Posted in: Disc Reviews by Gino Sassani on May 24th, 2023
"He was here before Christ, before civilization. He was king here! Rawhead, that's what they called him! Rawhead!"
Rawhead Rex started life as one of many stories in a young Clive Barker’s published collection called The Books Of Blood. As a story it has been hailed by the likes of Stephen King as one of the best horror stories ever written. I'm not sure I would go anywhere near that far, but there's little doubt it's a well-crafted horror tale. I read it years ago and recall that I was quite impressed. The movie version of the story is something else entirely. It fails on really one important element, and that's the design of Rawhead himself. It's one of the worst-looking film monsters I've ever seen. It's a cross between an ape and a clown without the colorful make-up, and the young actor that brought him to life did anything but.
Posted in: Disc Reviews by Brent Lorentson on May 24th, 2023
When Superman was first introduced to us, it was in Action Comics #1 back in 1938 from the writer Jerry Siegel and the artist Joe Shuster. Since then the character has become a cultural phenomenon that’s been featured in just about every form of media from radio shows, TV shows, cartoons, movies, and everything else in between. The character has evolved quite a bit since those early comic book days, and one of the characters biggest evolutions came with the Max Fleischer cartoon series. It was 17 animated short films that played in theaters before the feature film began, but these short films would draw in audiences that wanted to see this caped hero and his amazing adventures
Posted in: Disc Reviews by Jeremy Butler on May 23rd, 2023
I would be remiss in my duties if I didn’t address the elephant in the room first. For the first time in the nearly 50-year history of this franchise, Sylvester Stallone was not featured in the film as Rocky Balboa. We could delve into the reasons behind why he elected not to take part in this installment, but that would be a review in itself and take away from this film. I mention it off the bat, so we can all process it and view the film with clarity. Long story short, I will say that his absence was noticed, and he was missed. I think his absence is notable due to the lack of an explanation as to his absence. I suppose the film being set in Los Angeles instead of Rocky’s native Philadelphia is meant to serve as a workaround, but still, I’d hope for some kind of explanation or at least a casual mentioning of the character. The lack thereof is what really drew attention to it. To be fair, the case can be made that that the previous film provided a pretty good conclusion for the Rocky chapters of the franchise. His finally making the trip to meet his grandchild was good catharsis for the character. What this means for the future of the franchise now I will not speculate; only to say that there is nothing saying that we’ve seen the last of Rocky. Now that we’ve gotten that out of the way, we can concentrate on fairly assessing Creed III.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2023
The 1978 Superman film set the standard for what a quality comic hero film should be. The tagline promise: “You will believe a man can fly” was kept. All future comic films would be judged by this standard. Superman II had its faults. Certainly it was not the modern classic like the first film. The plot was bogged down with a rather silly love story that broke down the barriers of the Kent/Superman identity for Lois Lane. Luthor, while played again with style by Gene Hackman, is reduced to a comedic backseat to the real villains. Plot contrivances abound, along with plenty of corny lines. Yet, even with these limitations, this has always been a rather enjoyable film, particularly when compared to the dreadful sequels that followed
Posted in: Disc Reviews by Brent Lorentson on May 22nd, 2023
I’ll admit it; when it comes to Netflix, I’m a fan of the shows that they put out, but their movies rarely impress me. I kind of look at Netflix films as the modern version of direct-to-video releases. They have big stars, but the quality just isn’t up to par with the big releases you’ll see in the theater. Even big name stuff like The Irishman -- it was good, but not the masterpiece I was expecting. Honestly, my favorite films on Netflix are The Babysitter films with Samara Weaving, just a fun little film, that is basically the kind of expectations I have for a Netflix film, and even the more recent release of We Have a Ghost I thought was charming and may have done well on the big screen. As for Knives Out 2, fun but forgettable. So when I see films from the streaming service get Oscar nominations and even win, I can’t but feel the need to pull the wax out of my ears and make sure I heard that right.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2023
"We watched as the bombs shattered the second comet into a million pieces of ice and rock that burned harmlessly in our atmosphere and lit up the sky for an hour. Still, we were left with the devastation of the first. The waters reached as far inland as the Ohio and Tennessee Valleys. It washed away farms and towns, forests and skyscrapers. But the waters receded. The wave hit Europe and Africa too. Millions were lost, and countless more left homeless. But the waters receded. Cities fall, but they are rebuilt. And heroes die, but they are remembered. We honor them with every brick we lay, with every field we sow, with every child we comfort, and then teach to rejoice in what we have been re-given. Our planet. Our home. So now, let us begin."
It all started when Steven King wanted to remake the sci-fi cult classic When Worlds Collide. These films must have been favorites to him, as he would indeed go on to remake George Pal's better known film War Of The Worlds and the Robert Wise classic The Day The Earth Stood Still. But it just never really happened for When Worlds Collide, at least not directly.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2023
"All my life I wanted to be a cop, you know. It's like I can remember nothing else. I remember this one time somethin' happened. A domestic argument or somethin'. Somebody stabbed somebody or somethin'. And -- there was this crowd around this tenement. I must have been nine, ten years old. I was this big. I went over to see what was going on. I noticed the red light -- goin' around and around, all these people, and I couldn't see. And I kept saying, ‘Do you know what's goin' on? Do you know?’ Nobody knew. It was like a big mystery behind that -- that crowd there. All of a sudden, the crowd just parted. Like the Red Sea, you see? And there were these guys in blue, and I said, ‘They know.’ What do they know? What do they know?”
Frank Serpico was a New York City cop in the 1960's and early 1970's.
Posted in: No Huddle Reviews by Michael Durr on May 10th, 2023
One of my favorite movies of all time is Se7en. Morgan Freeman, Brad Pitt, and Kevin Spacey star in this amazing film about a senior and rookie pair of cops on the hunt for a serial killer who is murdering victims depicting the seven deadly sins. It's so breathtaking, and so long overdue for a 4K release, it's ridiculous. It has also led me when I receive packages to blurt out, "What's in the box?" in the deadpan tone that Brad Pitt uses in the movie. So naturally, whenever I hear of a film that draws comparisons to this fine film, my head certainly does a double take. Enter Hinterland. In this film, Peter Perg who just came home after World War I, is searching for a serial killer who is taking out former soldiers in a very ritualistic pattern. Let's check it out.
Posted in: Disc Reviews by Brent Lorentson on May 9th, 2023
I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials I wasn’t all that thrilled. I’d never read the -adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it played a role in squashing any excitement I may have had in different circumstances. I was definitely pessimistic about watching the show, but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series.
Posted in: No Huddle Reviews by Michael Durr on May 8th, 2023
Films about World War II and Nazism are hard for me to watch. No matter how well-intentioned they may be, I can barely make it through Schindler's List or Dunkirk or even something like Inglorious Bastards (I do, however, find The Producers to be hilarious). Most of the time, it hits a little too close to home. For you see, my Polish grandfather (may he rest in peace), his parents were taken away to a concentration camp. So anytime I watch a film set in that time period, I think, well, what if he had been taken away. It's not like those horrible people showed any sort of restraint on children, and then where would my grandfather be? Or my mother? Or myself? Anyway, I got lured into Chess Story by the promise of a thriller with the game of chess as the backdrop. Unfortunately, by the end I was reminded of the horror, but also that there is still great modern moviemaking even with Nazis. Let's take a look.
