Posted in: Disc Reviews by Gino Sassani on November 21st, 2007
Fans of classic Christmas films need not worry that their perennial favorites are about to be displaced by this third entry into the Santa Clause franchise. In fact, throughout most of the 92 minute running time of The Santa Clause 3: The Escape Clause I was looking for my own escape clause out of watching the film. However, in the true spirit of Christmas and with a feeling of total dedication to duty, I remained firmly affixed to my easy chair and watched every second of the film. It was all for you, my gentle reader, because I know how crunched your time can get around the holidays. I have made this sacrifice to save you an additional hour and a half to commit to your shopping or preparing cookies for the family. You don’t have to thank me. Just send a few cookies my way or raise a glass of eggnog to me this season. There are far too many truly great holiday films to waste on this tripe.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2007
Disney Studios reinvented the afternoon cartoon when they introduced something they called Disney Afternoon. It was the brain child of studio animation head Bob Jacquemin. He saw the potential of taking famous Disney cartoons that were already beloved by millions and spinning them off into regular television cartoons. Not willing to take chances with the studio’s icon, Mickey Mouse, Michael Eisner allowed the Donald Duck universe to serve as the launching pad for this new venture. In 1987 Disney Afternoon and Duck Tales was born.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2007
The Jungle Book was a milestone event in the history of Walt Disney’s animation history, so it shouldn’t come as too much of a surprise that the studio would tap this source for future adventures. The Disney Afternoon series has been a chance for the studio to continue many of the beloved characters. Tailspin was just such a series. The show is set in the Jungle Book world but minus little Mowgli. Now lovable bear Baloo runs an airline service with his new little friend baby bear Kit Cloudkicker. All of the other characters show up, from Shere Kahn to King Louie. This isn’t a musical, so the songs aren’t there, and there is no real mention or connection to the events in The Jungle Book. The stories are a kind of Indiana Jones affairs with plenty of tomb raiding and high flying stunts and narrow escapes. Ed Gilbert takes over the voice of Baloo, and while some of the original intonation is there, it’s clear how much the voice of Phil Harris gave Baloo so much character and charm. Obviously none of the same voice cast returns. The cost would have been prohibative for a television show, and unfortunately many of those voices are no longer with us.
Posted in: Disc Reviews by Gino Sassani on November 7th, 2007
I must admit that from the moment I first heard about this Pixar film I was abnormally indifferent. I can’t explain exactly what it was that kept me from the theaters, but this is the first time I missed a Pixar film in its original release. I like rats, so it wasn’t the subject matter. Perhaps the unpronounceable title is to blame. I will admit it conjures nothing for me, so I found it hard to get excited about what I might see. This is rare, because I have eagerly awaited these outings based not only on the story idea but knowing it will be a treat in every aspect from design to technological wizardry. So finally I sat down to watching this elusive Pixar presentation for the first time on DVD. I have to say my instincts were almost right on. This is by far the least interesting entry from the Pixar folks so far. Which is not to say the film is bad or not somewhat entertaining. It doesn’t stand out. This could have been Dreamworks or Sony or a dozen other CG workshops. The only thing that stood out was the quality and detail of the work.
Posted in: Disc Reviews by Gino Sassani on November 6th, 2007
Pixar has become somewhat of a fixture around here, as I suspect it has in many homes across the world. For the most part the films have been nothing short of magic. I’m not only talking about the ever improving technological breakthroughs the company seems to have an endless supply of. The films often contain a warmth and friendliness that wear easily like a favorite shirt. They comfort and entertain all at the same time. It’s really a pretty good mix that they ended up at Walt Disney, which did the same thing for decades in hand drawn animation. To date there have been many copies but no equals.
Posted in: Disc Reviews by Gino Sassani on October 22nd, 2007
Meet The Robinsons follows the story of young orphan Lewis. He’s quite the young inventor but ends up with more failures and near misses than anything successful. His tendency to blow things up doesn’t help his adoption chances too much either. One day his life is changed when a kid from the future arrives to give him a boost of confidence. Back in the future Lewis is temporarily trapped, and the guest of the manic family Robinson. Each family member is a zany character unto themselves. Uncle Art, cleverly voiced by Adam West, is an intergalactic pizza delivery guy, and mom has trained frogs to become big band singers. Before long Lewis finds he has more in common with family patriarch Cornelius than he suspected. The villain is the mysterious Bowler Hat Man, bent on getting his revenge on Lewis and taking credit for his inventions. Armed with a catchy slogan culled from one of Walt’s own statements, Keep Moving Forward, and a new found confidence, Lewis sets out to create the future of his dreams.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2007
The Invisible requires far too much setup before we really get into the major ideas of the film. The first 40 minutes of the film is a complicated series of events that place a heavy burden on our patience. Finally, in an unfortunate series of events that would rattle Lemony Snicket, two lives are placed on a collision course.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2007
There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them. Therefore this review might seem a bit hypocritical when I tell you I side with the other camp that considers this film to be a milestone, not only in Disney animation, but in animation history itself. The characters might be distantly removed remote ancestors to Kipling’s creatures, but they are truly classic creations in their own right. What better definition of a classic can there be than the influence that Jungle Book still has 40 years later, not only on our pop culture but on the careers and lives of today’s artists. I venture to say that more people are familiar with Disney’s renderings of these characters than Kipling’s I agree the caparison isn’t exactly fair, but it is accurate.
Posted in: Disc Reviews by Archive Authors on September 16th, 2007
Every time I long for the free and easy days of my youth, something like Disney Princess Enchanted Tales comes along to remind me why it's good to be done with childhood. If I was a kid, I'd be entertained by this stuff. Since I can no longer appreciate kid-friendly, sitcom-like productions, I will imagine I'm a seven-year-old girl for the remainder of this review. In order to keep things nice and coherent, though, I'll write like I'm not.
All you need to know about this original release from Disney is that it's Disney-lite, with lower production values and more heavy-handed stories. However, I'm sure it will please children, especially those who love all things princess.
Posted in: Disc Reviews by Archive Authors on August 24th, 2007
Right off the start Wild Hogs looks to be appealing simply because of the cast which includes John Travolta, Tim Allen, Martin Lawrence, William H. Macy, and Ray Liotta. However when you get numerous big names together, some of whom aren’t known for comedy, their meshing on screen becomes quite an issue. Regardless, I don’t anticipate this to become a problem with Wild Hogs.
Wild Hogs tells the story of four middle aged recreational bikers who are all going through a personal crisis. Doug (Tim Allen, Galaxy Quest) is a dentist stuck in a rut, he wants to relive his glory days but has too much responsibility and a kid who doesn’t respect him. Bobby (Martin Lawrence, Bad Boys) aspires to be a writer but is stuck in a job as a plumber, his wife wears the pants and he hardly does or says what he wants anymore. Dudley (William H. Macy, The Cooler) seems to suffer from an inferiority complex as he can’t seem to muster up the courage to talk to women, his life lacks excitement. Finally there’s Woody (John Travolta, Hairspray) he seems to have it all, a big house and a supermodel wife, that is until she leaves him and he looses all his money. Desperate to get a taste of life, on Woody’s suggestion the group embarks on a cross country motorcycle trip with no cell phones and no plan, just the west coast in mind. Of course along the way they run into their share of misadventures including a homosexual highway cop, a gang of bikers, and Dudley’s inability to balance on his motorcycle.
![Wild Hogs [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/wild-hogs-blu-ray-large.jpg)
