DreamWorks

The Kite Runner is one of those films that is extremely hard to pin down. On the surface it’s a moving story about friendship and redemption, but I have to wonder if that is really the collection of themes intended by either the original novel’s writer Khaled Hosseini or the film’s director, Marc Foster. The story begins with two young Afghan children who appear to be friends, but they are from different worlds. Hassan (Mahmoodzada) is the son of household servants. Amir (Ebrahimi) is the son of the household’s masters. Yet they appear to share a common bond and fondness for one another. We quickly learn that the friendship is one sided. Hassan pledges that he would do anything for Amir. He vows he would eat dirt if Amir asked, but adds the belief that Amir would never ask him to. Even a look at Amir’s guilt tells us that’s certainly not true. Soon Hassan is approached by bullies and asked to give up a kite he captured and promised to Amir. Rather than break his promise to his friend, he is savagely beaten and sexually molested by the bullies. We are shocked to see that Amir is witness to the entire event and does nothing. To make his sin worse, he decides he can no longer be friends with Hassan because to see him reminds him of his shame, so he accuses the boy of theft. To complete his unconditional loyalty Hassan admits to the fictional theft to allow Amir to save face. Amir eventually flees Afghanistan as the Soviets invade. In America he becomes a successful writer and has nearly put his past behind him until he learns a startling secret about Hassan, now dead at the hands of the Taliban. In an effort to redeem himself, he decides to rescue Hassan’s son from the Taliban.

 

Bee Movie is almost completely a Jerry Seinfeld creation. The idea apparently came out of a conversation the comedian had over dinner with Steven Spielberg. From the simple concept of a film about bees called Bee Movie, Seinfeld teamed with his long-term collaborator Spike Feresten. Together they created a rather amusing world where bees can talk and live in a human-like society dedicated to the production of honey. I’ll admit that while I often enjoyed the Seinfeld television series, I was one of those that never really got it. On the surface a lot of it was funny, so I watched it, but I can’t really call myself a true fan of the series or the comedy of Jerry Seinfeld. Pretty much however you might have felt about the show will carry over to Bee Movie. The entire film reflects pure Seinfeld in the characters and his somewhat trademark observations on life. It is that element that might have lessened the overall enjoyment for me. Seinfeld’s bee world is so much like his television or stand-up world that I found it hard to immerse myself into the story. No question there were some clever ideas at work here, but it sure seemed like somewhere along the way someone settled for mediocrity.

 

Will Ferrell, arguably the last funny member of Saturday Night Live has picked some strange movies to be in since leaving the sketch comedy show. Appearing first as a co-star in Old School and then later in the kid-friendly (but cute) Elf, Ferrell took his time in getting to what fans wanted, a good PG-13 or better comedy for him to stretch his comedic talent.

By and large, Anchorman delivers on that, though occasionally Ferrell himself isn’t the one causing the laughs. As 1970s San Diego newsman Ron Burgundy, Ferrell is the one everyone in town trusts, along with his newsteam. The chemistry is broken when female newscaster Veronica Corningstone (Christina Applegate, Married With Children) is hired. Ron has to resolve the conflicts between himself, his team and his new interest in Veronica…

I must be one of the few people who despite hearing positive things, did not see Transformers in the theatre this past summer. The main reason being I’m just not interested in transformers, but then again so were most of the people I know who loved the movie. Regardless, here I find myself holding a copy of this summer blockbuster on HD DVD, I’m sure it’s going to blow me away, but only time will tell.

I couldn’t tell you how the film compares to the original cartoon, but from what I have gathered the premise is quite similar. I’ll give you the simplistic version; Cybertron is a very distant planet which is home to the transformers, but like all living beings war has erupted. The planet is eventually destroyed at the hands of Megatron who wanted to use the power of the All Spark for evil and domination. Meanwhile his main opposition Optimus Prime wants to use the All Spark for good. At the end of the day the All Spark end up on Earth, where Megatron followed it, but crash landed and became frozen in the Arctic Circle. Here explorer Captain Archibald Witwicky stumbles upon his body in 1897 and accidentally has the coordinates of the All Spark embedded into his glasses. Over a hundred years later Archibald’s great grandson Sam Witwicky (Shia LaBeouf, Disturbia) is in possession of these glasses, not knowing the power it holds, trying to sell them on eBay. After his 1976 Camaro comes alive before his eyes, he learns that there are a group of transformers called the Decepticons that are out to get the glasses from him. Sam allies with the good group of transformers called Autobots and eventually fights to save the world.

Back in 2001 shortly after the release of the first Shrek I happened to be at a convention with Anne Francis of Forbidden Planet and Honey West fame. She had just taken a young one, I believe it was her nephew, to see the animated blockbuster. To say she was unhappy is an understatement. She was incredibly offended by the toilet humor and had some rather unflattering things to say about pretty much every aspect of the film. Here we are two films later, and I’d have to tell Anne that not much has changed. By my count the film never runs more than 9 minutes without a joke based on feces, farts, or butts. And the truth is it really is a shame, because Shrek is a property too full of talent and startling good CG animation to require that sort of pedestrian humor. I love almost everything about this franchise except the humor.

I had a decided advantage going into the Michael Bay extravagance that is Transformers. Unlike the majority of the film’s target audience, I have had almost no exposure to the other incarnations of Transformers. I was already too old for the toys when Hasbro launched them, and so it was true for the cartoon and comic versions that quickly followed. Like everyone else I have a passing familiarity with the things, but nothing more. How is that an advantage, you might very well ask. Like any film that dares to attempt material often considered sacred by its followers, Transformers had to play the game of expectations. I don’t carry any of the baggage that often keeps an audience from enjoying a film because they already think they know what it should look like. Armed with just the most basic of knowledge, I was able to approach the film freshly and enjoy it as a standalone entity. With that said, I had a pretty rockin’ time of it.

There are those of us who love Will Ferrell and just about everything he’s done lately, and there are those of you who can’t stand the guy. Read that last sentence carefully and you’ll be able to determine which one I am, but I’m sure you won’t have to read much past this sentence to figure it out anyways. Starting back with A Night at the Roxbury and ranging to Old School and Anchorman, comedically I can’t get enough of these nonsense full movies. Surprisingly I didn’t check this one out in the theatres, but I eagerly welcome the opportunity now.

Chazz Michael Michaels (Will Ferrell, Talladega Nights: The Ballad of Ricky Bobby) and Jimmy MacElroy (Jon Heder, School For Scoundrels) are rival world class figure skaters. During the 2002 WinterSport games the two tie for a Gold medal which leads to a scuffle, ultimately banning the two from the sport. Three years go by and the two are working dead end skate related jobs, Chazz is a drunken ice show performer, and Jimmy sells skates at a local sports store. Jimmy then learns from an obsessed fan (Nick Swardson, The Benchwarmers) that through a loophole he is only banned from singles figure skating, not pairs. Of course one thing leads to another and after a hilarious fist fight, Jimmy teams up with Chazz against both their volition. What ensues is some pretty funny stuff as the two try to get ready in time for the WinterSport games in Montreal.

(Supplemental material portions of this review are culled from Gino Sassani's review of said film in the Blu-ray format, so enjoy or read elsewhere.)

I've always enjoyed Hitchcock's Rear Window, and I've gotta say I was more than a little disgusted when I saw that it was going to be remade and modernized, with no less than Shia fricken' LaBeouf in the main role. Oddly enough, LaBeouf carries the role pretty well.

Disturbia looks to potentially be a classic thriller; it has the elements of a classic Hitchcock film, and a noteworthy cast. Although I’m not and never will be a fan of Shia LaBeouf I will admit he has sold me with his performances several times before, but does he have the talent to carry this movie? Regardless there are some other semi-reputable names cast in Disturbia including Carrie-Anne Moss and David Morse, so here’s to hoping that this flick isn’t a waste of time.

In the opening moments of the movie Kale (Shia LeBeouf, Transformers) and his father are in an accident which results in the death of Kale’s father. Sometime goes by since the accident when Kale’s teacher makes a comment about his father, sparking Kale to crack him in the jaw. This results in a three month house arrest sentence for Kale, who in a fit of boredom starts spying on his neighbors with a set of binoculars. Mostly he spies on the girl next door Ashley (Sarah Roemer, The Grudge 2) but after befriending her, his attention turns to Robert Turner (David Morse, 16 Blocks). He drives a blue Mustang just as a suspected serial killer does, but this isn’t enough to sell anyone but Kale. But things become even more convincing when it appears that Turner kills a female visitor. Kale and his friends decide to take this matter into their own hands.

Flags of Our Fathers is based on the book of the same name by James Bradley and Ron Powers about the Battle of Iwo Jima and the famous raising the flag on Iwo Jima picture. It’s the second recently released movie about the Battle of Iwo Jima, the other being Letters from Iwo Jima.

Both films were directed by Clint Eastwood. Although both focus on the same event, they are quite different. Letters from Iwo Jima is from the Japanese perspective and Flags of Our Fathers from the Ame...ican. Also, Flags is more focused on the group of Marines that raised the flag, their efforts in selling war bonds back in America and their coping with the war. Having recently watched and enjoyed Letters from Iwo Jima, I eagerly anticipated this film.