Posted in: Disc Reviews by Archive Authors on April 24th, 2007
Ahead of the pack with eight nominations, Dreamgirls had a lot of buzz leading up to this year’s Academy Awards. In the midst of it all, there was talk of a surprise standout performance by American Idol alumnus Jennifer Hudson in her first film role, and even more surprisingly, Pluto Nash – I mean, Eddie Murphy was up for best supporting actor.
With that many nominations, Dreamgirls, in yet another surprise, was not up for the coveted best picture Oscar. And after the dust settled, the film had been honored with just two of the golden statues, for Jennifer Hudson as best supporting actress and best achievement in sound mixing. No best picture nod and so few wins seemed to say, ‘yeah, your movie had a lot of good parts, some even great, but they didn’t add up to something more.’
Posted in: Disc Reviews by Archive Authors on December 22nd, 2006
Don't pay any attention to the description on the back of DVD case. Described as "hilarious", this film is anything but. While it may have a few funny moments, we're talking about a serious drama. The Last Kiss is a cautionary tale about temptation. It presents the circumstances and life choices of 30-year-olds in an intense, honest way, which makes the film both completely engrossing as well as difficult to watch.
The story centres around Michael (Zach Braff), a 29-year-old architect, and his girlfriend of three years, Jenna (Jacinda Barrett). Jenna is newly pregnant, and Michael is scared. Michael's best friend, Chris (Casey Affleck), is having a rough time with his own wife and their baby. Another friend has recently split from a long relationship. Jenna's folks, Anna and Stephen (Blythe Danner and Tom Wilkinson), are also on the brink of a breakup.
Posted in: Disc Reviews by Archive Authors on August 10th, 2006
Tell me if you've heard this one before... a high school girl is not allowed to join a certain club because it is boys only, so she dresses up like a (transvestite) boy to sneak into the club and prove that she has girl power!
Seriously, how many times can Hollywood make the exact same movie, before somebody sues somebody for copyright infringement? I understand the argument that each new generation of teens will pay big bucks to see the same crappy movie that has been made every couple of years for generations, but come on. Does nobody have any artistic integrity left?
Posted in: Disc Reviews by Archive Authors on July 6th, 2006
This is the first Woody Allen film I’ve ever seen.
Something always put me off about the guy. Maybe his infamous personal life plays a part in my not wanting to explore Allen’s cinematic offerings, but I would chalk up my ignorance to Allen’s physical appearance. Shallow, I know. But he’s a little nub of a man who has self-indulgently cast himself as the romantic lead in most of his films. But whatever, he’s a respected filmmaker and the responsibility of being a film buff requires me to keep an open mind -... even when it comes to Woody Allen. In short, I need to shut up and start watching his films.
Posted in: Disc Reviews by Archive Authors on January 23rd, 2006
Synopsis
Dean Stiffle (Jamie Bell) is a teenager in an affluent suburb who appears to be completely disconnected (due in no small part to the happy pills prescribed by his celebrity psychiatrist father). When he finds his best friend Troy dead (a suicide), he doesn’t even tell anyone about it. He is forced to become involved when three other teens kidnap a boy they think is Dean’s brother in order to force him to find Troy’s drug stash. Turns out they’ve kidnapped the wrong boy, and so begins a chain...reaction of events that might lift the lid off the smug, self-satisfied, oblivious community.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Most film-goers could identify a Michael Bay film just by the techniques he uses -- quick edits, sun drenched color palate, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high concept films.
In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode -- resulting in a lop-sided film. The first hour was a tedious love story and the last 90 minutes were better -- including an excellent recreation of the surprise attack.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2005
Synopsis
One of the first scenes in Out of Sight was the main character robbing a bank using only his words. That same kind of knack for thinking quickly under pressure is employed in Catch Me If You Can, which tells the story of Frank Abagnale Jr. (Leonardo DiCaprio), who, after witnessing the end of the marriage of his parents (Christopher Walken and Nathalie Baye), decides to flee, and begins to bounce checks. Not only does he bounce over $2 million in checks, but he also impersonates a tea...her, a doctor, a lawyer and an airline pilot, all by his 21st birthday. DiCaprio’s foil in the movie is the FBI agent pursuing him, Carl Hanratty (Tom Hanks), who is dedicated to pursuing "paper hangers" like DiCaprio. The 2 hour movie is spent on the chase and friendly jousting between the two, and puts you right by DiCaprio as he makes sure not to say the wrong thing in the situations he runs into. One of the other subplots given attention is the relationship between Frank and Frank Sr., portrayed by Christopher Walken, who earned an Oscar nomination for his brief work in the film. Unconditionally, despite whatever financial woes he suffered, Frank Sr. loved his son, and despite Frank Jr.’s attempt to ease his father’s pain, his father seems to be a proud man, and never accepts his gifts, however extravagant they may be. As a funny postscript, Abagnale not only worked with the FBI as part of his parole to assist in check fraud cases, but also helped developed check security protocols for many corporations, and has made millions from those also.
Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Ray Ferrier (Tom Cruise) is a middle-aged divorcee with a blue-collar job and a rundown home in the New Jersey suburbs. When his ex-wife unexpectedly drops his estranged kids—ten year old Rachel (Dakota Fanning) and sixteen year old Robbie (Justin Chatwin)—off for the weekend, Ray is less than pleased. He’s always struggled with his parental duties, but now finds it increasingly difficult to communicate with his children. However, events beyond his control are about to force Ray to come to terms with his responsibili...ies. Bizarre lighting storms herald the arrival of alien tripods, which explode from beneath the Earth’s surface and begin dispensing death and destruction on the surrounding countryside. Narrowly avoiding the first attack, Ray returns home, grabs his kids and embarks on a frantic journey across country to find their mother in Boston.
Tom Cruise is likeable in the lead role, and manages to pull off the everyman act fairly convincingly for someone as famous as he is. He’s definitely grown as an actor in recent years—starting with his turn in Paul Thomas Anderson’s Magnolia—and I am becoming increasingly interested in his work. Of the rest of the cast, only Dakota Fanning and Justin Chatwin have any real screen time. In this movie Fanning isn’t really required to do much beyond acting like a terrified ten year old girl, which she does with her usual brilliance. I’m constantly amazed by how self-assured and composed she remains in the presence of superstars such as Cruise and De Niro (not to mention a director like Spielberg). Chatwin also puts in a decent performance as Ray’s moody teenaged son, accurately portraying the kind of sullen resentment that many children of broken marriages harbor towards their ‘unfit’ parents.
Posted in: Disc Reviews by Archive Authors on September 13th, 2005
Synopsis
After the events of the first film, Naomi Watts and her young son are starting a new life for themselves in a small town. But the curse of Samara reaches out to them, as not only are there more victims of the lethal videotape in this town (thus driving home Watts’ guilt for having copied the tape herself), but Samara strives to possess Watts’ son.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
Arguably the last funny member of Saturday Night Live has picked some strange movies to be in since leaving the sketch comedy show. Appearing first as a co-star in Old School and then later in the kid-friendly (but cute) Elf, Will Ferrell took his time in getting to what fans wanted, a good PG-13 or better comedy for him to stretch his comedic talent.
By and large, Anchorman does deliver on that, though occasionally Ferrell himself isn’t the one causing the laughs. As 1970s San ...iego newsman Ron Burgundy, Ferrell is the one everyone in town trusts, along with his newsteam. The chemistry is broken when female newscaster Veronica Corningstone (Christina Applegate, Married With Children) is hired. Ron has to resolve the conflicts between himself, his team and his new interest in Veronica…
