprets for us as Wonderland. There have been animated features as well as other live action attempts. The characters have become iconic and have appeared in advertising campaigns and even an episode of Star Trek. The surprise isn't that I feel like I know this story without having read the source material. The real surprise would be if there was anyone out in the civilized world who wasn't familiar with these characters. They were originally oral stories told to a group of sisters, one of which was Alice Little, the inspiration for the tales. They would only end up in book form at the insistence of the young Alice.

"He paws fiercely, rejoicing in his strength and charges into the fray. He laughs at fear, afraid of nothing. He does not shy away from the sword. The quiver rattles against his side, along with the flashing spear and lance. In frenzied excitement, he eats up the ground. He cannot stand still when the trumpet sounds."

Disney has a grand tradition of putting out a certain kind of sports film. You know the type well. There is a champion that must overcome incredible odds and usually their own flaws to rise to the top of their game. Secretariat fits that mold, but only to a point. Usually the movie centers on the athletes themselves, and it's something from within that must change or conquer. With this film, the champion is a horse, and while that often doesn't stop the folks at Disney from allowing us to hear from their perspective, this is based on a true story and remains firmly planted into a reality, of sorts. But, we can't hear from Secretariat himself. Instead this is really the story of his owner Penny Chenery, and it's not a very flattering story at all. I'm afraid that I didn't find myself cheering for the hero this time, and therein lies the fatal flaw of Disney's latest rise-of-a-champion story.

For those who have made it through my prior two reviews of terror by romantic comedy, I salute you. You are certainly stronger and far more resilient than one could ever imagine. But, we always save the best (worst) for last. It is an unspeakable tale of big Hollywood stars, revenge and a great overdose of Disney movie magic. Come in, if you dare and witness the debacle that can only be known as You Again.

We travel back to 2002. Marni Olsen (played by Kristen Bell) is making her part of the video for a high school time capsule. She talks about how she is always picked on and abused by the other children. This leads to an impromptu scene where her arch-nemesis Joanna (played by Odette Yustman) and her friends throw her out of the school. All of this is accomplished while playing We are the Champions and making the loser hand gesture at poor Marni.

"The war between sorcerers was fought in the shadows of history, and the fate of mankind rested with the just and powerful Merlin. He taught his secrets to three trusted apprentices, Balthazar, Veronica and Horvath. He should have trusted only two."

It was one of the most memorable Walt Disney moments in the long history of animation. The Sorcerer's Apprentice segment in Fantasia would become the most recognizable piece of the film. It would be released many times over the years since 1940, so that even people who had never even heard of Fantasia recognized Mickey Mouse as the sorcerer's apprentice who abused the power he had learned to bring a broom to life and do his chores while he slept. The magic got out of his control and mayhem ensued. The images linger still. Now the combination of Jerry Bruckheimer, Jon Turteltaub, and The Walt Disney Studios has teamed up for a new adventure film very loosely based on that original material. This is the same team that brought us the National Treasure films and part of the team that continues to bring us the Pirates Of The Caribbean films. If you liked those franchise films, you can expect more of the same in The Sorcerer's Apprentice.

"How do you do? My name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, Fantasia. What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained musicians, which I think is all to the good."

Just three years after Walt Disney introduced the world to the animated feature in 1937, Uncle Walt was already experimenting with the idea. The man was always fascinated with music as much as he was with animation and the wonderful fairy tales that would become his studio's trademark. It was inevitable that he would come up with the idea of blending music with animation to create something quite unique in the world of entertainment. You have to remember that not only had there only been three years since the first animated feature, but that sound itself in motion pictures was still only a couple of decades old. By 1940 Walt Disney had combined both elements to create something truly magical.