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"He is the unique high-seas hero. A man of unshakable courage, unwavering principles, and extraordinary skill. Joining the Royal Navy at the outset of the bloody Napoleonic Wars, Horatio Hornblower rises quickly from new recruit to seasoned sailor, and his exploits become the stuff of legends."

When Gene Roddenberry was preparing his "Wagon Train to the Stars" that would become Star Trek, he turned to the historic hero from the books of C.S. Forester. Horatio Hornblower would be the inspiration and genesis for Captain Kirk. Like Kirk, Hornblower became one of the youngest officers in the fleet and rose quickly to the point where he was commanding the flagship of the Royal Navy. His adventures have been the stuff of radio drama and feature films. Now A&E brings us two of their film series.

"You cannot run from a vampire."

The American Film Company is a new venture that intends to tell historical dramas. There are several stories on the way. They are particularly interested in the lesser known elements of historical events that are, in themselves, rather huge and universally known. One is left with the kind of film that we saw last year in The King's Speech. While we all know about the global events of that time, few knew the story of the struggle over public speaking that the King had during that fateful moment in world history. I think you can say the same for the material in The Conspirator. There's likely not an American alive who doesn't know something of the assassination of Abraham Lincoln. We all know the location was Ford's Theater and many even know the name of the play that was being performed at the time. But there are lesser known facts about the event. That Lincoln didn't want to go is one some of you already know. But how many know that his murder was part of a larger plot to take revenge on the government for the defeat of the South? This film goes even farther than that. It tells the story of one of the more controversial accused in the plot that included the attempted murders of the Secretary of State and Vice-President Johnson. That defendant was Mary Surratt, and she would become the first woman executed by the Federal government. And she may not have even been guilty of a crime.

The film begins at the conclusion of the Civil War where we meet Frederick Aiken (McAvoy) who is a wounded captain. He orders the medics to care for his fallen friend, Baker (Long) who appears to be as good as dead. While the scene plays no real role in the story to unfold, it attempts to set two stages. It's a chance to touch upon the brutal war that has triggered the film's main events. It's also intended to help us get to know how good a guy Aikens happens to be. From there the film quickly moves through the execution of the plot to kill three members of the federal government. Only President Lincoln is mortally wounded, and his killer John Wilkes Booth (Kebbell) is soon captured and killed. All that is left for the struggling government now is to put the entire experience behind them by burying the conspirators themselves.

“The windows around here are not big enough for you?”

Writer/Director Keith Bearden’s debut film, Meet Monica Velour, seduces you like raunchy 70s porn star, but finishes you off with a happy ending like a cheap masseuse in a roadside massage parlor.  Not that this is a sex comedy, nor are the stars particularly sexy (except for Jamie Tisdale who plays young Monica Velour who is very, very hot), but the theme is about sexual illusions. Illusions from a time long past, when pornos tried to be movies instead of a series of masturbation loops and there was an ironic air of innocence to the whole smutty affair.

Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. His father continues to guide him through his own mind, meaning we get to see Pop even though he's gone. Working for the police with his officer sister, Debra (Carpenter), Dexter is constantly just on the verge of getting caught. He has to adapt and evolve to avoid capture.

“Most actors toil in obscurity, never stepping into the spotlight. But if you hone your craft, work diligently, you might just find yourself cast in the role of a lifetime.”

The series was previewed in a two-part episode of NCIS entitled Legend. A dead Marine in Washington led to a terrorist cell in LA, where Gibbs and McGee join the LA branch to bring down the bad guys. Here we meet the new characters and get a chance to get comfortable with them. However, by the time the show aired its first episode, there were some pretty major changes for the show already. It's not uncommon, and the Legend episode was really a back-door pilot. The location would be completely scrapped. The show would get new digs in a covert building that appears to be a condemned water plant on the outside. I'm not quite sure why a public agency needed a secret hideout, but there it is. The show retained its high-tech look. They have a Minority Report-style computer system which remained the centerpiece of their operations room.

The show differed in several ways from its sister show. While LA was still a military show, that angle is downplayed here. The atmosphere for the team is more civilian-looking all the way around. There are seldom folks walking around in uniforms. The operations utilize more of the standard surveillance and undercover work. In the back-door pilot, the leader of the group was an agent who had history with Gibbs. Her name was Macy, and she was played by CSI alum Louise Lombard, who was gone when the series premiered in its own right. Later we are told she was killed. There's a lot more street work to be found here. That means car chases and lots of shootouts. The cases often deal with terrorists, so these guys break a lot of the rules. They don't let any silly Constitution stand in their way.

“Unlike the rest of us, sex, lies, and scandal never take a vacation. Instead they take the Long Island Expressway and head East to the Hamptons. Some would say summer is their busiest season. Think Park Avenue, but with tennis whites and Bain de Soleil. The players change, but the game remains the same.”

Baby here again. No, you're not seeing double unless you're seeing two of me. That would be very bad since you're reading this and I'm not really there at all. No, you're not seeing double. But, thanks to the guys at Disney and a little bit to the guys at UPS who somehow got this thing through my tight security net, we get not one but two classic Disney animated movies on one Blu-ray release. This thing has so much canine content that you're gonna need a doggie bag for all the leftovers. Speaking of leftovers, you can send any of that stuff to us here at Upcomingdiscs in care of Baby. Now, how many paws am I holding up?

Of course, the movie should have been called The Hound And The Fox, because we know who should get top billing here. But don't blame the guys at Disney for that one. That blame belongs to a guy named Daniel P. Mannix. You see, he wrote a children's book a while before, and this was another one of those Disney versions of a classic story. I guess that means I should tell you the story.

NCIS is a spin-off, of sorts, from the popular military lawyer show JAG. You could say that NCIS is the Order to JAG’s Law. The NCIS is a real government agency that deals with criminal activity inside or involving the US Navy or Marine Corps. The series has an incredibly global feel and honestly looks damn good for television. Production values are high, and the location stuff is out of this world, or at least all over it.

Special Agent Gibbs (Harmon) heads up this group of criminal investigators. Harmon has always been good, but I dare you to find a character he’s played better. He just eats up the part. You won’t have any trouble believing that Gibbs is the seasoned veteran investigator leading this team. Special Agent DiNozzo (Weatherly) is a former Baltimore homicide detective who often lets his determination run his investigation into trouble. He’ll bend a rule or throw a punch, whatever it takes to bring down the bad guy. The newest member of the team is Israeli Mossad Agent Ziva David, played by Cote de Pablo, a newcomer to television. She has the unenviable task of replacing popular actress Sasha Alexander, who exited the show after two seasons. She is, perhaps, one of the most complicated characters I’ve yet to encounter in ensemble television. She’s difficult to read and shows a performance level beyond the scope of a beginner. Rounding out the cast are two very nice characters. Pauley Perrette plays the goth chick/forensic specialist Abby Sciuto. She reminds me a ton of the Penelope Garcia character from Criminal Minds. She’s flirty, far too informal for Gibbs, but is a lot smarter and tougher than she appears. Making himself more visible in this series is David McCallum as pathologist Ducky Millard. Ducky is the Quincy of the group as he checks out the bodies. His dry wit makes him my favorite character on the show.

"I never thought we'd get back to this table. I can't tell you how good it felt to have dinner together again. We hadn't done that since the accident. To be honest, sometimes it felt like we'd never get over it. But somehow we did."

But will we ever get over the Walker family? This was to be the final season of the series, and the network wasn't exactly kind in its last days. The budget was slashed so that most of the characters appear in limited episodes. You won't find near so many of the Walker family gatherings as you did in previous years. This plays out very much like a series that is winding down. There are still some nice moments, and most characters get closure.