Posted in: Disc Reviews by David Annandale on January 18th, 2007
This is the second volume of Pluto cartoons, here going from 1947 to the end of the series in 1951. The neat thing about these themed collections in the Wald Disney Treasures series is that they highlight particular strengths in Disney’s animation. Thus, if the Silly Symphonies sets focus on the marriage of movement with music, the Pluto cartoons are wonders of pantomime, since the central character doesn’t speak. Pluto is not a jot less communicative for not using words, however, and the sight gags involved in some of his facial expressions (such as when wearing the unwanted “Pluto’s Sweater”) are priceless. Pluto’s frequent sidekick Figaro the cat has the spotlight to himself in three bonus cartoons.
Audio
Posted in: Disc Reviews by Archive Authors on January 17th, 2007
Invincible (2006) marks the latest in a string of sports-underdog films from Disney, following such hits as 2002's The Rookie and 2004's Miracle. This time, we have a film inspired by the real-life Cinderella story of Philadelphia Eagles' alumnus Vince Papale.
Papale's story is so similar to that of fictional Philadelphia son, Rocky Balboa, that calling Invincible a remake of Sylvester Stallone's Rocky isn't much of a stretch. But then, the sports long-shot genre is tried and true, so as far as my enjoyment goes, I have few issues with this film's formulaic plot.
Posted in: Disc Reviews by David Annandale on January 15th, 2007
Warner Bros. had the Looney Tunes and Merrie Melodies, Disney had the Silly Symphonies. This is the second volume collecting those shorts, covering the years 1929 to 1938. The shorts are selected on a menu that can be presented in alphabetical or chronological order, and it is the latter approach that is the most enlightening, as we can see the cartoons evolve. There is no dialogue in these shorts – the point was to fuse animation and music. And while that is an end in itself in the earlier cartoons (and quite the technological feat at that), more and more narrative content develops over the years. The culmination of this form of animation would, of course, be Fantasia, and in such early pieces as “Hell’s Bells,” one can see in embryonic form the ideas that would become, for instance, the “Night on Bald Mountain” segment.
Audio
Posted in: Disc Reviews by Archive Authors on December 16th, 2006
If there's something that bothers me about the wave of digital films for children's entertainment nowadays, it's that anyone who has a Mac and good enough software feels compelled to make a movie, no matter how much it sucks. And Disney (or Dreamworks) or another studio will put enough marketing money behind it to make anyone want to watch it.
How can you tell how good or bad it will be? Well, if it's not a Pixar film, you can generally tell by the cast that is brought in to do voice work for it. In the case of The Wild, Samson the Lion (Kiefer Sutherland, 24) lives in the New York zoo with his son Ryan (hey, that's me! But really it's Greg Cipes, John Tucker Must Die). Ryan is a little bit shy because he hasn't gotten his roar yet, and Samson is a legend among his zoo friends for the stories he tells. His friends include a giraffe named Bridget (Janeane Garofalo, The Truth About Cats and Dogs), a squirrel named Benny (Jim Belushi, According to Jim) and a snake named Larry (Richard Kind, Spin City). And Ryan leaves the zoo and accidentally gets on a ship bound for Africa, so Samson and friends follow the ship that lands'in the wild!
Posted in: Disc Reviews by Archive Authors on October 17th, 2006
Synopsis
Ariel is the rebellious teen daughter of King Triton. She falls in love with a human prince (whom she rescued from drowning), but her father will not hear of it. So she makes a bargain with the evil Ursula – she will be granted legs for three days (but no voice), and if she has not been kissed by then... well... you know how deals with Evil generally go.
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
Synopsis
Everything I know about Jim Brickman could fit into a couple hundred word review about a concert performance he put on at the Walt Disney World resort. But upon further review, Brickman has been reaching out to the older generation for a few years now, producing collaborations and appearing at high profile events to bring recognition to his work.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2006
Jim Henson was a creative genius. Who among us hasn’t grown up with his immortal Sesame Street characters? In the years leading up to his untimely death from pneumonia, The Henson Creature Shoppe had begun to expand out of its Muppet roots. The Dark Crystal was an amazing breakthrough in puppetry technology. One of Henson’s last ideas was about a family of dinosaurs. Sadly, Henson passed before his vision could be fully realized. Fortunately for us his son Brian has continued the Henson tradition, beginning with Dinosaurs.
This was no ordinary sitcom. Each character was a sophisticated animated puppet as well as a suit performer. In all, it took four people to bring each character to life. Combined with the familiar voice talents of the likes of Sally Struthers and Sherman Hemsley, a “man in a suit”, and 2 animatronics puppeteers, these hysteric prehistoric characters were brought remarkably to life. Like The Flintstones, Dinosaurs was modeled after the popular 50’s comedy The Honeymooners. Earl was very much a Jackie Gleason clone from his “king of my castle” attitude to his bulky frame. Like Ralph, Earl had a meek and somewhat simple minded pal. Roy was as much an Art Carney clone as Earl was Ralph Kramden. Even Roy’s voice echoed Norton The show diverged from its Honeymooner roots with the addition of two children. Robbie was very much a rebel against the sins of his society. Charlene was the typical valley girl who cared more about the latest fashions than anything else. Fran, the mother, was a somewhat modern woman who still managed to juggle independence with traditional roles. Finally the best laughs and lines came from newly arrived Baby Sinclair. His “:Not the momma” , “Again!” and “Gotta love me” chants became pop culture mainstays.
Posted in: Disc Reviews by Archive Authors on May 11th, 2006
From reading the back of the box, one would think that this film was one of the true Disney animated classics. Phrases like “digitally remastered for the first time on DVD†and “the original Disney classic†would certainly lead one to believe such a thing. The fact of the matter is, however, that this “classic Disney film†was just originally released in 1997. Sure, it's remastered, but we're talking about remastering a print that is less than a decade old. Improvements were undoubtedly made, but this re...ease is not the towering accomplishment that one might be led to believe.
The plot revolves around Pooh and the gang setting out on a cross-country trip to find Christopher Robin, who has mysteriously gone missing. As the gang travels on their search, they find opportunities to conquer their fears and accomplish great things. The viewers, however, know that Christopher was just at school the whole time.
Posted in: Disc Reviews by Archive Authors on May 11th, 2006
Whisper of the Heart follows Shizuku, a young girl on the cusp of womanhood as she learns to realize her talents and follow her dreams. She harbors deep admiration for Seiji, a mysterious young man, who shares a strange kinship with her that soon blossoms into love. From the start, Shizuku isn’t sure who she is. She indulges in songwriting and reading. It’s the latter hobby that first links her to Seiji. She starts to notice his name in the histories for every library book she checks out. It seems he’s always ...ne step ahead of her, and this observation soon turns to fascination. Once she meets Seiji, her fascination becomes something more. Through their ensuing relationship, Shizuku takes her interests and turns them into dreams. She learns those that never try are the only true failures, and she decides to become what she loves, rather than one, who takes part in hobbies of no consequence.
While Whisper of the Heart is an animated film, it has a head on its shoulders that far surpasses most mainstream films today. It’s likely the narrative will draw in adults more than the little ones – despite the G rating – but there is still something here for children… just not all children. It’s safe to say kids will have to be more advanced to enjoy and understand the depth and layers of this film. Shorter on fantasy than Spirited Away, Whisper carries with it a lot more intelligence than that earlier feature from the same creators. This film, instead of being strictly for kids, is instead for those on the verge of determining their interests and realizing those attributes and preferences can be cultivated into a way of life. Those are the children this film really speaks to. And if you’re an adult like me – the kind that didn’t know what he wanted to do with his life, even as he stood up to accept his college diploma – then Whisper of the Heart will speak to you, too.
Posted in: Disc Reviews by Archive Authors on April 13th, 2006
Certainly a surprise upon its initial release, Deuce Bigalow: Male Gigolo exceeded so many box office expectations a sequel was inevitable. From what I've heard, European Gigolo represents everything wrong with movies today; however, I did not let that abysmal word-of-mouth prevent me from giving the first installment a chance. Unfortunately, after viewing the original, I can't see how the sequel could be any worse.
This film has its share of supporters, and I can't really come down on anyone ...or personal taste. I can only gauge the film as a comedy based on how often it broke me down to laughter. I can honestly say the only chuckle derived from me was during the scene that involves the young lady and Deuce at a baseball game - hardly enough of an impact, however, to recommend this film to the uninitiated. Most of the "laughs" retread territory already ventured by both superior comedies (or, the equally crappy). Watch it if you dare - just, for Pete's sake - don't buy it.
