Posted in: Disc Reviews by David Annandale on October 10th, 2010
So Troll 2 hits Blu-ray. That fact is as sure a sign of the coming Apocalypse as any I can think of, and, at the very least, must threaten the entire Blu-ray format with destruction, as judgment rains down from the hands of an angry God. If, Gentle Reader, you come to this review without any foreknowledge of the film, and are actually wondering if a movie called Troll 2 might be good, then please run as fast as you can and hide. Or at the very least, please watch the legendary YouTube clip appended below. What, you're still here? Don't say you weren't warned.
I'm risking my immortal soul by writing any kind of a synopsis of this film, but here goes. Little Josh (Michale Stephenson) is regularly visited by the rather cranky ghost of his grandfather, who warns him about the dangers posed by goblins (yes, this is a movie called Troll 2 that features goblins instead of trolls – already a dire omen). Josh's family heads off into the countryside for a pioneer-style holiday. Less than happy to be on the trip is teenage daughter Holly (Connie McFarland), whose callow boyfriend Elliot (Jason Wright) was supposed to come along, but was late. Elliot and his equally idiotic friends are now trying to catch up under their own steam. Our characters arrive in the town of Nilbog, where the residents turn out to be goblins in disguise. Their dastardly plans involve transforming the people into vegetable hybrids, and then eating them.
Posted in: Disc Reviews by Archive Authors on October 8th, 2010
Open Water:
An over-worked couple (Blanchard Ryan and Daniel Travis) whose marriage, while not in danger, has clearly reached some difficult shoals, head off on a diving vacation. A mix-up (which is disturbingly credible) results in the tour ship leaving them behind. Stuck in the middle of the ocean, they float together, hoping against hope for rescue, growing cold and hungry. And then there is the marine life. Like stinging jellyfish. And sharks…
Posted in: Disc Reviews by Michael Durr on October 8th, 2010
As mentioned before, reviewing television series can be very rewarding since I don’t watch as much television as I used too. I’ve found series that I never knew existed until the discs showed up in my mailbox. One of these great series is named Legend of the Seeker. I was fortunate enough to review the first season and it got great marks. So, I was even more delighted to see the second season hit my hands as well. This might be the final season for the show but let’s hope they saved the best for last.
So boys and girls, do you remember what happened in the first season? Well the Seeker, Richard Cypher (played by Craig Horner) defeated the evil Darken Rahl (played by Craig Parker) and sent him to the underworld. There will be much rejoicing and celebrating now that the lands are free and maybe finally the people can live in peace. Or will they? *insert dramatic music here*.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2010
"You are what they eat."
In 1964 Herschell Gordon Lewis brought us the classic gore-fest Two Thousand Maniacs. It was pretty much like all of his films. It was generous on the naked babes and the blood. Lewis was one of the pioneers of the slasher film and was producing low-budget gore films long before they were popular in the mainstream. The man continues to be a legend in the genre. It's been a long time since an original Lewis film has been released, but his influence can be felt everywhere in the genre. So, when I first heard about a "sequel", of sorts, being prepared by Tim Sullivan, I was intrigued, to say the least. This could either be a ton of fun or a complete disaster.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2010
"Every government has its secret service branch. In America it's CIA, England MI5. A messy job? Well, that's when they call on me, or someone like me. Oh yes. My name is Drake, John Drake."
Posted in: Disc Reviews by Gino Sassani on October 6th, 2010
The legacy of Walt Disney and the studio he created requires little explanation. The studio invented the idea of a feature-length cartoon and has been on the cutting edge of animation since the 1930’s. No other studio can claim ownership of as many animated classics as Disney. From Mickey Mouse to Pixar, the studio has churned out one masterpiece after another for over 60 years. What tends to get lost in this great body of feature-length classics is that the studio was also producing some very high-quality shorts over these years. Whether it’s Disney favorites like Mickey, Donald, Minnie, or Goofy or it’s strictly one-off characters gathered to tell a wonderfully animated story, Disney has a record that simply hasn’t been and likely will never be matched.
The Disney magic faded for a little while during the 1980's. There were still animated features, but they weren't the groundbreaking triumphs of the studio's golden age. All of that changed as we entered the 1990's. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2010
We all remember the classic underdog film from 1984. Then it was awkward child star Ralph Macchio and Pat Morita in the lead roles. It was a coming-of-age story that taught some valuable lessons about discipline and patience. It was an immediate classic that pulled in a much more than respectable $90 million at the box office. It spawned three sequels which did not do near as well as the original. Now we find ourselves in an age where just about any movie ever made has to be remade/reimagined/rebooted/ or merely capitalized upon. Should there have been a new Karate Kid?
The box office would indicate that the move was a good one. The take was nearly double that of the original film. You also have to remember that 16 years have come and gone and $176 million doesn't buy you what it used to. Still, it's a huge number for a remade film, so I suspect the folks behind the film feel justified. Don't be surprised to see another group of sequels to follow.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2010
One Flew Over The Cuckoo's Nest was the first movie I ever saw on HBO. These were the very early days of the cable network. It was before the dawn of any real home video. It was at my Aunt Shirley's house that several members of the extended family gathered in dining room chairs around a 19-inch television to watch a movie uncut and without commercial interruption for the first time in our lives. A lot has changed since that 1970's afternoon at my aunt's house. Today we have hundreds of such choices on our television dials. I've seen a huge wave of home video technologies since that day that have included CED video discs, VHS/Beta, laserdisc, DVD, and now high-definition Blu-ray and movies on demand. The entire game has changed since that gathering 35 or so years ago. One thing has not changed a bit. One Flew Over The Cuckoo's Nest was a dynamic and compelling film that day. It remains so today.
R.P. McMurphy (Nicholson) is a repeat criminal who has caused more than his share of trouble in the system. He is sent to the Oregon State Hospital to have his sanity evaluated. There the head psychiatrist Dr. Spivey (Brooks) doesn't really think he's crazy. But McMurphy is held over for observation. He's placed inside a general population ward where he comes into contact with the resident "crazies" of the hospital. He takes a particular liking to Billy (Dourif) who is a sexually repressed teenager who stutters and lacks any kind of self-confidence. In a big way, he is the opposite of McMurphy himself, who is quite the extrovert and borders on manic most of the time. There is an Indian man who is about as big as a mountain who the staff and inmates simply call Chief (Sampson). At first Chief is the subject of mockery from McMurphy, but the allegedly deaf and dumb Indian soon earns McMurphy's respect, something we quickly understand is a rarity for McMurphy. Other patients include the childish Cheswick (Lassick), the shy and naive Martini (DeVito), the borderline psychotic Taber (Lloyd), and Harding (Redfield) who was pretty much the crew's unofficial leader before McMurphy came along. In charge of the ward is the indominable Nurse Ratched (Fletcher). A battle of wills soon develops between McMurphy and the cold nurse. What McMurphy doesn't know is that she has the power to keep him even after his original jail sentence has expired.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2010
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing.
He’s Your Dog, Charlie Brown: Snoopy’s driving the neighborhood crazy, and they want Charlie Brown to do something about it. That means back to The Daisy Hill Puppy Farm for everyone’s favorite flying-ace beagle, and obedience school. But along the way to the farm Charlie Brown discovers just how much he loves Snoopy, just the way that he is.
Posted in: Disc Reviews by Michael Durr on October 5th, 2010
For somebody who does a lot of the cartoon reviews on this website, I often miss many new cartoons that crop up on Saturday mornings, Comedy Central, Nickelodeon, etc. One such animated show cropped up on my review slab. In the spirit of Halloween, (but not an official Nights of Terror post), it is my pleasure to take a look at Ugly Americans, the newest animation from Comedy Central.
Mark Lilly is a newcomer to Manhattan. He moves into his first apartment that he found on Craiglist, a nice two-bedroom with a roommate. One little problem, his roommate is a flesh-eating zombie named Randall Skeffington. Randall became a zombie in an attempt to win over a hot girl who was into zombies. The only issue is that the hot girl had moved on to warlocks by the time Randall had turned.