Posted in: Disc Reviews by Michael Durr on October 11th, 2007
Box Sets that compile older titles usually just make me cringe. Think about it. Recycled discs, tired old movies, and a fancy somewhat new box cover. In other words, I get to sleep for 4-5 hours and then wake up in a cold sweat wondering what happened. Alright; so that just sounds like my first honeymoon. Anyway, I happened to get the Partying 101 Boxset (because I am a wild and crazy guy) which featured Bio-Dome, Back to School and PCU. These are the old MGM discs from 8 to 10 years ago. Be afraid.
Bio-Dome is the story of two losers ala Bud (played by Pauly Shore) and Doyle (played by Stephen Baldwin) who are wasting away in their life and not being very eco-friendly. Their girlfriends who are more than eco-conscious try to convince them to turn over a new leaf. Soon, Bud and Doyle find themselves trapped in the new and ecological utopian Bio-Dome after one of them has to find somewhere to take a piss (I'm not making this up). For the next year they are trapped in this bubble with other scientists studying the effects. Well actually Bud and Doyle just cause mayhem and the scientists pick up after them. Of course they have a moment and a happy ending. Of course, I also have a gag reflex.
Posted in: Disc Reviews by David Annandale on October 11th, 2007
Apparently, someone out there really wanted to see another entry in the Species franchise, surely one of the most poorly conceived series ever. But here we go: Miranda (Helen Mattsson) is a college professor (yeah, right) who suddenly experiences a mysterious blackout, during which she transforms into monster in a rubber suit and slaughters the hospital staff. Her uncle, Ben Cross (no doubt dreaming sadly of the days when he starred in the likes of Chariots of Fire), reveals to her that the is in fact an alien/human hybrid, and the two set off to Mexico to find an ex-colleague of Cross’ who might be able to help. This unsavory sort has been making even more hybrids, which leads, in a roundabout way, to all kinds of trouble.
I say “roundabout” because this flick has one of the most infuriatingly meandering plots I’ve encountered in a quite some time. If you’re going to be a DTV B-picture, the least you could do is get to the point and stick with it, seeing things out in 90 minutes or less. But Species: The Awakening plods along for 103, first appearing to go in one direction, then another, but never mounting anything that resembles a head of steam. The inherent misogyny of the concept hasn’t been improved on, either. Colour this effort dismal, dated, depressing and dull.
Posted in: Disc Reviews by Gino Sassani on October 10th, 2007
For decades it was the doomsday scenario. Cold War Americans lived in almost constant fear that the Soviets might drop a nuke on us and begin Armageddon. It was unthinkable that a conventional invasion could reach our shores instead. Red Dawn stirred its own mushroom cloud of controversy when it reached theaters in August of 1984. While the Cold War was actually closer to its end than any of us might have suspected, Red Dawn entered our collective consciousness as a shock to a system that had for some time moved beyond the culture of fear those older than myself knew growing up. By the 1970’s the air raid sirens and classroom drills were no longer commonplace in American cities. Growing up in Eastern Pennsylvania, it was
Posted in: Disc Reviews by David Annandale on October 4th, 2007
Scientists Edward Pretorious (Ted Sorel) and Crawford Tillinghast (Jeffrey Coombs) successfully construct a machine (dubbed the “Resonator”) that links our world with another, hostile dimension. Pretorious gets his head bitten off by something summoned by the machine, while Tillinghast is incarcerated in an asylum. Psychiatrist Katherine McMichaels (Barbara Crampton) believes Tillinghast’s story when she discovers his pineal gland is growing enormously, and she has him released into her custody to recreate the experiment. Baaad idea.
Director Stuart Gordon’s follow-up to Re-Animator ups the gore and mutated flesh aspect, and in this uncut version, we at last get to see Coombs sucking Carolyn Purdy-Gordon’s brain out of her eye-socket, among other gruesome delights. There are plenty of distorted monstrosities on display, too, and the film certainly benefits from an enthusiastic commitment to its material. But Gordon, despite his great love for Lovecraft’s material, has always struck me as not quite having the right temperament to really capture Lovecraft’s spirit. He comes close in Dagon, but there, as here, he coaches performances that are pitched far too broadly, and gets carried away, not just with the sex and gore (which isn’t necessarily a problem), but with the equally broad humour such that the movie never really captures the true cosmic terror of Lovecraft’s tales. (In the Mouth of Madness is much more successful in this regard.) So, while this film doesn’t quite work, it is still huge fun.
Posted in: Disc Reviews by David Annandale on September 20th, 2007
It’s back, yet again, and looking for more brains. Dan O’Bannon’s lively zombie comedy tells the tale of a toxic spill reanimating corpses who, not content with wanting to eat your brains, are going to give you lip about it at the same time. Notable for its mix of horror, punk rock, gore, humour and nudity (this is the film that established Linnea Quigley as a horror starlet), the film has since been bested in terms of wit and gore by both Dead/Alive and Shaun of the Dead, but it was there first, and remains great fun. Never having caught the film in the theatres, I haven’t noticed anything amiss with the soundtrack, but the chatter out there among the film’s fans lets it be known that some of the songs have been truncated, so be warned on that front. Otherwise, have a blast.
Audio
Posted in: Disc Reviews by Archive Authors on September 18th, 2007
As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?
Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.
Posted in: Disc Reviews by Archive Authors on September 18th, 2007
Looking for romance? This three-movie collection from MGM likes long walks on the beach, candle-light dinners and formulaic plots. The films have been around a while, but a fresh new look makes this set an attractive option.
As is usually the case for common-theme boxed sets, Romance 101 includes one stinker, one hit and one older gem you probably forgot about years ago. The movies aren't the greatest examples of the genre, but the studio sweetens the deal, offering you three films for the price of one new-release DVD. Hit the jump for a rundown of these three discs.
Posted in: Disc Reviews by David Annandale on September 13th, 2007
The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified. As punishment, I’m cutting the film’s star rating in half, not to reflect on Cuarón’s work, but on what has been done to it. The unrated version is out there, released at the same time as this. Track it down instead.
Audio
Posted in: Disc Reviews by Archive Authors on September 12th, 2007
At long last, we've received the two greatest films of the 80's on DVD. Finally. Ok, maybe not the greatest films - they're ok at best - but this is the first time they've been released on DVD. Wait, that's not true either. Desperately Seeking Susan, Madonna's sixth best movie, hit the streets on DVD in 2000. And Something Wild, one of the answers to "what was Johnathan Demme doing before Silence of the Lambs?" has been available since 2001.
So what's special about this Totally Awesome 80s Double Feature? Shelf space. You can fit two films in one spot, thanks to MGM's efficient packaging.
Posted in: Disc Reviews by Archive Authors on September 10th, 2007
Would you believe me if I told you a nature documentary was responsible for the advent of the summer blockbuster? Common film lore says Steven Spielberg's Jaws was the first of the now familiar summer smashes. Jaws was based Peter Benchley's book of the same name. Benchley was inspired by Blue Water, White Death, a groundbreaking documentary film about divers on a nine-month expedition to seek out, film and swim with a Great White Shark.
That's one reason you should watch Blue Water, White Death. There are easily a hundred more.
