Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Following what may be one of the best season finales ever (i.e. Buffy sacrifices herself for her sister Dawn) Buffy is raised from the dead by the ever increasing powers of Willow. She returns disoriented just in time to battle a horde of motorcycle riding demons hell-bent on turning Sunnyvale into their own personal property. It is during the opening two episodes that it becomes clear that secrets are going to play a major role in the sixth season.
Buffy’s friends believe that as a result of the events of...the climax of the fifth season that Buffy’s essence has been in a hell dimension and they are ‘saving her’ by bringing her back to life. Buffy doesn’t ‘thank’ them until midway through the second episode. Shortly thereafter in a touching moment with Spike she reveals that she was not in a hell dimension at all…in fact just the opposite. It sure sounded like she was in heaven – finally at peace with a sense of contentment.
Posted in: Disc Reviews by David Annandale on May 18th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on May 18th, 2004
Love Nest is one of those films that has a great plot, but is unable to follow through on the script. The idea behind this film is simple; a man returns home from the war to find that his wife has purchased an apartment building, and they are now landlords. Every one of their tenants is crazy in their own way, and mad-cap adventures ensue.
After the first act, the story really settles in on one tenant in particular… a sneaky old Casanova who makes his money by pretending to fall in love with rich old...women. Unfortunately, his mannerisms and dialog are completely transparent, so while the characters in the film are fooled, his true nature is blatantly obvious to even the casual viewer. A much more interesting storyline deals with Marilyn Monroe’s role as an old Army buddy of the landlord. His wife is obviously quite jealous of this sexy young woman, and her suspicions about how well her husband knew her during the war are comedic fodder that could have carried this film much farther than it went otherwise.
Posted in: Disc Reviews by Archive Authors on May 15th, 2004
It seems that the producers of many long-running television shows are starting to catch on to what the viewing public has known for years; it’s best to go out on top. Shows such as Seinfeld, Friends and even Frasier (to an extent) have decided to pull the plug while the material is still operating on an acceptable level. It’s rare that shows can successfully pull the great switch like ER did, and replace virtually every member of the cast, while still not losing what made them great in the...first place.
I only wish that Chris Carter bought into this school of thought. While the Ninth season of The X-Files was still one of the better sci-fi dramas on television, it just wasn’t the same. The departure of David Duchovny left a hole in the cast that could not be filled. Now, that’s not to say that Robert Patrick isn’t great as Agent Doggett, it’s just that he’s not the same character. It was like those episodes of The Cosby Show that focused on Theo or Vanessa. It’s the same show, but there is a big piece missing.
Posted in: Disc Reviews by David Annandale on May 9th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on May 5th, 2004
As a music lover, the phrase, “written by Paul McCartney” almost always signifies excellence in the performance to come. For a movie lover, this is not necessarily the case. Sure, A Hard Day’s Night is a great film, Help! is better than average, and Yellow Submarine is a fun departure from mainstream animation. Heck, even Magical Mystery Tour has a campy sort of charm to it.
Apparently, the same rule that applies to music also applies to cinema; without the rest of The Beatles, P...ul McCartney’s talent is just not the same. Sure, he can act fairly well, and the music is way above average, but taken as a whole, this film just plain stinks. The plot here is extremely thin. I have seen many _ hour sitcoms with more plot lines than this film. If you were to take out all of the musical numbers, you would probably have about 40 minutes of actual dialog. The rest of the film is filled with musical breaks.
Posted in: Disc Reviews by Archive Authors on May 2nd, 2004
Quite possibly my favorite part of this job is checking the post on the day that my new box of DVD screeners are scheduled to come in. Sometimes, I know what is coming to me, and the new box means that it is time to get down to business. Other times, however, there is a surprise inside, much like the new box of cereal that made its way home with the groceries when I was a child. Upon reviewing the parcel’s contents, I will either be greatly pleased with my employer, or I will be filled with immediate dread, knowing t...at many nights of misery lie in my future.
This is one of those titles that, unfortunately, falls into the latter category. Now, I’m not anti-musical, and I am most certainly not anti-classic film. I am very much unlike most men on that point. Having said that, I do like a little plot in my three-hour films. This is a picture that has so many stage-performed musical numbers, it actually opens to an overture. I am a fan of the theater, but I am of the opinion that a film should be a film, and the theater, the theater. I don’t want to watch a play captured on film any more that I wish to go to a play and watch a movie.
Posted in: Disc Reviews by David Annandale on April 28th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on April 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on April 26th, 2004
Synopsis
