Posted in: Disc Reviews by Archive Authors on November 23rd, 2005
Written by Clayton Self
Alien vs. Predator had mixed reviews upon its initial release in theatres. Fox studios demanded a PG-13 rating (to gain a wider audience) and two weeks before the release, cuts were made to reduce the amount of human blood onscreen, and a few moments of character moments. This new, un-rated edition restores some of those cut scenes, adding just over 8 minutes of previously unseen footage.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2005
This remake ofCheaper by the Dozen, like the original, focuses on the Baker family. Father Tom Baker (Steve Martin) and mother Kate Baker (Bonnie Hunt) decided to have 12 children. The children range from 5 years old to 22 years old. Nora (Piper Perabo) is the oldest child and the one who lives outside the home. Tom coaches Division III football at the small Lincoln College. When Tom’s old teammate Shake Maguire (Richard Jenkins) shows up to offer Tom a big fat contract to coach Division I at Illinois Poly Uni...ersity, Tom decides to take the job. The obvious catch is that Tom and his ENTIRE family must move from Chicago to Illinois.
The second oldest child Charlie Baker (Tom Welling) is the star quarterback of his team. Charlie leads his siblings in voting on the decision not to move. Tom and Kate decide it’s in the family’s best interests to move. The kids, for the most part, are complete brats and are extremely annoying (I guess ALL children are right)?
Posted in: Disc Reviews by Archive Authors on November 22nd, 2005
Synopsis
Victor Mature is an ex-con driven by financial desperation to take part in a jewel heist. The job goes wrong, and he is nabbed. He’s sent to prison, and agonizes over his family. When he’s double-crossed by his lawyer, he agrees to DA Brian Donlevy’s deal and testifies against psychotic hoodlum Richard Widmark. He gets out, and starts his life over, but then Widmark beats the wrap, and is on the prowl for revenge.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Written by Clayton Self
Kingdom of Heaven is a handsome epic by Gladiator director Ridley Scott. It is an underrated film due to a less than successful theatrical release, but at closer examination, this film is a deeply important tale of courage, faith and self-sacrifice. It focuses on a relatively lesser-known period of the crusades, when peace was trying to be made between Christian and Muslim.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Written by Clayton Self
The cult classic "Office Space" from creator Mike Judge (Bevis and Butthead) found a huge following on its initial release on DVD. The movie stars Ron Livingston as Peter Gibbons, a software analyst for the computer giant Initech. Fed up with his condescending boss (Gary Cole) and the frustrations of his job in general, he visits a hypno therapist who puts him in a state of well being and relaxation. The therapist dies of a heart attack before the procedure is complete, leaving Peter permanately care free. Peter ...ses his new confidence to ask out a local waitress (Jennifer Aniston) and to plot with his co-workers to install a virus that will take fractions of a cent from Initech's money transactions and place them into an account for them. Also of mention is the paranoid nuerotic Milton (Stephen Root).
Posted in: Disc Reviews by Gino Sassani on November 13th, 2005
A long time ago in a galaxy far far away...
It was really 1977 and as close as your neighborhood theatre. Luke Skywalker, Han Solo, Darth Vader, and Princess Leia captured our imaginations and have never let go. Star Wars has become nothing less than a modern mythology. No one can deny that George Lucas changed how we see films forever. It doesn’t matter if you’re a Star Wars fan or even watch science fiction as a whole. Movie making changed in 1977. Lucas continues to shape the industry with the f/x empire he built on Star Wars.
Posted in: Disc Reviews by Archive Authors on November 7th, 2005
Synopsis
Things don’t get much more anodyne than this storyline, showcasing an impossibly idealized family and their trials of love and prize pigs as they travel to the eponymous event. This is strictly for the nostalgic and pure fans of Rodgers and Hammerstein (the songs generally are not as culturally engrained as those of Oklahoma!). There are two versions of the film here, and the 1945 take is easily the better of the two. The 1962 remake (and the third film by this name, a non-musical ver...ion having appeared in 1933) has Pat Boone in the lead (never a good sign) and is even more plastic. This version does, however, have Ann-Margaret pulling a bit of a show-stopper with her dance number.
Posted in: Disc Reviews by Archive Authors on November 4th, 2005
Synopsis
You don’t really care about the plot, do you? Gordon MacRae is romancing famr girl Shirley Jones, but thuggish Rod Steiger also has designs on her. And so on. But it’s the songs that matter: “Oh, What a Beautiful Morning,” “The Surrey with the Fringe On Top,” “I’m Just a Girl Who Can’t Say No.” And one could go on for much longer. The list is of tunes that one is familiar with without even knowing it, so completely have they permeated the mass consciousness. Fred Zinnemann’s film is handsome...and energetic without placing it in the same league as Singin’ in the Rain, and one might suspect that there is a touch too much attention paid to the technical, spectacle side of things, something that is reflected in the extras, but more on that below.
Posted in: Disc Reviews by David Annandale on October 28th, 2005
Audrey Hepburn and Albert Finney are a couple whose marriage appears to be reaching its end. They travel through France, which was the scene of so many other memories, and they (and we) experience, through interlocking flashbacks, the history of their relationship.From the moment the animated credit sequence and Henry Mancini score begin, one is clearly watching a Stanley Donen film from the peak of his career (the presence of Hepburn is yet another reminder of Charade from just a couple of years prior). The flashbacks-within-flashbacks structure might initially seem daunting, but the film is light on its feet, and is never confusing. Finney's character is sufficiently cranky even in the early stages of the relationship that one might be forgiven for wondering what Hepburn ever saw in him, but the scenery is pretty and the dialogue zings.
Audio
Posted in: Disc Reviews by David Annandale on October 27th, 2005
George Montgomery plays the lead trumpet for the "Gene Morrison Band" (the Glen Miller Band). As they set out on tour, he falls in love with, and marries, audience member and big fan Ann Rutherford, much to the displeasure of Lynn Bari. The film then uses the tensions between the various significant others during the tour to cobble together a plot that connects the various musical numbers.From the point of view of plot and character, this is nothing to write home about. But as a record of one of the greats of the Big Band era in action, it is a valuable document, and certainly manages to entertain, if not much else.
Audio
