Lifetime

An African American high school student fights against her school's longstanding decision to host racially segregated proms. This film is based on true events that occurred at a school in Butler, Georgia. Originally debuting on the Lifetime network in 2006, this is the film's first DVD release.

A couple of the actors seemed a little out of place in their roles. Jason Lewis' beauty is a bit of a curse as he is seems only suited to play male models. As a high school teacher, his hair is just a bit too gelled and his chin seems a bit too molded. This may seem like an unfair evaluation but sometimes I think the casting director needs to be more aware of whether or not an actor looks right for the part and Mr. Lewis just didn't have the mien of “small Southern town.” I don't even recall if he had the correct accent come to think of it...

This is a biopic about two very obscure people whose relationship has escaped the attention of all but a select few. All kidding aside, what we have here is a dramatization of how the heir to the British throne (Nico Evers-Swindell) meets Kate Middleton (Camilla Luddington), and how their romance gradually blossoms. He arrives at university, and every blue-blooded young woman has him in her sights, but it is, naturally, the down-to-earth girl who draws him, the turning point being when she shows that she’s sexy as well as smart during a student fashion show. But the course of true love is not an easy one, especially with the pressures of the fishbowl life of royalty make themselves known.

If you’re wondering what on earth is the point of making a movie about something the entire planet has already feasted on (and is still doing so), then let me clear things up: there is no point. This is as bland a romance as was ever committed to film, hitting every tired cliché imaginable. Friends who discover they want to be more? Check. Bitchy Aristocrat Who Threatens to Steal the Heroine’s Man? Check. Third act falling out? Check. Last minute confession of love that saves everything? Check. Snore. The only tiny points of interest are the bits of unintentional comedy. So poor Ben Cross, in grotesque makeup, is stuck playing a Charles who is obviously about two feet shorter than the real thing. And do skip ahead to the final shot, where, after a montage of stock footage of African wildlife, William proposes against a hilariously fake sunset so whose colours are so supersaturated, the shot seems (but can’t possibly, can it?) to be echoing Gone with the Wind.

The Green River Killer was responsible for the deaths and disappearance of dozens of young girls during the 1980s. This two part miniseries, originally airing on the Lifetime network, chronicles the two decade long investigation made by Sheriff David Reichart.

Spread out over two episodes. The mystery plot can wear a bit thin at points and start to resemble a watered down TV police drama, but credit must be given for how the director recreated both the era it took place in, as well as the sense of sickening frustration the police felt for having spent so many years chasing one person. The grim realization these investigators have is that the only way they can gather more useful evidence is by having more bodies emerge in their search. The higher the body count, the greater their chances are that the killer will leave behind a piece of evidence they can use, taking into consideration that this was a time before our modern understanding and use of DNA evidence (a point that become the linchpin to the eventual apprehension the title of the film promises).

From beginning to end, the emotional impact of Prayers for Bobby will leave you reaching for a tissue.

The screenplay for Prayers for Bobby is from the biographical novel by Leroy Aarons about the Griffith family. Sigourney Weaver plays her role as the matriarch Mary Griffith perfectly. Mary Griffith (Sigourney Weaver) is a devout Christian who believes that by the power of God and of prayer, all problems have a solution. Mary and her husband, Robert Griffith (Henry Czerny), raise their children under a conservative religious perspective. Their young son, Bobby (Ryan Kelley), believes he is gay. For years, Bobby has dealt with confusion, inner turmoil, and shame. Naturally, he is terrified to tell his family. Bobby knows his secret will change the way his parents and siblings look at him forever.

Written by Dave Younger

A couple, Alex and Kate (Nicholas Shaw, Zoe Richards), has fallen asleep on the couch watching a movie.  Kate wakes up muttering, “Don’t open it.”  Someone rings the doorbell.  You know they shouldn’t open it.  It’s only David (Giles Alderson), a good friend, a little freaked out because he’s just discovered his girlfriend is cheating on him.  They agree to let him spend the night.  Bad idea.  He’s more than a little freaked: he can’t sleep, and he sees monsters.  We can’t see the monsters too well, but what we do see is reminiscent of the phantasmagoric creatures on The Outer Limits.  We’re mostly aware of them through sound – they make spectacularly creepy and eerie sounds – thumping, banging, screeching, and hissing combine with constantly unsettling music.

The Haunting of Sorority Row has one of those titles that, when you first hear it, you immediately make assumptions about. My initial assumption was that the movie might very well feature a house full of hot young girls in various stages of undress, acting all catty between pillow fights and being menaced by a supernatural entity of some kind. And then I looked down to the bottom of the dvd case and noted that this was produced by Lifetime. Wait, I thought, isn’t a horror movie by the Lifetime Network akin to Spike TV producing a Jane Austen film festival? Or Comedy Central hosting a David Cronenberg retrospective? Or Arts & Entertainment producing a reality show about a guy who traps raccoons….? Oh. Wait.

Never mind.

A surgeon named Michael Foster, played by Peter Gallagher, has his world turned upside down when his wife disappears one morning without a trace. Initially he suspected she was having an affair and ran away with another man, but as strange evidence gathers he soon realizes that she has been a part of a strange coven of witches and her disappearance might not have been her choice.

Originally airing on the Lifetime network, this film retains being separated into two parts on this DVD. Each part clocking in around the 90-minute mark, the first part can be a touch tedious as so little time was spent establishing the relationship between Foster and his missing wife that we have no reason to emotionally connect with the situation, aside from our hero's despair as he searches. As all the supporting characters, along with our desperate protagonist, come to accept the supernatural truth driving the plot, by the second part, the story finds a better pace and can hold your attention with more action and moments of tension.

A 911 operator returns to work after suffering the loss of her child during delivery, only to start suffering what seems like hallucinations of a lost girl and a menacing man. Obsessed with what she sees, she starts a journey from New York to Pennsylvania to discover the truth behind her visions.

Catherine Bell is solid as the lead but the supporting cast is less than stellar, placing the weight of the film onto her shoulders. Sadly, the pacing does nothing to help her. The building of this film's mystery could have been edited down to fit within a hour as if it were a prime-ime drama. Granted, the conclusion is interesting enough but the path getting there contains too many scenes of filler dialogue that seem only there to get it closer to a feature length of an hour and a half (which it still doesn't quite make). So all in all, Bell is largely left stranded while everytone else plods through the motions, and we the audience are left less than riveted (Fun Fact for Geeks: Keep an eye out for actor George Buza, who might be recognized from Sinbad or as the voice of Beast from the X-Men).

Grace, California is the kind of “small” town that all the young people wish to escape. Why? I suppose it is because they have ambitions for “greater” things. What are their ambitions while they have to stay? To be as catty and backstabbing as possible while living out a teen soap opera existence. Such is the groundwork for Seven Deadly Sins, a two-part mini-series created for the Lifetime network and based on a series of books of the same name. On this DVD the two parts are merged into a monstrous movie (clocking in at over 3 hours).

The story starts when a new girl arrives from Manhattan and uses the fact that she has designer merchandise and a snobby attitude to usurp the throne as coolest girl in school, all the while making a best friend out of the very girl she usurped. As the story progresses we are offered no more than the usual teen drama prattle of high school cliques, “who likes who” and “who betrayed who” which I frankly could care less about. Things do not perk my interest until a central character dies, only to have their ghost linger as the narrator and sometime provoker of events for her still living friends. It is through this implementation of the supernatural that the film desperately tries to tie in the “Seven Deadly Sins” theme, but it is VERY loose ties that it makes. Really, one should not come up with a provocative, albeit over-used, title first and worry about what it actually means to the story and characters second.

Written by Diane Tillis

Hush Little Baby is a direct-to-DVD film presented by the Lifetime television network. Already you can make assumptions as to the quality of the film and the heightened drama that is associated with all Lifetime films. Hush Little Baby is parallel to any horror film about a possessed child who torments his/her parents, minus any suspense or gore.