Posted in: Disc Reviews by William O'Donnell on October 5th, 2011
Previously on this site I had reviewed Season 4 of this legendary program (https://upcomingdiscs.com/2010/10/15/gunsmoke-season-4-volume-1/) and Season 5 still predates the major changes that occurred over this show's 20 year run, primarily consisting of supporting cast changes so that review can just about double as fair coverage of this season as well; which I hope conveys a testament to this show's consistency of quality and not to my personal laziness as a writer. Indeed, this season continues to provide entertaining evidence as to why this show lasted so long and remains beloved to this day.
James Arness' Marshall Matt Dillon keeps a stern, watchful eye on the city of Dodge. The stakes were always high in each episode's adventure, and any slip up, be you a hero or villain, could cost you your life. Being a production from the late 1950s we do deal with more than a few character stereotypes. The gypsies are devious, the natives are primitive, and the white yokels are frighteningly ignorant and violent. Dillon, as the final word of the law in all situations, makes a decent mediator and remains without prejudice so long as you keep on the happy side of his law...or you end up on the business end of his gun in many cases
Posted in: Disc Reviews by M. W. Phillips on October 5th, 2011
“It's worse than I thought, but it's even worse upstairs… It’s dangerous. Do not go there.”
Uruguayan director Gustavo Hernández claims to have shot the first 78 minutes of The Silent House in one continuous unbroken take. Personally, I don’t believe that to be true, as there are plenty of times the camera goes to black passing furniture or into shadows which could hide a cut, but he does pull off the illusion with some incredibly long uninterrupted shots, and that is very impressive indeed.
Posted in: Disc Reviews by Michael Durr on October 4th, 2011
It is concert time folks and I got another good from the folks at Eagle Rock Entertainment. Hope my audience today likes the Eighties rock and roll because we got a doozie of a band tonight. They are The Pretenders famous for such songs as Message of Love and Back on the Chain Gang. Like many bands of their time, they are formed from the heart of England but they have fully embraced the American way. But without further adieu, let's go to the Wiltern Theatre in Los Angeles. Maybe they can “Bring out the Biker” in all of us (once I figure out what that means).
The Pretenders were formed in 1978 out of Hereford, England. The original lineup consisted of Chrissie Hynde as lead singer and on rhythm guitar, James Honeyman-Scott on lead guitar, Pete Farndon on bass and Martin Chambers on drums. They were named after the Platter's song The Great Pretender and would go on to release their first album (self-titled) in the beginning of 1980. It would eventually reach platinum but take over two years to do so.
Posted in: Disc Reviews by Archive Authors on October 4th, 2011
Written by John Delia
The action thriller Fast Five with its hot rod theme leaves the past four episodes of Fast & Furious in the dust. Now on Blu-ray the high-on-energy, exhilarating plot and amazing chase scenes make this a must-see adrenaline pumper. Within the opening 20 minutes it gets so wild it took my breath away.
Posted in: Disc Reviews by M. W. Phillips on October 4th, 2011
“I am in the oldest profession in the world.”
Ray (Thomas Jane) is a middle-aged divorcee knocked to his knees by the recession. His home is fire-damaged, he lives in a tent in his backyard, the school he works for as a coach keeps slashing his department’s funding and threatening layoffs, he’s still in love with his neurotic ex-wife, Jessica (Anne Heche) and is struggling as a single father to raise social-misfit teen twins, Damon (Charlie Saxton) and Darby (Sianoa Smit-McPhee). In Season One, he met Tanya (Jane Adams) and she convinced him to use his natural gifts (read well-endowed penis) as a male prostitute with her and her sociopathic frenemy, Lenore (Rebecca Creskoff) as his pimps. Together they would be “Happiness Consultants”, bringing joy to lonely, middle-aged women around Detroit.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2011
"New York City 1958: In these concrete canyons, everybody's got an angle. The beauty with the sob story who killed her old man. The harmless geezer who's in bed with the mob. The kidnapped broad who's really a fraud. When a case gets too twisted for the cops, only one man can straighten it out: two-fisted gumshoe Mike Hammer."
My earliest memories of Darren McGavin are the tough reporter that stumbled upon supernatural creatures in Kolchak: The Night Stalker. That short-lived series had a huge impact on the likes of Chris Carter and would inspire shows like The X-Files and Supernatural. But Darren McGavin was already a steady veteran of television screens long before his Chicago reporter staked his first vampire. He first came into American living rooms in the 1950's as Mickey Spillane's fast-talking film noir detective Mike Hammer. As Mike Hammer he would influence another entirely different genre of television shows. There would be no James Rockford or Magnum PI without him. The character would reappear decades later with Stacey Keach in the title role, but if you want to know what makes the classic television detective tick, you have to go back to the source. A&E just made that possible, and you won't need a Delorean equipped with the optional flux capacitor to do it.
Posted in: Disc Reviews by Michael Durr on September 30th, 2011
John Candy has always been one of my favorite movie comedians. Something about Candy, regardless of whether he was doing a sketch in SCTV, playing Uncle Buck, or a private investigator in Who’s Harry Crumb, he just seems like a guy that is the friendly uncle everybody loves. It could be the meanest character on paper but he comes across as a big teddy bear. Today, we explore a title called Planes, Trains and Automobiles. He plays a Shower Ring salesman, that sounds like a teddy bear to me.
New York City, two days before Thanksgiving. Neal Page (played by Steve Martin) is busy waiting on his boss to make a decision about which cosmetics ad to go with. The guy just can’t make up his mind and Neal has a 6:00 plane ride to Chicago to catch. Finally Neal is able to leave and runs out the door and goes down the elevator out to the street. There is a very long line to deal with to get a cab and it looks like Mr. Page is going nowhere fast.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2011
Leslie Nielsen was once a serious actor. He starred in one of the most important science fiction films ever made, Forbidden Planet. He was a staple on the 1950’s television dramas. His unique features and voice made him a busy character actor all the way until the 1980’s. That’s when the cornball kings Jim Abrahams, David Zucker, and Jerry Zucker cast him as the “don’t call me Shirley” Dr. Rumack in Airplane. From that moment on Nielsen went from being a serious actor to becoming the face of an entire comedy genre of corny films. If there was a subject to spoof throughout the 80’s and 90’s, you could count on Leslie Nielsen having a prominent role. Two years after Airplane he had a television series, for all of 6 episodes. It was a cop show spoof called Police Squad. In the show he stared as Detective Frank Drebin, a modern day Inspector Clouseau. He would bumble his way through the show’s unique cases, always finding a way to stumble on the solution. The only case he couldn’t crack was how to get people to watch the show. The brand of humor that Nielsen is now famous for has a very narrow niche. You either get it or you don’t. You either like it or you don’t, and most of America decidedly didn’t.
So what do you do with a miserably failed television show that ran just 6 episodes? You make it into a series of major motion pictures, that’s what you do. Six years after the series was gone and forgotten, the Abrahams/Zucker team decided to take it to the medium they’ve had so much success in already. What didn’t work at all on television appeared to have new life at the box office. The film brought in an impressive $79 million, which was a phenomenal number for a comedy in 1988. It went on to become the 8th highest grossing film of 1988. With a production budget of only about $20 million, this was a cash cow Paramount couldn’t afford not to milk. They did indeed go to the well twice more, with the bottom falling out on the third try. The audiences loved it, but they could only take so much.
Posted in: Disc Reviews by Archive Authors on September 30th, 2011
The spoof film means something different to audiences today than it did in the early 80s. Anything, if done enough times over, starts to become stale. For instance, the first Scary Movie, while having a couple of really lame scenes, was actually pretty funny overall. With each sequel, however, came diminished returns. At this point, I wouldn’t be surprised to see a film that spoofs spoof films (though I’m not sure how one would do that).
Airplane!, however, was the first of the genre. Not only that, but the argument could also be made that it is the best. This film, from the people responsible for the hilarious Kentucky Fried Movie, was a send-up of the popular airplane disaster films of the 60s and 70s. At the time, nobody really knew how to do a film like this, or even how to describe it. In fact, it was pitched to the studio as “Animal House on an airplane”, which of course it was not. However, the studio bought in to the idea, and a comedy classic was born.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2011
The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.
The show does share some of the qualities that have become traditional essentials for the CSI franchise. Each opens with a song from The Who. I was bummed to hear that the original selection for New York was Behind Blue Eyes, one of my favorite Townsend compositions. It would have been a far better selection. New York has the same narrative style, which usually allows for an “A” crime and a “B” crime. The mandatory lab montages are intact, as are the CGI recreations of some of the internal body demonstrations. The show, like the others, focuses on the CSI team. Gone this season is Detective Stella Bonasara (Kanakaredes). In her place Sela Ward joins the cast as former FBI Agent Jo Danville. She specializes in the mental aspects of the crime. She's the team's answer to a behavior science unit and works closely with Mac. Detective Danny Messer (Giovinazzo) is all New York from the accent to his habits. He’s the kind of tough no nonsense New Yorker from an ethnic Italian hood who, you get a sense, could have just as easily gone the other way in the world of real-life cops and robbers. He's married to Detective Lindsay Monroe (Belknap), often called Montana, a country girl adjusting to the big city. Messer often looks after her like a sister, and these two have developed another of the show’s good character chemistries together. Now they have a kid and the relationship has taken another step in its evolution. Dr. Hawkes (Harper) started the series as the medical examiner, but now works as a CSI detective. Dr. Sid Hammerback (Joy) took over the medical examiner duties when Hawkes left. He's a thorough doctor who is always looking that one step farther than usual and often discovers what another medical examiner might have missed. Detective Don Flack (Cahill) is the beat detective that most often works with the team.