Posted in: Disc Reviews by David Annandale on August 2nd, 2007
This is, I gather, part of a series of documentaries under the wider umbrella of “America Undercover,†and is not the first of the taxicab ones. What we have here is a collection of vignettes as various people hail a cab and, captured by the cab’s security camera, engage in revealing conversations with the driver. Most of these discussions deal with relationships and sex (the guy and his transsexual girlfriend, the guy with the big woman fetish, the guy with a thing for “crazy chicks†and so on). Over the course of the hour, this becomes a little tiresome, and one hopes for a passenger with something else on his/her mind. This moment finally comes in the form of a passenger whose former boyfriend is a firefighter who barely escaped the collapse of the World Trade Center with his life, and her narrative, moving and disturbing, is the highlight of the episode.
Audio
Posted in: Disc Reviews by Michael Durr on July 28th, 2007
I still remember the first time I watched a Spawn animated episode. I was with my parents in my younger years on what I believe was the last vacation we ever took together. It was a hotel we were staying at which had HBO (I never had that channel growing up). I had read Spawn but didn't even know of the animated series. The fact it was late at night and on a premium movie channel meant it had to be good. I was simply blown away and remember telling my parents that we had to be back at the hotel to watch it again the next night. I remember that later I would procure used copies of the series. All beat up, in snapper cases, it didn't matter. I soon dumped those copies in a couple of years and hoped that it would get reissued in a nice box set. That time has come, Spawn has come home.
Spawn is Todd McFarlane's baby; his issue of defiance when he and a group of artists started Image Comics. Great art, compelling stories and no boundaries. Spawn was the story of Al Simmons who sold his soul to the demon Malebolgia so that he come back to avenge his death and be with his wife Wanda one more time. Problem was once that occurred he was to become an undead "hellspawn". So he fights that control constantly along with enemies from that conflict and those enemies in the human world that would bring him harm. He is not a superhero so much but the boogieman, a character that lives in the shadows and comes out at night to take care of business and then return to those same shadows by morning.
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
It’s no big secret that I enjoy Extras, and found my way to it through the first episode of the second season, which included a guest appearance by Orlando Bloom (of Pirates of the Caribbean lore). And now that I’ve seen the first season, and rabidly followed the second season on HBO, while it’s a bummer to see Extras fade away after a dozen episodes, and just like The Office, it’s not going to soon forgotten.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2007
Not all heist films are created equal. The Hard Easy is a poor man’s Ocean’s Whatever. Number. While that might appear more often than not a knock on the film, that would not be so in this case. Actually I rather liked the film, more for its nuances. The first thing that impressed me was the cast. This isn’t the gaggle of A listers found in the Ocean films. These are still some hard working craftsmen. Just because this isn’t as hyped or financed to the hilt doesn’t take anything away from the performances. It might...have made them work even harder.
Paul (Thomas) and Roger (Boreanaz) both have some serious money problems. Paul owes a huge gambling debt to vicious mobster Freddie (Allen). Roger is caught up in a stock scam about to explode in his face. The only way out, or so it appears, is an easy score. Seems there’s this can’t miss opportunity waiting for the right crew to come and make a good $15 million. Circumstances pull both of these misguided lads into the job. The problem is, of course, they don’t know each other. Both are working with separate crews planning the same job. So this easy score gets very hard; hence the title. When both crews show for the same diamond heist, all hell’s gonna break loose. What this film lacks in action it more than makes up for in characters. Peter Weller has some of the best lines in his over the top portrayal of Ed who leads Roger’s crew for the heist. The cigar crunching ex commando is such a stock character that it’s actually pretty funny to observe. An aging Bruce Dern puts in an almost equally rousing turn as Gene, the leader of Paul’s gang. Where most films concentrate on pulling off the job, this film mines the characters themselves for most of the running time. While it might not be gold they’re mining, it still comes up silver. Rae Allen might have the best role in the very short appearance of female mobster Freddie. I don’t know about you, but I’ll never look at a wrench quite the same way again. Her facial stuff is priceless. Gary Busey plays Vinnie, a counselo of sorts for Paul, who might just be setting him up for a fall. Vera Farmiga has the most unlikely role as Dr. Charlie. Why do all of the women in this film have guy names?
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
Synopsis
I really wasn’t entirely sure how to digest watching a film about a natural disaster where a quarter million people have died or are presumed missing/lost. Nevertheless, Tsunami: The Aftermath is a compelling portrait of the events surrounding the 2004 event that resulted in the deaths of thousands of people.
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
Synopsis
When I was reviewing Season One of Martin, I was actually on a business trip in New Jersey, fondly recalling the early ‘90s and the huge popularity of the show that bore comedian Martin Lawrence’s name. Since that time, I’m no longer going to New Jersey on business, I’m working better hours, and a movie with Lawrence called Wild Hogs came out. It grossed over $150 million, and starred him, John Travolta and Tim Allen as aging adults who do the Easy Rider road trip. The only thi...g I really have to say about this is that I’m shocked and disappointed in you people, and I hope you never let this type of thing happen in American cinema again.
Posted in: Disc Reviews by David Annandale on May 24th, 2007
Synopsis
Emilio is a Grade 11 student smitten with Jacklynne, the most popular girl in the school. She, of course, doesn’t even know he exists. He decides to get her attention by running for president of the Student Council, but no sooner does he declare himself as candidate then he discovers that his opponent is Jacklynne herself. Oops. He is now forced to run, but plans, with the help of his friends, to sabotage the results of the election to make sure he loses, but the is fraught with risks, most ...otably running afoul of the tyrannical principal and her hall monitor toady.
Posted in: Disc Reviews by David Annandale on May 7th, 2007
Synopsis
Five different horror stories play out in this film, though they are all loosely interconnected, in that main characters in one story put in cameos in another, and the same locations are revisited. A sullen teenage girl comes home to her fractious family to see her father struggle with a newfangled remote. It doesn’t change the TV channel, but does zap her through alternate universes. A young man living in a dilapidated building starts taking orders from his possessed radio. A serial killer ...all girl encounters a vampire. And so it goes.
Posted in: Disc Reviews by Archive Authors on March 2nd, 2007
In the continuing need for media mogul Russell Simmons to produce an HBO show and put the word "Def" in front of it, musician Mos Def approached Simmons with the opportunity to present a weekly show for urban spoken word artists to show off their wares. And surprisingly, not only has the show survived, but has thrived into a fourth season that has come out on DVD, with ten episodes in all, split over two discs.
The layout of the show is pretty straightforward, as Mos Def introduces the beginning and end of the shows and the acts in between. The latter is mostly done on a voiceover, however he does introduce the acts on stage from time to time. The show usually ends with a more recognizable name at the end, along with some words of wisdom by Simmons himself. And while most of the acts appear to be people who spend their time on anti-Israel message boards and in Starbucks whipping up vente lattes, the familiar names are fairly eclectic. Among the people you'll recognize are Ani Defranco, Kanye West, Ruby Dee and KRS One.
Posted in: Disc Reviews by Archive Authors on March 2nd, 2007
I don't mean for this to be a joke, but when Paul Mooney recently said that he was glad that Hispanics got their (and I'm paraphrasing here) "African-American wake up call" in the midst of the illegal immigration debate of 2006, the problem wasn't whether or not the Hispanics were being treated fairly or not. The problem was that this discussion has been going on in some manner or fashion for almost four decades now without a large-scale epiphany that required action. However back in 1968, there was some action (which led to the coordinated efforts of students to walk out of their classes in Los Angeles High schools as a protest of the conditions there), and Walkout helps to tell the tale.
In this film that was directed by Edward James Olmos (Miami Vice) and produced by Moctesuma Esparza (who was one of the organizers of the protest), the film details the activities of Paula Crisostomo (Alexa Vega, Spy Kids) who is a pretty good achiever in school who hangs out with friends like Bobby (Efren Ramirez, Napoleon Dynamite). She has an influential teacher in Sal Castro (Michael Pena, World Trade Center) who helps inspire her to take action. When latino kids are punished for speaking Spanish in class, they are disciplined for it and the manner it's done is offensive. When latino kids are forbidden to use bathrooms during lunch because the inside of school is locked, they're forced to urinate outside in the courtyard. And even as she sees these things, she's dissuaded by her father Panfilo (Yancey Arias, Live Free or Die Hard). However in an era where Bobby Kennedy and Martin Luther King are touchstones for action, Paula thinks the same thing should be done, lawfully, to protest the conditions.
