Posted in: Disc Reviews by Archive Authors on May 12th, 2009
The Caller is a film starring Frank Langella and Elliott Gould. It is a tense thriller about corporate foul play and voyeurism, wait, what year is it? With the recent critical acclaim of Langella, it seems only fitting to market his name on a low-budget film. Unfortunately for the film, Langella’s performance is one of the only shining moments. Langella plays an aging VP of an energy company that decides to blow the whistle on the corporate wrong doings that are going on. Understanding that he’s written his own death certificate, Langella hires a private investigator (Gould) to follow him to help catch his eventual killer.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2009
“Your life is defined by its opportunities... even the ones you miss.”
F. Scott Fitzgerald is one of those great American writers from the classic age. In school most of us were required to read various works from the writer. For many students those works included The Curious Case Of Benjamin Button. The original work is a mere 20 page short story. For the last 15 years Hollywood has made one attempt or another to bring the classic story to the screen. The closest anyone got was Ron Howard who expected to bring in John Travolta
Posted in: Disc Reviews by William O'Donnell on May 11th, 2009
Based on a play by Wallace Shawn (who also co-wrote the screenplay), this film is a day in the life of an unhappily married couple, played by Juliane Moore and Matthew Broderick, who don't know what to do about said unhappiness. The story is simple but the paths each character take is not. After a bitter breakfast scene, they separately go about their day before meeting at a party in the evening where Marie may or may not leave Bruce once and for all.
Posted in: Disc Reviews by Gino Sassani on May 7th, 2009
Talk about your hit show running out of steam. The Waltons is the perfect example of a show that outstayed its welcome. When it first took television audiences by storm in 1971, it became a cultural phenomenon. But by the show’s ninth and final year as a regular series it was 1980 and the country, the world, for that matter, had changed. It didn’t help matters that Richard Thomas had left the show, and his popular John Boy character, behind. The show’s core fans remained, but America’s love affair with The Waltons was clearly over.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2009
“Symbols are a language that helps us to understand our past. As the saying goes, a picture says a thousand words, but which words? Understanding our past determines actively our ability to understand the present. So, how do we sift truth from belief? How do we write our own histories, personally and culturally, and thereby define ourselves? How do we penetrate years, centuries of historical distortion to find the original truth? Tonight, that will be our quest.”
Conspiracies can be fun. We all buy into them to one degree or another.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2009
Two And A Half Men reached their 100th episode in the 5th year. That’s the milestone when a series becomes viable in syndication to local market stations. That’s the kind of show you see once, twice, a hundred times a day on those local stations either just before primetime or late at night. This is also the year that the writers of CSI and Two And A Half Men switched shows for an episode. It’s one of those cross-over ideas that I don’t think had been done before.
Posted in: Disc Reviews by Gino Sassani on May 5th, 2009
It’s the end of the October Road for Nick and the gang. If you want to blame anyone, there’s plenty to go around here. First of all, the writers’ strike didn’t do anyone any favors by delivering only a 6 season first year. While the cast was made up of good actors, there is never any kind of chemistry between them. They look like actors thrown together because they have to be. The writing is uneven. Did anyone ever really plan out what this show was really about? There are fans; every show has some.
Posted in: Disc Reviews by Gino Sassani on May 5th, 2009
They say that it isn’t over until the Fat Lady sings. Did you ever wonder what “it” was or who the heck this Fat Lady is they keep talking about? I can’t help you there, but I do know who the Fat Man is. It’s William Conrad, who came back to television in 1987 as J.L. McCabe, better known as “the Fatman”. McCabe was one of those tough as nails district attorneys. He was actually an ex-cop, so had great criminal instincts. McCabe wasn’t above bending the law to put away the bad guy, and he wasn’t considered a very friendly type of fellow.
Posted in: Disc Reviews by Gino Sassani on May 5th, 2009
Warner nearly single-handedly invented the cartoon medium as we know it today with the advent of their various Bugs Bunny and associates cartoons. Ever since the early 1930’s these characters have become an indelible part of the American pop culture. Their images became an important part of the World War II effort and even helped to put a face on the issues of the Great Depression. They represent one of the richest histories in animation, second only to Walt Disney.
Posted in: Disc Reviews by David Annandale on May 5th, 2009
Dustin Hoffman is the titular Harvey, a morose jingle composer who, with his job hanging by a thread, arrives in London for his daughter's wedding. He is a complete outsider at the rehearsal dinner, and feels even more cut off when his daughter informs him that she wants her stepfather to give her away. Meanwhile, the scarcely more cheerful Emma Thompson spends her time being set up for disastrous blind dates and being constantly harangued on the phone by her mother. These two losers at the game of love meet, and something blossoms between them.