Posted in: Disc Reviews by Gino Sassani on October 18th, 2011
"This is a simple story, but not an easy one to tell. Like a fable, there is sorrow. And, like a fable, it is full of wonder and happiness."
Roberto Benigni has been somewhat of a staple in Italian cinema for nearly 40 years. He has a solid reputation not only as a talented actor but as a writer and director, as well. He has been known mostly for his comedy, and that's exactly how many people see Life Is Beautiful. On first glance you might read the description and be somewhat skeptical about watching a comedy about the Jewish Concentration Camps during World War II. But Benigni manages to mix just the right amount of whimsical comedy into a very serious backdrop. It isn't very easy, and I know of only a handful of cases where serious material has successfully translated into comedy. Hogan's Heroes and M*A*S*H stand out as notable examples.
Posted in: Disc Reviews by M. W. Phillips on October 16th, 2011
“Rush Week just became Death Week!”
Let me say first off that director Alex Pucci knows something about production values. For a film shot on Super 16mm for a reported budget of around $1 million, Pucci delivered a film that looks and sounds far more expensive. Reportedly attempting to be a homage to the seventies grindhouse slasher/revenge flicks, Pucci’s focus on detail is amazing, even if his seventies period piece comes with a few anachronisms.
Posted in: No Huddle Reviews by Archive Authors on October 15th, 2011
By Natasha Samreny
South of Heaven carried far too much violence and gore for me to look past. Maybe enjoy isn't the best word, but I had a hard time stomaching and therefore appreciating the film fully because of its nature. If you're not a fan of such horror movies, even with beautiful design, cinematography and acting elements, don't watch this.
Posted in: Disc Reviews by M. W. Phillips on October 15th, 2011
“I find that the only way to get through life is to picture myself in an entirely disconnected reality.”
15 year old Welsh schoolboy Oliver Tate (Craig Roberts) has an amazing amount of self esteem for a kid his age. He fantasizes about his own funeral and the tragic impact it would have on his community and Wales in general. In reality, Oliver is severely socially retarded and unpopular. His mother, Jill (Sally Hawkins) is a neurotic, frustrated housewife, and his father, Lloyd (Noah Taylor) a bipolar marine biologist. His two goals for the summer are to lose his virginity (while it is still illegal) and save his parents’ marriage from reintroduction of one of his mum’s former flames, Graham (Paddy Considine), a lecherous, self-help scam artist. Somehow, against his best efforts to sabotage the courtship, he meets and falls for fellow quirky class mate, Jordana (Yasmin Paige). She quickly takes control and leads him on his coming of age summer tour.
Posted in: Disc Reviews by M. W. Phillips on October 14th, 2011
“You have the right to remain silent... forever!”
Maniac Cop is a movie that has all the elements of being a cult classic.
Posted in: Disc Reviews by Michael Durr on October 14th, 2011
For those who do not know, I am not a typical sports fan. I primarily watch three sports, none of which are football. I love me some wrestling, hockey, and the legendary sport of baseball. The Phillies have been my team for over 30 years and even though they took it hard this year in the playoffs, I look forward to more baseball in the years to come. I also appreciate the history of baseball so I was certainly curious to see a couple of great Red Sox teams come to Blu-Ray in this A&E presentation.
The 2004 Boston Red Sox (narrated by Dennis Leary) were expected to do some great things right out of the gate in spring training. But this was the Red Sox we were talking about, they had the curse of the Bambino to contend with for the last eighty-six years. They had failed at every opportunity, even years when it looked like a sure thing that the Red Sox were going to get the big one. But this year was poised to be different from the very start.
Posted in: No Huddle Reviews by Archive Authors on October 13th, 2011
By Natasha Samreny
In a world where people still got land-line phone calls in restaurants and $1 cocktails were considered expensive, Boris Karloff is detective James Lee Wong. Better known as Mr. Wong, the Chinese sleuth is based on author Charles Wiley's mystery series character. In Doomed to Die, Wong works the case of a shipping magnate's mysterious death.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2011
"From the day we arrive on the planet and blinking, step into the sun, there's more to see than can ever be seen. More to do than can ever be done. There's far too much to take in here. More to find than can ever be found..."
There's a period in the 1990's that has often been referred to as the second golden age of Disney animation. The studio had fallen from its once mighty perch, and most film historians tend to agree there was a creative dark ages through the 1980's. But the renaissance of the studio began with Aladdin in 1992 would go on to include such tremendous classics as Beauty And The Beast and The Little Mermaid. None of these films speak to the resurgence of the animated feature like The Lion King. The film set every animated record there was and holds some of those box office records today. It can be safely stated that the great flood of animated projects that followed can be traced to the impact of The Lion King. In 1996 Simba was the most popular name chosen for new housecats. Elton John saw his appeal extend to children, and there could be no mistake that the animated feature was back.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2011
Stop me if you've heard any of this before. Peter Jackson directs a horror film that has an expedition going to Skull Island to retrieve a horrific primate. Of course, you might now be expecting a review of Jackson's remake of King Kong. But the primate here is something called a rat monkey, and it only figures into the film's early moments. Long before Jackson achieved household name status by taking us on a journey to Middle Earth, he was a small filmmaker with no less grand designs.
Dead Alive has become one of those cult films that has managed to keep strong legs for many years, long after the director has gone on to far more successful projects. One of the things that has made Peter Jackson as good as he's been even on big-budget films is the fact that he's like a kid in a candy store. He appears to absolutely love making films, and that's certainly evident on the Rings films. But it's also very evident here as well. Jackson demonstrates his love for such greats as Ray Harryhausen with some rather nice stop-motion work here and a few direct nods to the master. The stop-motion effects are quite obvious, but they are also quite fun and entertaining. Dead Alive is a bloody good time...literally.
Posted in: Disc Reviews by Michael Durr on October 11th, 2011
The more I get into this review writing gig (I say this like I just started writing movie reviews last week when it’s been half a dozen years), the more I appreciate foreign films. I am no longer afraid of subtitles, culturally sensitive sub-plots, or the use of specific foreign mythological creatures as supporting characters. I am not even sure what I just said. Anyway, we have an interesting foreign film to review today entitled “Sin Yan” or more commonly known by the American title as Stool Pigeon.
We are in Hong Kong, manufacturing side of town. A couple of vans pull up along with a Jeep. Inside the Jeep is Inspector Don Lee (played by Nick Cheung) awaiting to make an arrest. Meanwhile, in a nearby warehouse we lay witness to a drug deal masterminded by mob boss Marco (played by Vincent Wan Yeung-Ming). Lee’s informant, Jabber (played by Liu Kai-chi) is on the inside and waits patiently for the police to make their move.