Posted in: Disc Reviews by Gino Sassani on November 22nd, 2010
I can't help it. Whenever I see David Boreanaz I can't stop seeing the brooding vampire Angel. It's not really his fault. This character couldn't be farther from the Angel character, but that's what I see. It's also true that Bones, now entering its sixth season has been around longer than Angel. It's also very likely that he now has fans that aren't even aware of that previous character. It has been quite a few years. I'm usually better at letting go of a character once the show has ended and the actor has moved on. But there it is. Agent Booth ends up doing something silly, and it throws me for a bit of a loop. It's probably a testament to how good of an actor Boreanaz actually is, that he's ingrained himself so fully in my brain. And, I haven't watched near as many episodes of Bones, to transfer that identification. But it's Bones that's here now, and based on its current popularity, it's likely to be here for a while longer yet.
Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later. The lab is run by Dr. Camille Saroyan (Taylor) who has become a bit of a guiding mother to the team. Dr. Hodges (Thyne) is the trace-elements expert and tries very hard to be cool and hip. He's generally the opposite of Bones. He says pretty much what comes into his head and is a bit of a science-fiction geek. Angela (Conlin) is an artist who uses her skills to reconstruct facial details from the skulls. She also works on enhancing images and restructuring evidence. She's a bit of a romantic and has probably slept with every male in the lab. Dr. Sweets (Daley) is a young FBI agent and psychologist. He profiles victims and suspects as well as serves as a counselor to the team. He's a bit over-eager at times, looking up to Booth as a mentor, of sorts. The lab also has a few interns that show up from week to week, likely depending on actor availability.
Posted in: Disc Reviews by Michael Durr on November 22nd, 2010
Some of you might know that even though I couldn't fight my way through a sturdy paper bag, I am an avid fan of all types of martial arts and combat sports. There is something about the grittiness of two men pounding each other into submission that keeps me riveted to my seat. My curiosity was peaked when I saw a copy of Human Weapon, Season One appear on my doorstep. Hopefully this History Channel show would help me appreciate martial art combat that much more.
Imagine traveling the globe from week to week learning about various martial art styles from the originating country. Once you get to that country, you spend a whole week in intense training from a variety of experts that happen to live there. Then you take all that you gathered that week and use it against somebody who has studied the martial art for years, perhaps even a master and try to beat him. Sound impossible? Well tell that to Jason Chambers and Bill Duff.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2010
Dear Faithful Readers, Due to the nature of Sam Kinison's work on stage and off stage, this review may contain foul but funny humor, bad but heeeeelarious language, and not so politically correct (but correctly off the wall) jokes. Please be aware before you continue to read. Yours Always, Noms
*Yells into a microphone* NOW LET'S GET THIS PARTY STARTED! Oooooooo owwww owww owwwwwwww! For those of you who don't know, Sam used to be a preacher. No, I am not a liar dangit, look it up! But after his divorce with his first lousy skeeze who broke his heart into a billion pieces, I mean *cough* wife... he left that behind and became a comedian. And not just any comedian, an effin legendary comedian. It is just sad that his life was cut short, and not because of drugs or alcohol that HE used (which everyone and their mothers swore was gonna be the cause some day) but due to a drunk driving, 17 year old, kid. The world works in mysterious ways.
Posted in: Disc Reviews by Michael Durr on November 21st, 2010
As a kid and teenager, I watched a steady diet of cartoons (I still do). I never really adventured much into the high school television programs and movies except maybe ones like Saved by the Bell or Head of the Class. Most of them were too sweet and perfect and last time I checked I’m not perfect so I couldn’t relate (the sweet jury is still out). Hopefully 16 Wishes which did quite well on the Disney Channel would be a little different. I wouldn’t count on it.
Abby Jensen (played by Debby Ryan) is about to wake up to a very special day. It is her 16th birthday!! (Papers and streamers everywhere, oh glorious!) In fact, this little lady right here has something more than a 16th birthday, she has 16 wishes printed on construction paper!! (More streamers!!). They are wonderful wishes but there is a special one at number sixteen, a picture of Logan Buchanan (played by Keenan Tracey), high school quarterback, yadda yadda yadda. She must want to make kissy face with this boy, we'll see if she ever gets her chance.
Posted in: Disc Reviews by William O'Donnell on November 19th, 2010
Here is a second volume of episodes from the Marvel cartoon's first season, which is geared towards young children. The review for the first volume, written by the highly skilled and suspiciously well-dressed Michael Durr, can be found here: https://upcomingdiscs.com/2010/07/12/marvel-squad-vone/ . Dr. Doom is still using his many evil minions to obtain fractals of the shattered Infinity Sword before the Superhero Squad, a team of Marvel heroes assembled for their unique skills depending on the mission as led by Iron Man, can stop him.
As it has been for every episode in this first season, the humour ranges from quirky one-liners that only slightly older viewers may catch, to extremely low-brow bodily function gags, mostly pertaining to farts and burps; though the latter only arises whenever Mole Man or Hulk are involved. Not to say that this makes it uninteresting for viewers young or old but is more unifying. As well, each episode often features cameos by many characters from the Marvel universe, much of whom are rather obscure as only hardcore Marvel geeks might know (show me an 8-year-old who knew who Thanos was before this show and I'll eat my Thor shirt!). Perhaps the most amusing cameo is The Punisher, being voiced by Ray Stevenson who actually played the violent vigilante in an R-Rated adaptation of the comic Punisher: War Zone; only here, he uses a metaphor about brussel sprouts when speaking about crime...but still has many a gun go off at random in an especially amusing scene.
Posted in: Disc Reviews by Gino Sassani on November 18th, 2010
They’ve been called The Greatest Generation, and who are we to argue the point? Sitting here writing reviews from my comfortable seat in a state-of-the-art home theater, I’m in no position to lay claim to the title. They fought in the bloodiest conflict in modern human history. Over 20 million were killed. That’s a staggering number. If you’re like me, it’s not even real. I can honestly say that those facts have never really reached home as much as they did while watching this footage.
World War II has been a favorite topic for Hollywood films since before the war itself ended. There have been some truly remarkable efforts and some equally unremarkable disasters. Many of these films have been long forgotten. Heck, many of them deserve to be forgotten. But something that should never be forgotten is the stuff of this footage. To do so would be a sacrilege of the worst kind. But these war films, no matter how startling the scenes, no matter how real we might think they are, no matter how visceral the experience might appear, nothing can ever capture the reality like this footage has done.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2010
It was in 1843 that celebrated writer Charles Dickens created one of the most iconic symbols of Christmas with his publication of A Christmas Carol. It was a cautionary tale for an industrial revolution that was getting caught up in its material worship. Dickens intended the story both to entertain and to put the spotlight on what he considered already then was an over-commercialization of the Christmas season. Little did he know that his very story would become a huge part of that commercialization. While the writer gave us many memorable characters like Oliver Twist, David Copperfield, and Little Nell, perhaps none have become so well known as Scrooge and Tiny Tim. It's certainly true that no other story has been used as much in film, television and on the stage.
For most modern folks it all started in 1951, almost 100 years after the story's publication, with the definitive film staring Alastair Sim. That movie has captured the hearts of several generations. But it didn't begin nor did it stop there. The three Christmas ghosts have haunted over 100 film and television versions over the years. Even Fred Sanford was visited by the specters, resulting in at least a temporary temperance of his biting grouchiness. With such a classic tale, it was only a matter of time before the computer-animated genre and the motion-capture technology were used to deliver a new movie for the holiday masses. Thank our lucky stars, my gentle reader, that it was Walt Disney Studios that took up the task. The results could have been rather unfortunate.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2010
"My name is Sam Tyler. I had an accident and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever happened, it's like I've landed on a different planet. Now, maybe, if I can work out the reason, I can get back home."
I kind of did things a little backwards. I saw the single-season American version of Life On Mars quite some time before I managed to get my hands on the two seasons of the original British version of the show. The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.
Posted in: Disc Reviews by David Annandale on November 17th, 2010
The teenage soap opera sensation of the 90s came to an end with this, its 10th season. As one would expect, in a season all about wrapping up storylines, along with various assorted crises, romantic and otherwise, weddings are in the offing. One is supposed to be between Kelly (Jennie Garth) and Matt (Daniel Cosgrove), but is complicated by the brooding presence of Dylan (Luke Perry). Will Kelly and Dylan sort out how they feel about each other (and I note with amusement that the jacket copy describes the relationship between these two twenty-somethings as “age-old”)? Perhaps more promising is the wedding between David (Brian Austin Green) and Donna (Tori Spelling), which provides a reason for most of the cast, past and present (minus the problematic Shannon Doherty) to reassemble for the grand finale.
This was always a pretty slick package, and for all that it was about terminally pretty people, the series did delve into some heady topics (gay bashing is one that is handled this season). But the overpowering odor of cheese was never far away (I remember a particularly hilarious studio-set version of Paris that the gang visited), and how did anyone ever take Perry's Poor Man's James Dean impression seriously? This will be an enjoyable nostalgic trip for fans, though, and a startling reminder of how many cast members became household names, only to plunge into the Where Are They Now File within seconds of the series' cancellation.
Posted in: Disc Reviews by William O'Donnell on November 17th, 2010
A 911 operator returns to work after suffering the loss of her child during delivery, only to start suffering what seems like hallucinations of a lost girl and a menacing man. Obsessed with what she sees, she starts a journey from New York to Pennsylvania to discover the truth behind her visions.
Catherine Bell is solid as the lead but the supporting cast is less than stellar, placing the weight of the film onto her shoulders. Sadly, the pacing does nothing to help her. The building of this film's mystery could have been edited down to fit within a hour as if it were a prime-ime drama. Granted, the conclusion is interesting enough but the path getting there contains too many scenes of filler dialogue that seem only there to get it closer to a feature length of an hour and a half (which it still doesn't quite make). So all in all, Bell is largely left stranded while everytone else plods through the motions, and we the audience are left less than riveted (Fun Fact for Geeks: Keep an eye out for actor George Buza, who might be recognized from Sinbad or as the voice of Beast from the X-Men).