Posted in: Disc Reviews by M. W. Phillips on August 10th, 2011
“This family thinks they are better than us!”
If you think the wedding “rom com” has been done to death, Jumping the Broom won’t change your mind. It covers much the same ground you’ve seen again and again, but one cannot deny director T.D. Jakes has crafted a charming if clichéd film.
Posted in: Disc Reviews by M. W. Phillips on August 10th, 2011
“The key to faking out the parents is the clammy hands. It's a good non-specific symptom; I'm a big believer in it. A lot of people will tell you that a good phony fever is a dead lock, but, uh... you get a nervous mother, you could wind up in a doctor's office. That's worse than school. You fake a stomach cramp, and when you're bent over, moaning and wailing, you lick your palms. It's a little childish and stupid, but then, so is high school.”
John Hughes was enjoying a creative peak in the 80s. He owned the teen coming-of-age genre with movies like Sixteen Candles, The Breakfast Club, Weird Science, Planes, Trains and Automobiles, and Uncle Buck. Hughes wrote Ferris Bueller’s Day Off in less than a week to avoid a writers’ strike. The film was shot for a budget of $6 million as a love letter to Chicago. It is arguably his finest movie.
Posted in: Disc Reviews by Michael Durr on August 10th, 2011
Though others might not share my same vision, I have had my share of serious cop movies and television shows. Every time I turn on the television, it seems like everybody wants authentic police work in the form of crime scene investigation, special victims unit, and even a SWAT team or two. Even though this has spawned a few excellent shows like Flashpoint and the Shield, I wished for something lighter. Enter the direct to disc film, Tactical Force.
It is just another day in Los Angeles. We visit a grocery store where normal activity is occurring. All of the sudden, a clown, Bill Clinton, and Obama show up (masks of course). If that is not the setup for a joke, I don’t know what is. Anyway, they hold up the place. As people are gripped in fear, the police are called in to negotiate the safe return of the hostages. But there is only one team that can take care of this situation, and that is the SWAT team.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2011
"This is me now. A man haunted by the sacrifices he's had to make. A man who ran and never looked back. I left my country to begin a new life, one where I could finally blend with those I was living amongst, become just another face in the crowd."
Well... anyone who has seen even one episode of HBO's half-hour comedy Eastbound & Down knows that isn't going to happen. Former major league pitcher Kenny Powers could no more easily blend into a crowd than Charlie Manson at a law enforcement convention.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2011
"Welcome, Little Piggies, to The Task."
Posted in: Disc Reviews by Gino Sassani on August 10th, 2011
"You are now under quarantine."
Posted in: Disc Reviews by Gino Sassani on August 8th, 2011
"We are looking at an unexplained phenomenon. It appears to be a partially preserved severed head, maybe of a deformed person or a wild animal. Perhaps the metal base contained some sort of preservative presently unknown to us."
Posted in: Disc Reviews by Michael Durr on August 8th, 2011
Sometimes I wonder what would have happened if I wised up at the altar of my first wedding and walked away. Sure, I would have been spared a terrible marriage and some financial woe but fate has a weird way of canceling out the good things in life too. How long would I have been single? Who would I end up with? Would I even know the love of my life, Sarah? Scary when you start thinking about it. Well, today I review A Guy Thing which explores a marriage to be that shouldn’t be. What will happen?
A pair of shots are poured. Jim (played by Shawn Hatosy) says there are three rings in a man’s life: the Engagement Ring, the Wedding Ring and suffering. *rim shot*. Heyooooooo. Jim is the best man for Paul Coleman (played by Jason Lee) who is set to be married in just a week’s time. The bachelor party is at the Hula Lounge and the bar is a hopping. But Paul just does not want to be recognized as the groom of this bachelor party.
Posted in: Disc Reviews by Michael Durr on August 7th, 2011
Hockey is one of my favorite sports. Unfortunately, figure skating is not. This actually paints an interesting parallel. How can two sports that both share skating on the ice cause love on one side and distaste in the other? It most likely stems from upbringing and society's mainstream views on the two subjects. But what would happen if a hockey player came to the world of figure skating, would I feel different about the sport? Perhaps, but I would be more interested to see a film about it. Enter: The Cutting Edge.
The alarm sounds, Doug Dorsey (played by D.B. Sweeney) wakes up in a panic along side a girl with a heavy foreign accent named Lita or Rita or perhaps Anita (it is actually Gita, played by Nahanni Johnstone). Doug is #9 on the American Olympic Hockey team and is to be the next big thing in the NHL. However, at this point he is four hours late and must get dressed and off to the finals with the West Germans.
Posted in: Disc Reviews by David Annandale on August 4th, 2011
Having accidentally caused the death of her mother, Helen (Jenny Neumann) develops an unhealthy fixation with broken glass. Now an adult and an aspiring actress, she auditions for a role in an absurdist play. She gets the part, and also the attention of her handsome co-star. But then someone starts killing off the cast and crew of the play. Is it Helen?
It isn’t really venturing into spoiler territory to reveal that the answer to that question is “yes.” It is just one of the many odd aspects of this Australian slasher flick that the murders are staged in such a way (often, though not always, in first person) as to conceal the identity of the murderer, while the story makes it clear that there is only one person who could be responsible for the deaths. It then has the nerve to reveal Helen as the killer, right at the end of the film, as if this is some kind of surprise. Imagine if Halloween had concluded with the statement that “The murderer is... Michael Meyers!” and you have the idea. Meanwhile, the editing is frequently disorienting, with the 180-degree rule being violated on a number of occasions, and any sense of geography going right out the window (unless we really are supposed to believe that the critic’s home is an annex of the theatre itself). The storytelling is extremely choppy, with the film being broken up into short, barely developed scenes that have very little connective tissue between them. And as far as the plot itself goes, it’s a typical 1980 slasher in every way, just with Australian accents.
Now having said all that, the theatrical setting does add a measure of interest, and there are moments that call to mind Michele Soavi’s later Stagefright (1986). While the latter is by far the better movie, Nightmares (which was also, by coincidence, known as Stagefright) really comes alive in the rehearsal and performance scenes, with some genuinely witty barbs thrown out at the theatrical world, and some striking camera compositions tossed into the mix. So while this film will remain of interest primarily to fans of the 80s slasher movie, said fans will find just enough different here to make the film worth checking out.