Posted in: Disc Reviews by Jeremy Butler on September 7th, 2023
"If we're going to do this, there's a lot I'm going to have to explain to you."
Been waiting on this one for some time, ever since we were introduced to the character in the Justice League movie and it was announced that the film would cover the Flashpoint Paradox storyline, which is one of my favorite comic storylines. My enthusiasm was tempered a bit with the film being delayed and the actor’s subsequent troubles (for the purposes of staying on the topic at hand, that will be my only mention of that situation). However, it is finally here, and after viewing it I can say that it was well done and well received. It is also a bit bittersweet, as it signifies the conclusion of the DCEU as we know it. While I have complete confidence that the future of DC is safe in James Gunn’s hands, it is difficult to say farewell to the only thing that we’ve known since Cavill first donned the suit. Back on topic: in my opinion, while this adaptation does have some slight deviations from the source material, I can confidently say that the film does the source material justice (pun intended).
Posted in: Disc Reviews by Michael Durr on September 2nd, 2023
I probably could be called a lot of things, some kind and some not so kind. But the one thing that probably most people would say about me is that I'm loyal. Loyal to my job, loyal to my wife, loyal to my son. However, in my life, I have certainly felt the pain of disloyalty, even to the point of infidelity. Despite what people might say or think, you never quite expect it, and furthermore one can't predict how you might feel or act given the situation. Today's movie Three into Two Won't Go explores the idea of what happens when a man cheats on his wife with another woman. However, this woman stays around long after the fact and continues to press into his everyday life until it becomes unbearable. Let's take a look.
Steve Howard (played by Rod Steiger) is driving down the road listening to some bumpy and festive music while the credits roll. He's finger-waving and whistling and generally having a good time. All of a sudden, he sees a 19-year-old girl named Ella Patterson (played by Judy Geeson) hitchhiking on the side of the road. He stops the car, and honks for her to walk to the car. She stands her ground, and eventually Steve backs up and lets her inside.
Posted in: Disc Reviews by Michael Durr on August 29th, 2023
Typically, I avoid World War II period films like the plague. I literally see the word Nazi or German occupation and usually find a reason not to see the movie. I have nothing against the pictures; the problem is that so many of these films are surrounded in clichés that it feels like an old hat with nothing new to offer. However, when I saw The Day and the Hour in my review pile, I was intrigued by the notion of it being in France with a female lead and something of a romance. Far different from the usual pow pow, war is heck, or a film that's going to have buckets and buckets of tears and worrying about the human condition. Though from the looks of things, this one might have some waterworks too. Let's take a look.
1944, the Germans have occupied France. We open the film to a newspaper clipping. The German police have proof that three crew members on an enemy plane that was recently shot down are hiding in the Rethel commune region. Their names are Allen Morley, Pat Riley, and Norman Thompson. Anyone who is helping them is subject to punishment up to and including death.
Posted in: Disc Reviews by Michael Durr on August 23rd, 2023
I'm a sucker for clever movie titles. The best example I can think off the top of my head is I'm Gonna Git You Sucka. Or perhaps you need something from yesteryear, like Bring Me the Head of Alfredo Garcia or They Shoot Horses, Don't They? Along the lines of Sucka, we can't also forget about Don't Be A Menace to South Central While Drinking Your Juice in the Hood or The Assassination of Jesse James by the Coward Robert Ford. So imagine my surprise when I saw the title of today's movie and jumped at the chance to provide a review. Hopefully it is as good as the title suggests.
We get some light orchestral music (score by Stu Phillips) as the credits roll. After the credits, we are taken to a prison where we listen to an inmate tell a story about his alcoholic father who would drink vanilla extract when he couldn't find something stronger to drink. Therefore, he always associated his father with the smell of vanilla extract, and he couldn't stand the scent. Perhaps we should move on to another story.
Posted in: Disc Reviews by Michael Durr on August 18th, 2023
Some of my fondest memories growing up were those of my Polish grandmother and visiting her in New York for a week or two during the summer. It was so different than when I was with my parents in North Carolina. From the living arrangements to actually having a real basement to the subway itself, it was almost surreal in a very urban type way. Then everyone seemingly moved to Texas, including our family, and all of the innocence was lost. Today's movie is Gloria, a movie set in New York where a six-year-old Puerto Rican kid loses his innocence as his family is gunned down by the mob. The only thing he has to cling to is a friend of the family named Gloria who has a few special skills of her own. Let's check it out.
We are introduced to that funky saxophone with some bad opera singing (let's not pretend). During the credits we are shown the artistic talents of one Romare Bearden before eventually giving us our first view of the New York City landscape at night. We get to see Yankee Stadium, the Statue of Liberty, and either the Washington Bridge or the Brooklyn Bridge (I apologize; it's been a while since I've been in New York).
Posted in: Disc Reviews by Gino Sassani on August 18th, 2023
"It's always open season on princesses."
Roman Holiday is one of those classic films that had an extremely hard time getting made. Frank Capra had the rights to the story for several years. Most of what he had was based on a screenplay by Dalton Trumbo, but that was extremely problematic, as Trumbo was one of the original Hollywood Ten and was blacklisted. They were a group of Hollywood people who refused to answer questions before the Joe McCarthy-led House Un-American Activities Committee that was pretty much rooting out communist with little regard to whether they were there or not. The committee ruined thousands of lives, and in 1947 the group had turned their attention toward Hollywood. Many played along by attending the hearings, and some even passed on names of others to avoid trouble for themselves. The Hollywood Ten stood up to the madness, and it got them blacklisted. They couldn't work for any studio in the country. That meant Trumbo could not be given credit for his screenplay, and it was Ian McLellan Hunter who acted as a beard for Trumbo and took the credit and sold the rights to Frank Capra, who planned on directing the film with Gary Cooper and Elizabeth Taylor in 1949. By then at least eight other writers took shots at revisions, and the piece truly suffered under the "too many cooks" situation. The budget appeared to skyrocket, and Capra ended up selling it to Paramount for $35,000. Paramount also spent too much money and time going through various rewrites. Finally the project ended up with William Wyler, who went back to pretty much the script that Trumbo wrote under Hunter's name, and in 1991, Trumbo's writing credit was deservedly restored.
Posted in: Disc Reviews by Gino Sassani on August 17th, 2023
"In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough-and-tumble fishing port of Monterey, fifteen miles away It's 1917 just outside of Monterey."
James Dean was somewhat of a brief candle. Very much like Marylin Monroe, he came upon Hollywood so bright and hot only to burn for a short time. And while Norma Jean had a few good years in which to shine, Dean would have less than a handful. In those few years he made three incredible films. His last was Giant, and before that was perhaps his best known, Rebel Without A Cause. East Of Eden was the first of this trilogy of films that would pretty much make up the career of James Dean. All three films were made in the years 1955-1956, and just as suddenly as Dean had come upon the scene, billed as the next Marlon Brando, he was gone. One car ride into eternity and it was all over just as it had begun: Explosive and brief. Through Warner Brothers 100 years of movies restoration and release celebration, we have already seen and reviewed Giant and Rebel Without A Cause. Now the trilogy is complete in the place where it began: Elia Kazan's masterpiece, East Of Eden.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2023
"Man gets shot that's got a gun, there's room for reasonable doubt. Man gets shot that hasn't got a gun, what would you call it? But, you knew that already; otherwise you wouldn't have set things up the way you did."
Rio Bravo (1959) stars John Wayne as John T. Chance, a small-town sheriff facing the fight of his life. His town is infected by a gang of 30-40 men, professional bad guys on the payroll of Nathan Burdette (John Russell), whose brother, Joe, Chance has locked up for murder. Burdette is dead-set on freeing Joe, and the only help Chance has got is his former deputy, Dude (Dean Martin), who’s been drunk for two years since he got involved with the wrong kind of woman, and Stumpy (Walter Brennan), an old, trigger-happy cripple. The trio has six days until the U.S. Marshall comes to collect Joe, but that’s a long time to wait when you’re surrounded by the enemy.
Posted in: Disc Reviews by Gino Sassani on July 21st, 2023
"Beware of false prophets, which come to you in sheep's clothing, but inwardly they are ravening wolves. Ye shall know them by their fruits."
Charles Laughton is known primarily as an actor. He starred in several classics such as Spartacus, Witness For The Prosecution, and the title role in I, Claudius. He was the titular character in a remake of Lon Chaney, Sr's The Hunchback Of Notre Dame. He was the cruel Captain Bligh in Mutiny On The Bounty and the evolutionary mad scientist in Island Of Lost Souls with Bela Lugosi which was based on the H.G. Wells novel The island Of Dr. Moreau and happens to be my favorite of his films. He married the Bride of Frankenstein herself, Elsa Lanchester, in one of those rare Hollywood pairings that lasted from 1929 until death did they part in 1962. They were a kind of royal couple for a while, giving some of the era's most iconic parties. He was quite an accomplished man when he died too soon at 63. The unfortunate story about his life has to be the fact that he directed only one film. It was a truly remarkable turn in the director's chair, but sadly in an industry that seeks instant gratification in terms of box office numbers, it was a commercial failure. But that film has stood the test of time, and is taught in film classes across the world, an appreciation that came far too late for any chance to see what else he could have done. But thanks to KL Classics, that film has been restored and delivered to our homes in glorious 4K via the UHD Blu-ray release of The Night Of The Hunter.
Posted in: Disc Reviews by Brent Lorentson on July 8th, 2023
For me it’s crazy to see that The Truman Show is turning 25 years old. I was graduating high school when this had come out, and television was just an entirely different landscape back then. In 1998 when this film came out, the only reality shows were pretty much COPS and then The Real World on MTV, I really don’t believe anyone could have expected just how big reality TV would become. The same year in competition for box office dollars was Ed TV. Oddly enough, Ed TV would be a little closer to the mark on what the reality TV landscape would look like, taking a regular guy and making him a star overnight because he was on TV. The Truman Show I always felt was the superior film in just about every aspect. In many ways it is what I had hoped reality TV could be, but unfortunately it seems what viewers wanted in their reality programming was something more scandalous and absurd, more akin to a Jerry Springer episode than someone living in an idyllic world that was out of an episode of Ozzie and Harriet or Leave It To Beaver.
Jim Carrey stars as Truman Burbank, an insurance salesman who lives in an idyllic white-picket-fence town and is just living his life. The only the problem is, the world he lives in is not real; it’s all manufactured, and he’s really living in the world’s largest television studio, and everyone around him is acting, all because the reality is Truman is unknowingly the star of the world’s biggest reality show. This was such a departure for Jim Carrey. At the time he was the biggest comedy star on the screen and was known for being over the top and playing larger-than-life characters, but the role of Truman required him to be toned and down and seem even boring. The result is perhaps his most enduring performance to date (or at least tied with his massively underappreciated film, The Majestic).
