Posted in: Disc Reviews by Gino Sassani on September 29th, 2011
The series follows the CSI model set forth in the original Vegas version of the franchise. The lead CSI here is Horatio Caine played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off the reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. If I have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season was Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead.
The 9th season sees a few big storylines develop. This version of CSI has always been the more explosive action version of the franchise. That usually played out mostly with Caine and Delko. A big improvement to this season is that everyone gets to do a lot more running and jumping this year. The season begins with a full out assault on the lab and the action never really lets up for one episode. Emily Procter had a baby this season so the Calleigh character doesn't get near as much to do as all of the others. The lab rats had to step up and I even found myself enjoying Eva LaRue a bit more that usual. She's still annoying but a little less so when she's running for her life.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2011
For the two or three people on the planet that don’t know, the idea is actually quite a simple one. The CSI night shift crime scene investigators utilize all of the latest science to solve often brutal crimes. Instead of guns, these detectives come packing microscopes and test tubes. The most senior member of the team is former Vegas showgirl Catherine Willows (Helgenberger) who juggles her long hours with raising a daughter. She usually provides the more clear-headed perspective. Grissom’s mild love interest is feisty Sarah Sidle (Fox). Promoted from the DNA lab is Greg Sanders (Szmanda). Sanders is often the comic relief, and while a solid team member, often gets into a spot of trouble. He’s the fresh eyes on the team, likely to be most identified with by the audience. Nick Stokes (Eads) is the macho man in the group. The newest member of the team is Dr. Raymond Langston (Fishburne) who came in last season after Grissom left to study bugs in South America. Hodges (Langham) looked up to Grissom and has had to step up his game in the lab since his mentor left. He's the guy that takes some getting used to and not the most respected in the lab. It's a tough year for him because lab partner and girlfriend Wendy (Vassey) leaves as the 11th season opens. The team often works with Lt. Brass (Guilfoyle) and medical examiner Robbins (Hall). Together they follow the evidence wherever it might take them.
Things are still changing in this 11th year, and the show has never really had a chance to settle since the departure of Grissom. Katherine is having to go up against the lab brass and Detective Brass this season and feels on the outs more than she feels like a part of the team. We're also about to lose the new character played by Lawrence Fishburne as he ends the season by killing a serial killer, but it wasn't a clean shoot. Even with the lab trying to protect him he's gone, and Ted Danson will replace him in the next season. Sarah is married to Grissom now but is here at the lab instead of in South America with him. It's an awkward situation for her and for us in the audience. It's hard for us to get past his exit because they keep talking about him. It's also never seemed very realistic to me that he could fall for Sarah. She's about the most aggravating character in the entire franchise.
Posted in: Disc Reviews by David Annandale on September 27th, 2011
In the wake of the financially successful but critically drubbed Transformers: Revenge of the Fallen, Michael Bay and company return to the fray with this considerably more coherent exercise. Given that this movie committed to advancing the cause of 3D like no other film since Avatar, the question arises as to how well its visual splendour and over-the-top technological extravagance will translate to home video. The answer is: pretty damn well.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2011
One of the best highlights of the 6th season include an episode where the boys get shoved into a reality where they are two actors playing in a television series called Supernatural. Yeah, they did it in Eerie Indiana, but it works just the same here. For so many fans the show has built an enormous reality of its own. This one just gives fans a chance to look at their own world for a few minutes through the eyes of Supernatural.
If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us the show has not only survived, but it has thrived, looking to be around for quite a while yet.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2011
Ever wonder what the kids of South Park might be like if they ever made it to adulthood? While I’ve not seen that many episodes of the FX series It’s Always Sunny In Philadelphia, that was the first observation that came to mind. These are the South Park kids all grown up. They’re crude, raunchy, mean, and most importantly, they are as politically incorrect as ever. If you need an example, I can offer one right from one episode. The guys have a Christmas tradition that dates back to their childhood of throwing rocks at moving trains. An episode I caught a while back had two of the guys going to an abortion rally because they suspected that pro-choice chicks gotta be easy. Sound like anyone we know? If you love irreverent humor that’s not afraid to cross over the line, this F/X series has everything you’re looking for, and without those silly construction paper animation limitations. These are real dudes.
The best way to introduce you to the world here is through the characters. The Philadelphia setting and all of the other trappings really don’t matter. You could put these characters any place, doing almost any jobs, and the series would pretty much be the same. The actors and some cleverly written dialog really make the show.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2011
“There’s always a story. You just have to find it.”
What happens when you’re a popular murder-mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self-centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do? You sign on as a consultant for the special crimes squad of the police department, and you help catch the real killer. Only instead of looking for him O.J. style on golf courses and in steakhouses, you team up with the cops and nab that good-for-nothing plagiarist. The problem with that is you might just find that you like it. Even worse, it might end up curing that writer’s block you got after killing off your lead character and proverbial golden goose, much to the chagrin of your publisher who also happens to be your ex-wife. Follow any of that? If you did, you now have the setup for one of the better premiere series from last season, Castle.
Posted in: Disc Reviews by Michael Durr on September 26th, 2011
The Durr household often enjoys a good vampire flic to warm the candlelight around the old HDTV (hey, shouldn't I be writing this for the 31 days of October delight?). The taste of blood, the price of your soul, nothing can prepare you for the demons that are right outside your door. Sure, they can promise you sexual pleasure and immortality but that blood is really hard to get out of your clothes. This evening we explore the title We Are the Night featuring four ghoulish women on the cover. Will they sate our palette for blood or perhaps share with us grooming tips? Let's find out.
We open up to a plane on auto-pilot that is witness to a horrifying display of murder and blood letting. Three girls, Louise, Charlotte, and Nora (played by Nina Hoss, Jennifer Ulrich, and Anna Fischer respectively) survey the damage. Unfortunately, none of them really know how to fly a plane, but that's what they get for killing the pilot. They get ready for their departure but Louise hears one more voice from the back of the cabin. She finds a stewardess and looks deep into her eyes before snapping her neck. The three women soon depart for the ground below.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2011
"Through the snow, and sleet, and hail / Through the blizzard, through the gale / Through the wind and through the rain / Over mountain, over plain / Through the blinding lightning flash / And the mighty thunder crash / Ever faithful, ever true / Nothing stops him, he'll get through."
When Walt Disney's big gamble with Snow White paid off an entire studio was created and financed. The man and his merry little band were on top of the world. But then Walt decided to try and sophisticate his audience somewhat, and the result was box office disaster. Both Pinocchio and Fantasia did miserable business, and the grand new studio was on the ropes. It's hard to believe that either of these movies failed on their original release. Walt's confidence in them has since been amply rewarded. Both are considered beloved classics today, but they appeared to be heralding the death of the studio when they were released. The studio needed a hit, and they needed one badly. It's a bit ironic that with all of the groundbreaking technological advances and innovations the studio had already made that it would be one of their simplest and least expensive efforts of the era that would lift the studio back on to solid ground. That movie was Dumbo.
Posted in: Disc Reviews by M. W. Phillips on September 26th, 2011
“There's something I've been dying to ask you. What's in the basket?”
If you are not familiar with Writer/Director Frank Henenlotter’s earliest full length feature, Basket Case, you’ve missed a grindhouse style, exploitation cult classic. It was shot on a shoestring budget, features non-professional actors, cheap special effects, and a script straight out of the fever dreams of a madman. In short, it is brilliant.
Posted in: Disc Reviews by Michael Durr on September 26th, 2011
Romantic comedies are the bane of most male's movie watching lives. Imagine everything that turns your stomach into sour grapes. A handsome leading guy, a wining leading lady and more holes in the plot than that one pair of underwear that you just can't get rid of. Well, despite the court restraining orders, despite the risk of self-mutilation, I review a harrowing title today named simply Love, Wedding, Marriage. May the gods help us through this one.
Love, it is a many splendid thing that causes men to act like complete idiots. Enter, Charlie (played by Kellan Lutz) who is on camera and trips over his tongue a bunch to proclaim his love to the woman of his life. Who is this woman you ask, well that would be Ava (played by Mandy Moore). We are soon treated to the wedding where Ava's father Bradley (played by James Brolin) leads her down the aisle while Bradley's wife, Betty (played by Jane Seymour) looks on.